I’m feeling what Bloody Edith is putting down. Specializing in reproductions of the 1930s through the 1950s, Bloody Edith has distinguished itself from other reproduction brands by offering pieces (lots of great separates) that I haven’t seen in colors that I also haven’t necessarily seen and everything looks lovely and wearable. Based in Milan, Italy, their website is mostly in Italian, so I’ll stick to the Etsy page for links to purchase.
From the Philosophy section of their website:
“Each garment is designed and hand made by crossing a taste for the past to the advantage of a new item. In the roman tailoring shop are born dresses with floral theme stealing the colors of Hawaii, high-waisted trousers with a characteristic cuff that remind us of the big screen’s divas, screwed jackets and animalier shirts. This is not a simple reproduction of the Forties and Fifties fashion, but a unique replica of the trends that have left an indelible mark in the history of costume, to return to woman the pleasure of a single item, freeing her from the trends imposed by a market fashion plagued by the products in series.”
I like this idea of trends leaving a mark on history – as we all know, nothing is ever new in fashion, as it constantly draws references from the past. I also like the idea of being free of trends. Style blogs often preach basics, but basics are informed by personal style, body shape, the needs of the wearer, and beyond. Basic never has to be boring if it’s something you reach for in your closet over and over.
Of particular note are the excellent knits – knitwear used to be completely evasive and that has been slowly changing in the reproduction business, but is still not quite there as compared to other clothing items offered. I prefer natural fibers and was delighted to see knits in cotton and wool.
My only complaint is the size range – I am a very average size, even smaller than the actual average size woman in the US, and I clicked on several bottoms and probably won’t fit into the largest size. The 1950s jeans offered are not commensurate with actual 1950s jeans I own, which have a generous waist/hip ratio to accommodate a number of different hip measurements. I am assuming this is a modern accommodation, since the majority is so used to wearing tight denim, which I shall never understand.
They really deserve a standing ovation. I’ve been following Sweden based clothing company Emmy for several years after their high quality winter cardigans came on my radar and have picked up a couple of pieces from each twice yearly collection since then, but the Spring/Summer 2021 collection took my breath away. Timely titled “Homebound Holiday,” it’s far from leggings and tees – it feels more like a collection of hope, for all sorts of occasions and things I want to do outside of my home and look fabulous doing it.
The collection takes inspiration from so many early 20th century sources, from Edwardian day wear to 1940s sportswear. If you like mixing and matching eras, this is a fab collection. The color coordination is superb – there are so many capsule wardrobes that could be put together from the collection with the purchase of a few pieces to mix and match to create multiple outfits. Also, part of Emmy’s philosophy is that all of their collections will coordinate with past collections so that you are building a wardrobe rather than starting over with new color schemes each season, so if you’re thinking about jumping in, I can assure you that the water is fine.
I am perhaps most excited about the bottoms in this collection, which can be difficult for summer plus dancing. If you are not a skirts person, I would highly encourage you to take a jaunt to the Emmy pants and shorts page and behold the summer weight fabrics in colors and neutrals. The Hayworth Holiday shorts are beyond adorable, and if, like me, you struggle with thigh circumference with shorts, the adorable pleats in the front look like leg liberation. I can’t resist a romper, so of course there are four to choose from. The addition of belt loops to the romper is brilliant to accommodate a variety of waist sizes and to give the option of a cinch when you need it and taco room when you don’t. There are three styles of trousers to accommodate styling preferences, two that can be paired with braces (that you can also buy on the website). Finally, there are adorable overalls in two neutrals and two candy colors that make me smile.
I could go on and on about everything, but I need to trust that you will go and see for yourself. I believe there’s something for everyone in this collection and look forward to wearing my pieces in the future for work, dancing, play, hanging out, visiting, exploring – everything we haven’t been able to do in the past year.
