Category Archives: Gentlemen

What’s Old Is New: Keep Punching

This post was written by Lindy Shopper.

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There is a lot of documented history about the creation and performance of The Big Apple line dance in the 1939 film “Keep Punching” – if you don’t know this story already, take a gander at Wikipedia, The Lindy Circle, and Savoy Style.  It’s the story of a dance within a dance craze!  I love this clip for its energy, the individual style (dancing and clothing) of each of the dancers, and also because they keep it simple and functional – this clothing is obviously their own normal street clothing, with the exception of the coordinating Whitey’s Savoy Lindy Hoppers tee shirts.  I imagine this is a snapshot into what they might wear on any given night of the week out at a dance (compare to the more fancy street clothing/costumes in Hot Chocolate (Cottontail) or the outright dance costumes in The Harlem Congaroos clip).  There is an array of interesting clothing in this clip – from the dancers to the more fancy daywear/cocktail attire of the actors/extras to the orchestra in tails.

 

There are so many pieces of clothing worn by the dancers in this clip that are accessible today, so let’s dig in:

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First, those custom Whitey’s Savoy Lindy Hoppers tee shirts – we don’t have the light background with the darker graphics, but Chloe Hong has reproduced this graphic on dark blue and dark red tees that you can order from her website.  Since none of us hold a candle to the original Whitey’s Lindy Hoppers, we can view these shirts as aspirational/inspirational, a tribute to these original dancers and innovators.  I love that some of the tee shirts in the clip are worn as-is and others are worn over another shirt, as layers.  This makes me think of the ever present battle of sweat management – if that tee shirt has to last through a day of many film takes under hot lights, you might need that base layer to keep things fresh on the outside.

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SJC spearpoint in check

Since men’s reproduction knitwear is still a bit of an outlier, your best collared “undershirt” solution to get the look from the video is to pick up one of Simon James Cathcart’s short sleeved polos with that distinctive spearpoint collar – they are also made of wicking bamboo fabric, so extra helpful with sweat management.  Available in nine colors and I wouldn’t be surprised if SJC was going to release some more in the future.  Even though the men in this clip are wearing the spearpoint collars, these polos are also great for women, I have a few and I love them.

A few of the women in this clip looks like they may be wearing either some sort of collared or uncollared blouse underneath their tee shirt or they may be wearing a scarf tied loosely around their neck and tucked in a bit at the tee shirt collar.  The House of Foxy’s 1940’s shirt in crepe would give a similar effect to the pointed collar blouses in the clip, with just the top points peeking out and the crepe being flexible enough to work around the tee shirt collar and lay right.  One of the women is wearing a belt with her flared skirt and it looks awesome, but the video quality is such that I can’t tell if the belt is leather, fabric, or some other material.

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Heyday’s A-line skirt

While there is one woman in a flared skirt (and I say that relatively, as we’re not talking Dior “new look” volume, just a bit more twirl than the other women), rest of the women in this clip are in A-line skirts, something with a more streamlined profile, but with enough radius at the hemline to allow for kicks and movement.  This skirt silhouette and just-below-the-knee hemline shows the fashion transition to the 1940’s silhouette, when you contrast with the calf-length skirts from the film A Day at the Races that came out just two years before Keep Punching.

UK brand Heyday has a nice A-line skirt, available in several prints and solid colors, I love the quality, wearability, and washability of their pieces.   If you are going for the more full skirt, it looks like the House of Foxy’s Whirlaway Skirt fits the bill of being not to full, not too A-line, but just right in terms of fullness for the purposes of this clip.   It’s also available in 7 colors and ditto on the quality coming out of this UK brand.  Would wear both of these skirts for dancing and for work and for anything, really.

Men’s bottoms look like your standard fare for trousers, tucked in shirt or not tucked in – I mean, whatever’s comfortable for you after umpteen takes, right?  If you are looking for something high waisted, I can’t say enough good things about SJC’s 1930’s chinos, which can handle belt or braces.  Or just go and buy whatever lightweight, breathable trousers you can find and wear that shirt untucked!  The exact right pants are usually hard to find, but for this look it’s not an absolute essential, the devil is in the other details.  For the tucked-in crowd, note the dancer with the skinny belt – how skinny is up to you and your pants loops.  Google was an absolute failure at looking for skinny belts (“no, Google, I mean REALLY skinny, 1.5 inches wide isn’t skinny!”), so dive deeper into your internet searches and/or go to the women’s section of a department store to buy one because nobody cares where it comes from.