I don’t know what is going on in the UK, but they are acing the vintage reproduction market in almost all ways. Enter Cousin Jack Menswear, adding to the ranks of promising vintage offerings and showing the practical side of looking good. For example, pictured on the main page of their website is a pair of trousers with a fishtail back, espousing that said trousers “can be worn for cycling, jogging, fishing, hop skotch [but not scotch? I’ll defer, LOL], or even turning up a new spindle for that staircase.” While I don’t believe anyone is going to run a 10K in these trousers, I do like the idea that if you needed to break into a trot to chase a pet or maybe spend a couple of hours swinging out, that you would be secure in the breathability and range of motion of said trousers.
The collection is set up to be mini-capsule wardrobes, which I like because of the practicality – it’s easy to pick a suit, maybe a couple of waistcoats and shirts, a pair of braces, and a sweater vest and mix and match all of these pieces to create different looks. If you’re feeling extra fancy, indulge in a pair of plus fours and coordinating socks (thank you for putting these together) or a classic pair of striped pajamas. From the website:
“The idea was to create a collection of heritage inspired ‘looks’ that would appeal to many men rather than one style that would only appeal to one group.”
While not local to me, I love their emphasis on sourcing and manufacturing locally: “We manufacture either on site or in specially selected factories in the EU – where we are confident of the essential ethical standards. Our fabrics are selected from quality EU or UK based suppliers such as Abraham Moons in Leeds and Brisbane Moss in Todmorden.”
Cousin Jack is a spinoff of The House of Foxy, one of my favorite current brands, so I would wager that the garments are high quality, which is my experience with the multiple HOF garments I own.
If anyone has experience with this brand, please feel free to chime in and leave a comment below!
I got a gut punch the other day when someone posted online about Loco Lindo’s collaboration with someone/something named Scout (feel free to explain this to me, I couldn’t locate info on the website), everything in seersucker and 40’s inspired. I was looking at a vintage romper I owned – same pattern, same material, only the romper in my closet was starting to get snug and uncomfortable for dancing. THIS WAS MY CHANCE AT REDEMPTION. I didn’t hesitate to place an order for the Carolina Romper (they are coming for me, DIRECTLY). It arrived and has all the bells and whistles of my vintage romper, only the new one is green (old one was red) and it fits me so comfortably. Check out this collection on the Loco Lindo website – the romper comes in green and blue and the collection features other pieces, like a 40’s dress, 40’s skirt, and tie top, all of which look really comfy and come in green, blue, red, and yellow.
We’re back to the written posts, because – even as the pandemic rolls on – clothing companies who have been planning for months, perhaps even years, on certain garments can continue to release those garments for consumption. While we may not return to dancing for a while, summer approaches, style beckons as the world slowly begins to open up, and there’s no reason to know throw on something easy AND stylish. I’m still investing in quality pieces made by small companies producing clothing I want to wear for dancing that I also can wear to work – dancing may be a further down the road dream, but my essential job is now. I am also feeling less sad when I dress up, even a little.
I’ve written about Vecona Vintage before and I’m happy to see them continuing to produce lovely reproduction garments, particularly in the menswear department. Their 1940’s Loop Collar Shirt caught my eye because it’s one of those pieces that works for so many occasions – translates well to vintage and modern casual, can be worn alone with trousers or with a suit to dress it up, and the vintage shirts are usually made in wonderful, buttery materials.
Vecona knows its audience and has designed this shirt with heat in mind. Their description cites racing in Utah and recommends pairing with linen trousers, then they start describing the fabric: “Made from botanic cellulose Tencel is a sustainable and breathable material. It provides a very good moisture transport and thermal regulation. The material has a smooth hand with a nice drape. The fabric is crease resistant and soft to the skin, it prevents bacteria growth and thus offers a completely natural and anti-allergenic hygiene. A life cycle analysis proves Tencel’s environmental friendliness compared to cotton. Learn more about the material at https://www.tencel.com/sustainability.”
These are more than just words – Vecona has put together a dream of a shirt, designed with sweat (re: dancers) in mind. Crease resistant, even! Available in green, blue, and sand, I’m loving this new shirt.
Lindy Shopper’s Closet Episode 2 is up and I talk about the pandemic’s effects on the swing dance community and what I would have worn to canceled events for which I had already planned outfits. We’ll call this the learning curve episode, I talk too much, I tried to wear too many outfits, and there are some things I would change and realized I forgot to do, but if you want to hang out with me and talk about clothes and how the pandemic has impacted life and the life of your music/dancer friends, you’re probably going to appreciate it. I’ve also posted a ton of links to things I mention in the episode – pandemic relief resources, events and musicians affected by the pandemic, and resources for the clothing and accessories I talk about in the episode.
With the pandemic in full effect along with the accompanying isolation and cancellation of all activities, I was thinking of ways to use my time away from dancing and singing and stay connected. Thinking about how we are all essentially broadcasting communications via the Internet from our homes – our personal and intimate spaces – and how these are our reference and existence points for the time being, I thought about sharing more of my personal space with all of you. I am often asked by visitors to my home to see my closet, so it seemed that was the natural place to go for a first episode and for the title of this web series.
I have other ideas for episodes, but I want to see how this first episode is received, so we shall see. I am also open to suggestions for episode topics and garments/shoes you might like to discuss, feel free to post them in the video comments on YouTube.
Also, please click SUBSCRIBE to my YouTube channel for episode updates and to help with monetization of my YouTube account – please and thank you!
I attended my very first California Balboa Classic – aka Cal Bal – last month and I’d say I don’t know what took me so long, but I have another hobby that managed to conflict with this event year after year. I made the decision to choose Cal Bal this year and Cal Bal did such a great job welcoming me with open arms that I didn’t want to leave. It’s also the first event I’ve attended in several years that I was not hired as a musician, so there was ample time for dancing between DJ shifts, which I have sorely missed and desperately needed.
To set the vendor scene, you need to understand the layout of the hotel – this is a hotel event, but this is not your typical hotel. The Hyatt Regency Newport Beach is more of a complex, with lovely outdoor spaces connecting separate buildings, taking advantage of what are usually mild temperatures in southern California. The ballroom was a separate building within the hotel complex and to enter the ballroom, one had to walk down a little path and through a large covered-but-open-to-the-air space. It was a bit chilly at night, so the covered outdoor space had some temporary walls and heaters, as well as couches for sitting (basking) under said heaters, a snack station, a cash bar, and all the vendors for the event. Had the temps at night been a little warmer, the vendor location would have been truly ideal – during the day it was lovely.
Cal Bal had some great merch this year – you’ve already seen my post about the Kendra Dandy designed scarves and pocket squares, and there were also pins, bags, and tee shirt designs (one even featuring the Rendezvous Ballroom). I was elated to see a green tee shirt with musicians on it, so that came home with me! If you aren’t sure how to style your large Kendra Dandy Cal Bal scarf, Cleveland dancer and instructor Alexis Davila posted an awesome/adorable/creative video on Facebook of several different ways to wear it on your head – I believe you can still order one, it looks they are up on the Cal Bal web store.
At this point, I’m blessed that Re-mix Vintage Shoes owner Philip Heath knows me by sight and always gives me a little tidbit to keep me coming back for more. This year, the buzz was the production of a gold Opera model, which had previously been relegated to suede (which I don’t prefer to try to maintain) – since metallics are my go-to neutral, this was a delightful new development and I was excited that this particular model fit my particular feet, having never previously tried on any Opera model.
I didn’t notice the new addition to the men’s shoes (maybe a Fairway or a variation thereof? I’m not seeing it on the website) until Nicholas Centino posted the photo below of their gloriousness, but there’s a new two tone brown oxford with perforations that is so subtle and lovely. I’m also not seeing them on the Re-mix website, so pick up that phone…
Next stop in the circle of vendors was the new-to-me Swankys Vintage, who appeared to have mostly menswear and some women’s items, with a mix of Swankys reproductions and vintage clothing, with a very 1940’s/50’s California aesthetic in terms of styling and color palette. The reproductions were almost seamless with the vintage at first glance, the textures, fabrics, and colors were so spot on. Lots of clothing that evoked comfort, ease, and fun, as well as some really nice looking classics, like tweed trousers with a buckle back. It was so nice to see more of a focus on menswear, which tends to be minimal to non-existent in terms of vending at events.