The footwear is all over the map.  I see white Keds-like sneakers with dark socks (that may color-coordinate with the collared shirt under the tee shirt) and in other colors (Gray? Black? Oh, wait, we’re not in Technicolor), or maybe even a shoe with a  more substantial sole closer to Vans’ classic shoe (or their newly engineered more flexible/lightweight version).

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OHAI PRETTY SHUEZ

I see a couple of pairs of saddle shoes thrown in the mix and, though most modern associations are with the 1950’s, the saddle shoe’s popularity boomed in the decades prior to the 1950’s, as well.  Most saddle shoes I see today have a crepe sole, which isn’t my favorite for dancing, but Re-mix carries them with a leather sole.  I’d consider giving this Restricted pair from ModCloth a whirl because they have leather interiors (for my sensitive feet), what appears to be a flat synthetic sole, and because the blue/brown color combo is awesome.   Then I go and find this yellow and white Chelsea Crew pair…I need to stop while I’m ahead.

One of the dancers wears a pair of low heeled sandals with an ankle strap, akin to Saint Savoy’s Eden shoe or Chelsea Crew’s Nadia sandal – she’s also sporting them with some ankle socks, which may be part fashion-forward, part blister/sweat management.

Finally, one dancer has some classic leather oxfords on, which previous discussions on my blog have covered everything from buying them used at thrift stores to getting your first pair of Aris Allens to splurging for a pair of Allen Edmonds (or finding them used on eBay).

To recap: classic dance shoes of your choosing, socks, comfy pants/skirt, signature tee shirt, optional undershirt/collar/scarf action.  One might say this is not too far from what we are wearing on the dance floor today.  Now, time to go practice the second half of the Big Apple that I never seem to remember….

 

 

 

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The Gentleman’s Corner Shoe Exchange: Buy and Sell Shoes for Swing Dancing

This post was written by Lindy Shopper.

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The group is named for the notch some shoemakers make to prevent your heel from getting caught on or snagging your pants’ cuffs…

The Women’s Swing Dance Shoes Hunt Facebook group has been active for a few years now, but I’ve seen an uptick in men looking for shoes as of late.  In the case of Nashville, Tennessee dancer Nick D’Amico, he was also looking to sell some of his dance shoes that never quite worked out for him with sizing, so just last week Nick took the plunge and created The Gentleman’s Corner Shoe Exchange: Buy and Sell Shoes for Swing Dancing.   Nick also wants to cultivate discussion about shoes and shoe care, so come join and let’s get this group off the ground – you’ve got a place to sell your not-quite-right shoes and you never know when something you need might pop up!

What’s Old is New: Hot Chocolate (Cottontail)

This post was written by Lindy Shopper.

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Duke Ellington and his Orchestra in the soundie “Hot Chocolate (Cottontail)”

A lot of black Lindy Hoppers are speaking right now and a lot of us are listening, but I know a lot of us also want to take action to help.  I have been looking for more ways to be an ally and to use my voice to help make our community more inclusive to black dancers.  Lindy Shopper is my most public voice, but this is a fashion blog – I wasn’t sure how I could help writing about clothing and shoes.

Then I saw a Facebook post made by dancer Angel Sheniev Cadenza, which detailed ways in which racial isolation is present in the dance scene, and one of those was was the following:  “Racial isolation in the dance scene to me…It is planning to attend a vintage-themed dance event and having almost no black reference points to create your look because all the vintage themed resources are created by and for whites, and black people are almost non-existent in historical media.”

I spend a good amount of time poring over photographs and videos from the 1920’s, 30’s, and 40’s studying the subjects’ clothing and I knew that there were a lot of black reference materials (a good place to start is the Vintage Black Glamour Facebook page, which you should all be following because it’s fabulously curated with lots of historical information), but I can do better and share this information here.  I realize newer dancers may not know all the vintage clips of the swing era, so let’s explore that.  The focus of this blog is source material, where to purchase clothing and shoes, so I’ll try to tie that in, as well – we should be inspired AND know where to get the look.

Back in 2010, I started a series called “What’s Old is New” and I realized that I never actually made this into a series, so I’m going to pick this up and continue it (after posting it in Angel’s thread as a possibility of how I could contribute to this discussion and received positive feedback)…so here we go.  If this is a misstep, then I apologize and I will stop and continue listening.

The first and only post in my What’s Old is New series was about the clothing in the Marx Brothers’ film “A Day at the Races,” which features Whitey’s Lindy Hoppers and I found sources for some modern day inspirations/approximations of the garments worn by the women dancers in the film.  I still love their outfits, the quintessential mid-calf 1930’s skirts in bias cut plaid are just awesome.