I’ll also give an honorable mention to the gent who set up a mostly vintage men’s shop for Saturday night, who I asked for a business card and he said this was his last vending spot ever and that he was liquidating his collection and selling it to another vintage seller. It is hard work running these vendor spots/booths at events, carting around inventory, being present to run the shop, paying vendor fees and for hotel rooms, so my hat’s off to all the vendors – whether you’re still in the game or getting out, this is an important part of events and I’m appreciative of everyone who shows up.
I’m always excited to see Jenna Applegarth‘s Applejacks shoes at events, as I’ve probably learned more from her than anyone about the extensive and often frustrating process of designing, producing, and shipping dance shoes – I’m completely invested in this storyline and here for all subsequent chapters. Remember that this is a labor of love each time you buy a dance shoe made by swing dancers for swing dancers! I know several of us are eagerly anticipating the new models (I swear I saw green on Instagram), but the models out right now are particularly well-suited to Balboa. One of my friends noted that she didn’t necessarily know what she’d wear with the rose gold shoes, but that they felt so good on her feet that it didn’t matter. Good thing metallics are neutrals!
Next up in our tour of vendors was Swingbird Fashions, who I have previously blogged about in terms of an Etsy shop, but since that post this brand has expanded greatly and wonderfully. I am terribly sad that I was not able to meet the creator of these garments, Leea Kuronen from Denver, Colorado (it’s hard to be at your booth at every minute of the day, I completely understand) because I was smitten with everything – the colors, the fabric selection, and all the lovely details. There’s this one green dress with white soutache detail that is absolutely to-die-for – I saw both Teni Lopez-Cardenas and Heather Ballew had purchased one of these dresses and wore them in competitions that very weekend. It’s an I NEED TO WEAR THIS NOW kind of dress! Lovely trousers, skirts, blouses, and dresses all around – this corner of the room made me smile.
Across the room Loco Lindo represented with their line of crepe printed dresses, blouses, skirts, pants, and, of utmost importance, their Venice Beach clip dress, recreated from the one worn by Genevieve Grazis in said clip, she of the many gored twirly skirt. It’s honestly super gratifying to see a whole line of them on a rack, knowing the history behind the dress and the process of getting this dress reproduced – get your twirl on and your shuffle on, let’s do this! On a related note, I’m sad I missed the crunchy sound of shuffling on sand the Monday of Cal Bal where everyone met on the beach near the site of the former Rendezvous Ballroom – living that beach clip dream…
Sharing the space with Loco Lindo was Jen Gomez of Bandini St., who typically also shares a space at Camp Hollywood. It’s a great idea, to share space, share labor, and have that symbiotic relationship of pairing dresses with hair accoutrements immediately. This is probably going to be super personal to my preferences, but I was particularly happy to see pairs of hair flowers that were an ideal size (Goldilocks here, not too big, not too small…), flat – but with enough texture to be interesting, and a color gradient so that it goes with various shades of whatever color it represents. VERY SPECIFIC. I need to go through my closet to see what I might need, as these are available on the Bandini St. Etsy shop in several colors.
Finally, we’ve reached the lovely Saint Savoy booth at Cal Bal, with a candy colored array of heels and flats. While their Riviera model remains the most popular and is available in a wide array of colors, I heard lots of talk about their oxfords for women being particularly comfortable. A few other notes: 1) I’m pretty sure their Grace shoe in Neptune is one of the most beautiful dance shoes ever made. I own a pair and I only wear them for singing because I would Gollum-style freak out if anything ever happened to them; 2) I’m having feelings about their The Whip oxford in Mulled Wine because I had a pair of Doc Martens in high school with a similar color gradient and broguing (a whole different level of nostalgia); and 3) it was nice to see their Grand Prix t-strap dance flat in person – loving all the variety in heel heights, thank you, more of this from dance shoe makers, please. 🙂
And that’s a wrap – I hope I haven’t missed anyone! I loved all the vendors, thank you again for your time and energies in attending Cal Bal and creating products with the swing dance community in mind.
When things started picking up with the Mint Julep Jazz Band, I was voraciously searching for vintage dresses to wear for performances. I didn’t necessarily have a ton of money to spend, as the recession was still in full swing, but it never hurt to watch the dresses I’d love to buy on Etsy and add them to my favorites list or on Pinterest. One of these dresses, a 1930’s cotton print dress with a rickracked sailor collar, I watched for at least a year in Moon River Mercantile‘s Etsy shop and, when it sold in 2014, I had strong regrets about not finding the money somewhere to buy it for myself. I don’t often have these regrets, but this is one of the few that stuck with me.
Flash forward to a few months ago and Emmy released previews of their spring line – much of the collection is sailor-inspired and I gasped when I got to their Silverscreen Sailorette Dress. It looked almost exactly like THE dress, the REGRETS dress, even in a red colorway, it couldn’t be a coincidence. I cross-referenced with my Pinterest and then emailed Emmy about the dress. It’s entirely possible we had the same love for the same dress – she said she found it on Instagram rummaging through vintage sellers’ accounts.
The Silverscreen Sailorette dress is available as of today – Emmy’s spring line was launched in three waves, with releases a month apart and today being the last wave. In addition to the red Art Deco print, it also comes in a blue Art Deco print, solid cream, and solid navy. I’m both excited and grateful for a second chance at this dress! ❤ Pictured below, the original (left) and Emmy’s dress (right).
The alternate title for this post is I Have Too Many Things To Write About and No Time To Do It – my hope is that you’d rather have the news as it comes, rather than a comprehensive post about everything, so I’m giving you the tip of the iceberg here and trust that you’ll enjoy all the things at your leisure:
Zoe Vine – glorious dresses (with sleeves!) in lovely colors, based in the UK (because the UK has everything I want right now, right?), machine washable – gimme!
Hepcat Corner – tees, sweatshirts, bags, phone cases, and more, all with the swing dancer in mind. Bonus points for graphic of shag dancing couple (labeled Charleston – could be either!).
August Three – I had hoped to cover this in a Lindy Focus vendor post that may never come to fruition, but I got to see the beauties from this new swing dance shoe company based in Thailand and the quality looks great and I loved the custom color options. Would love to hear from others who have tried them! Jenna Applegarth has endorsed these and she is essentially the international swing dance shoe expert at this point, I’m not sure there’s a swing dance shoe company she hasn’t tried!
Pretty Retro – In December I discovered that my new favorite go-to clothing website, The House of Foxy, has an offshoot brand called Pretty Retro. I’m not sure what the differences are, it all looks like more glorious, quality vintage-inspired reproduction clothing and I am here for it.
Green of Grey – I found another magical trumpet skirt in the wild (which has since sold out, but maybe custom order? That bow, AMIRITE?) and a number of other adorable swing-era-inspired items in this adorable Etsy shop.
Swingbird Fashions – a Denver-based Etsy shop, with trumpet skirts IN STOCK, adorable 30’s style shorts/skort, 30’s blouses, trousers (both wide leg and those pleated/tapered ones that everyone seems to compete in), some gorgeous dresses, really so many quality things!
Groovy Fox – what a fun name for this new swing dance shoe company! Bulgaria jumps in on the dance shoe game and the results are lovely – we so spoiled with all these new shoe companies with lovely colors and styles. Loving the lilac and mint and wanting to build a spring wardrobe around these colors…
The newest contender in the swing dance shoes and apparel market is Swing It, based in Krakow, Poland. A quote from their Facebook page caught my eye, so we’ll start with that: “We believe in slow fashion philosophy – natural materials, quality and comfort.” If this quote had the word adorable in it, it might be directly targeted at me. I’m seeing this term “slow fashion” come up more often and, as I become the old lady I was always destined to be, I find myself drawn to this idea that fashion should slow down a little – as a vintage clothing wearer, this seems innate, but in terms of buying new garments made now (but in the vintage style – we’re full circle), this is a new term that applies to a very old concept, of buying quality things you love to last you for a long time. I think slow fashion is easier for people who have developed their own sense of personal style, but then you’re here, reading this blog post, so maybe you have that or maybe you aspire to that more permanent sense of style. Perhaps you’re here to augment your current style. If you’re comfortable in yourself, comfortable in your quality clothes, and are sweating it out on the dance floor in natural fibers, what more do you need from a garment? Whatever the reason, I’ve digressed far afield, so let’s return to Poland where this new swing dancer-focused brand resides.