Let’s take a look at another classic clip featuring Whitey’s Lindy Hopper’s, a 1941 soundie called “Hot Chocolate (Cottontail),” featuring Duke Ellington and his Orchestra playing Cottontail.  The dancers are wearing clothing that is not quite costume, not quite street clothing, somewhere fun and in the middle.

The pinafore/jumpers on the women are just adorable and I am dying over the huge sleeves on their blouses.  The men have a bit more variance in their dress, ranging from overalls to jackets with maybe the largest collar I’ve ever seen on a shirt.  Finding exact replicas of these garments would be hard, you’d likely have to get a copy made, but we’ll find some pieces that capture some of the fun of these garments.

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Sleeves for days!

For the blouses, my first instinct was to go to the House of Foxy website and they deliver – their Elsie blouse has those amazing sleeves (available in mustard, black, and white).  They also have a great Peter Pan collar blouse available in ivory, ivory gingham, black gingham, and a black/gray/red floral print – I know I have missed seeing these available outside of thrift/vintage shops and I’m glad House of Foxy is offering some twists on the basic (or not so basic) blouse so we can find some reproductions we may not feel as hesitant to dance in.  I own the Peter Pan collar shirt and some other pieces from this company and the quality is stellar, would purchase again.

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The sweater with the Peter Pan collar, even!  Completes the styling.

Modcloth has a couple of great jumper options (including the red “Overall Winner” jumper that is pictured, also available in black) and the skirt length is pretty close to the clip, a bit shorter than knee length to facilitate movement.  I’m also a fan of the green velvet “Cupcake Consultant” jumper (it’s like they know me), but I’m sure no one is surprised there.  There’s another black jumper with a front panel, which I am noting because I prefer a front panel with my personal shape.

I didn’t see but one vintage 40’s jumper that caught my eye on Etsy (but it’s awesome – black velvet with pockets on the front!), but they tend to pop up somewhat often, as these jumpers and pinafore dresses were fairly common – the thing you won’t find is the shorter skirt length, but then you can decide what length you want and what look is more your style.

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70’s does big collars like nobody’s business

Men, I don’t even know where to begin with that giant collar, it’s amazing and a sight bigger than any 40’s, any 70’s, anything I’ve ever seen.  Since a trend in the 70’s was 30’s style and the collars were of superior width and breadth in that decade, I went looking in vintage because I honestly don’t know of any modern retailer carrying an approximation of this.  Even Simon James Cathcart’s polos aren’t cut that big, but if you wanted a nod to that big collar, this would be a reasonable place to start.  The 40’s shirts were a bust, but there were some promising 70’s options on Etsy – like this Art Deco print or this yellow long sleeved shirt.  There were more great printed shirts on Etsy with wide collars so take a gander!

As for the overalls…I’ve got nothing.  Sometimes garments are so special that they can’t be found and/or have to be made.

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Eat your heart out, Burberry

I went looking for the light car coat in the video and the first hits were Burberry and Prada, so I retreated to Etsy and found one from the 60’s that fit the bill.  That they were doing aerials in a coat is pretty awesome, but you’ll probably save yours for before and after the dance.

There are other pieces I wish I could find!  In particular that two tone paneled skirt, what a great piece to have in your closet.

Feel free to chime in with other pieces you have found that look inspired by this clip in the comments!  This is not meant to be an exhaustive list, but a starting point for ideas and sources.

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SJC Pre-Orders – Striped Cotton Separates and Workhouse Chinos and Denim

This post was written by Lindy Shopper.

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Wanna Charleston?

He may not know it outright, but Simon James Cathcart is here to serve swing dancers – that is, serve up classic, rare, and sought-after reproduction menswear pieces in great fabrics.  His latest offerings are all cotton, which means it’s all breathable and washable for us sweaty dancer types.

The workwear cotton stripe is being offered in four pieces, a belt back jacket, a waistcoat, a pair of trousers, and a cap, all inspired by 1920’s workwear.  From the website:

“SJC has woven this exclusive cloth, which recreates the striped pattern from a pair of genuine 1920’s work-wear trousers in the company’s collection of vintage clothing. The cloth has been brushed on the inside for warmth…”

The details on these pieces are wonderful, as per usual – notice all the careful seams and generous use of pockets.  Of interest to dancers would be the note about ample room in the thigh of the trousers, which translates to more room for your legs to move about unrestricted.