I always try to start on a company’s about page, to get a flavor for what the company goals are and what makes it tick. Swing It produces reproduction clothing and shoes from the 1930’s through the 1960s, based on original patterns, with all of the clothing made in Poland. Goals are quality, great appearance, and customer satisfaction, but also personal satisfaction, as the owners of this company, Basia and Greg, design things they want to wear. I believe in this concept – if you like it and are excited about it, certainly there are others who will/are, too.
The men’s shoes are cap toes or classic brogues, with your basic brown tones as well as a more adventurous color/combination for each style (I see you, dark green cap toes!).
The women’s shoes are also oxfords, in lovely suede in two of my favorite colors – purple and green. It’s almost like they called me…
As I wrap up the last of my dance-oriented gigs before the holidays, a common farewell is, “See you at Focus!” As usual, my holiday dress shopping is a double-duty task, as I look to acquire festive attire for both holiday parties/dances and for dancing at Lindy Focus. I’ve been smitten for some time with the House of Foxy’s offerings, but they about knocked me out of my chair when they released four of their Grable dresses in holiday-perfect hues. Festive red, dark green, a berry hue, and classic black – I love solids for the holidays because they are so easy to dress up or down with jewelry, shoes, and other accessories. This dress is also a crepe poly/viscose/spandex blend for a quick and easy wash and wear turnaround. Can you guess what color I ordered? 😉
There are any number of reproduction companies making 1950’s-inspired clothing, but very few that have been quite this incisive or referential to the designs that set the aesthetic for the following decade – I am, of course, referring to Christian Dior’s “New Look” collection from 1947 (which cast of the shackles of wartime austerity in favor of a “new” silhouette for women) and the most recent collection from UK-based clothing company Miss Candyfloss, which they have playfully named “Amour Fou.” If you need a little lift in your day, I recommend taking a gander at the MCF Fall 2018 look book highlighting this collection, it is pure joy and beauty of design and the models look comfortable and beautiful in their garments.
While I find most New Look skirts to be too full for my liking for dancing, I certainly appreciate this glorious aesthetic and MCF has nailed the look with modern takes on fabrics and shapes. For me and my dancing wardrobe, the separates in this collection really shine, as well as the overall color palette being versatile and so lovely for fall and winter. While I don’t love all the synthetic fabrics (in general), I can very much appreciate their washability and wearability for dancers – the design is so good here, I’m willing to break my own rules and add a few pieces from this collection to my own.
MCF started releasing portions of this collection on August 15 and some items are already sold out. According to their Facebook page, they will continue to post items through November, as there are so many looks in the book that it will take that long to get all of them up on the website.
I can’t pull photos from the look book, but here’s what I’m loving from what they’ve posted for sale on the website thus far:
I know, I know, another UK repro/retro clothing website, but as long as the UK keeps delivering the goods, I’m going to keep blogging about them. Miss Candyfloss has been on my list to write about since earlier this fall, since they launched their “Femme Fatale” collection that, in my opinion, elevated them to the next level, with 40’s and 50’s-inspired pieces that were rich in color and style.
Do not let their terrible user interface deter you – there is good stuff here. Start by following them on Facebook to see higher resolution photos of all the garments, particularly the aforementioned “Femme Fatale” collection, which looks both dance-friendly and work-friendly. And while I don’t usually like polyester (some looks great, most looks not so great), these garments look so good that I took the plunge on one of their dresses over the weekend. Also, plaid – there’s never enough plaid. UK, you keep doing you and keep the plaid and tweeds coming…
Their attention to detail extends to the manufacturing process – from the website:
“Miss Candyfloss is manufactured within Europe under fair trade conditions, as we consider this as an important issue. Though sometimes hard to live up to for larger brands, Miss Candyfloss differ. The clothes aren’t mass produced in large factory lines, so things like working conditions, salaries and good item quality can be kept a closer watch upon. This also gives you, as a customer, a more long lasting quality where the products are made out of honest concern and care.”