Finally, you just need some basics and SJC is, again, delivering the goods – what’s more basic than a pair of chinos or a pair of jeans?  The workhouse chinos come with all the casual air of a weeknight DJ’ed dance, but have all the details you expect from period trousers, such as buttons for braces, a cinched back, and a nice V at the back of the waistband.

Cotton = breathable = sweat and dance to your heart’s content!  Keep it comin’, Simon!

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Ready for a spring afternoon at a Lindy exchange

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I love a trouser in denim!

Loafers – Discussion on Men’s Swing Dance Shoes, Round 2

This post was written by Lindy Shopper and Bobby White of Swungover.

Every few years someone will post looking for men’s dance shoe recommendations, people who are serious about dancing and want to hear from their peers and instructors about what shoes work for them.  While women’s shoes are often specifically designated as dance shoes, as fewer and fewer women’s street shoes have leather soles, men have to navigate between classic men’s dress shoes and designated dance shoes to find their sole mate and this can get a bit tricky.

LOAFERS?!?

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Florsheim Dancer

The request du jour is about finding suitable dance loafers. “But why specifically loafers?” You might be asking. “Why is THAT a Bal thing?” To answer this, we’re going to go back to 1936 when Bass first released their “Weejun” loafer (Based on Norwegian fisherman’s shoes, which were themselves based on Native American moccasins.) They added a strap across the top of the simple slip-on, and it was the first time the loafer as we know it  came into being. They were soon nicknamed “penny loafers” because teenagers realized they could slip pennies in the holes of the loafer strap. Loafers became a huge fashion trend, becoming the casual shoe of many teenagers across America. (There are pictures of entire malt shops full of teenagers, all of them wearing loafers.) 

Many readers probably realize that 1936 coincides with when swing music was beginning to sweep the nation. So, in California, in those years when Balboa and Bal-Swing began being danced by casual teenagers, the loafer was one of their dance shoes. Gene Kelly himself wore loafers and danced in them all the time as part of showing his casual, down-to-earth persona.   

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Hopefully your interactions in loafers will be less awkward than Gene Kelly sitting on your floor in front of your couch while you read…note the women’s styling here with loafers, short socks, and a shirt dress.

Though many of the teenagers probably danced in loafers for practicing, or casually dancing at the beach-side pavilions, you don’t see many in the old films. This was probably for two reasons. Loafers, as a casual slip-on, were too informal for dances where teenagers liked to/were required to dress up (and the dance scenes in the movies tend to take place in those ballrooms). Secondly, they were not the best for when Lindy Hop came to the California scene in the late 30’s, which was more high-powered dancing where the feet needed a lot of support, and shoes needed to stay on in extreme circumstances.

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Kids these days…

However, when the original dancers were dancing at the restaurant and bar Bobby McGee’s in their older years (their twice-a-month get together), loafers were a common shoe on the floor — and we have footage of Maxie Dorf, Willie Desatoff, Hal Takier, and some of the pure bal dancers in them, so it seemed most of them owned a pair. (Imagine the stereotypical old man in loafers — the Bal Old Timers were that generation.) Nick Williams said loafers were also an easy way to get the flexible kind of leather-soled shoes that Old Timers like Willie Desatoff desired in his students— but we’ll have more on that below.

So, loafers weren’t a huge thing, but just enough of a thing. And when the new generation of Bal Dancers in the late ’90s learned from the Old Timers, loafers became a sort of Balboa slang, which grew in the scene and has been passed down ever since.  They’ve come to represent the casualness and smoothness of Balboa, as well as a tip of the hat to the old timers, even if the old timers were just old men who occasionally danced in their comfortable slip-ons. So that’s why loafers have a special place in the heart of the Bal scene. 

As an aside, loafers went on to become the shoe of choice for another coastal group of dancers, Carolina Shag dancers, who also appreciate a casual and smooth shoe.

Now then, back to the present.

After a good bit of discussion ensued on Jeff Liu-Leyco‘s Facebook wall for the request to find a good pair of dancing loafers, Bobby White offered to collaborate with Lindy Shopper on a post – so here, you get the benefit of the discussion and firsthand knowledge from one of swing dancing’s sartorial heroes.

THE THREAD

In the Facebook thread, swing dance instructorMickey Fortanasce recommended this classic pair of loafers, the Florsheim Dancer at $115. Given that Florsheim named these the “Dancer,” I think that bodes well. 

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This pair of Nordstrom loafers on eBay, referenced in Bobby’s post, is long gone

Allen Edmonds is always a name that pops up in these discussions, and their now discontinued (but still available sometimes on eBay)Bergamano loafer came up.  

But the holy grail of the loafers are the Nordstrom black tassel loafers and Bobby dropped the knowledge on everyone with the force of an eternal mic drop:

“Go to Ebay. Search for “Nordstrom Loafers Men Tassel [Black or Brown or Cream or just leave out a color] [your size].” Save this EBay search so that you will get notifications (possibly for the rest of your life — they can be hard to turn off). Eventually you will see loafers like this (below). There are many like them (some with netting/woven leather tops, likeDouglas Mathews rocks), some with pointy toes verses more square toes. Buy them. If you like tassels, keep them. If not, cut them off (like Nick Williams and I do). I present to you, the famous, the infamous, the eternal: the Nordstrom Loafer. The soles are one thin strip of leather, and minimal padding — which is why Willie liked shoes like these. You can really feel the floor in them (and, of course, your knees will too, if you pulse a lot). But that can easily be fixed with insoles, like Nick does (might need a half-size bigger in that case). They are tanks, and last a very long time. They are $200 shoes that will cost you $20-50 on eBay. They are seven-minute brownies in four minutes. Here endeth the lesson.”

THE TRUTH OF THE NORDSTROM LOAFER

In all honesty (Bobby speaking, here), the Nordstrom Loafers are fantastic, but they are not the only shoes out there like them. They just happen to fit the bill for the kind of loafer many of us Bal dancers like: Thin leather sole / classic loafer look / well-made so they will last a long time.

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A pair of Bobby’s well-worn loafers.

The Allen Edmond Bergamano is the same idea as the Nordstrom, and both Santiago and Johnston & Murphy have made leather-soled loafers that fit that bill that you might be able to grab on ebay. (The Johnson & Murphy ones are actually the ones Douglas Mathews rocks). If you get loafers like these and they don’t work well, you can almost always find a Bal dancer they will fit, so it’s not a big risk.

The other important take-away is that, if spending $100 + on a pair of new shoes is outside of your budget, thanks to Ebay, you can get an incredible pair of shoes for $15-$50 with a little bit of patience and an internet connection. 

ONE-PLY VS. TWO-PLY

Also, you don’t HAVE to get thin leather soles. You might have very good reasons for wanting otherwise. In fact, the biggest question every dancer looking for a pair of leather-soled shoes should probably answer for themselves (after fit, and probably alongside aesthestics) is one-ply leather or two-ply?

Here’s what we mean:

Single Ply or One-ply sole means the sole is made of one strip of leather. This is more formally called a “Single leather sole” — “One-ply” is Bobby slang. Technically the thickness of that leather sole van vary slightly, but rarely enough to make a big difference. The common Aris Allen men’s cap toe is an example of a single-ply dance shoe with lots of cushioning.

Two-ply, or formally “double leather sole” or “double sole,” means two pieces of leather stacked on top of each other for the sole. Two-Ply soles were made for walking around outside (like on cobblestones), daily work, and keeping your feet warm from the cold ground. Because of this and their bulkier look, they are considered less-casual, though by modern standards the general public doesn’t care about that anymore and you shouldn’t worry about it too much — it’s more important you have comfortable shoes for your dancing style. The men’s Saint Savoy is an example of a double sole, as well as the Stacy Adams Madison. (There’s even a triple leather sole, but there’s probably very little need for that in dancing.)

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Gene Kelly, casual mid-air.

Shoes like the Nordstorm loafer are one-ply and have minimal padding— you will feel the floor, and all the sensations of shuffling and sliding very clearly. The shoes will give you almost a barefoot sensation, cause the leather will move with the muscles of your feet on the floor.

However, because the swing dances are often athletic in nature, as well as involve some kind of pulsing, many of us choose to wear insoles with single-ply shoes, especially with the ones with minimalistic padding. You don’t have to, though — just know that you will have to dance very gently in them regarding your knees and feet. In single-ply shoes, you will smooth out your dancing (which is what the Old Timers wanted modern Bal dancers to do, anyway).

Shoes like the Florsheim Dancer Mickey prefers, or the now-defunct Bostonian leather-soled classic penny loafer (eBay!) are two-ply. You would choose these if you had a heavier pulse or more athletic dancing style in general (to cushion your knees and other joints), or, if you just liked the feeling of a heavier shoe and the weight it gives to your rhythmic experience, like swing dance instructorDavid Rehmenjoys.

There is no wrong answer, and you can plan your shoes based on the style of dancing you want to accentuate.  If you can’t decide on one ply or two ply, you can try both with a little patience and an eBay account.  You’ll be well on your way to being an old timer in no time and, as Bart Bartolo said, don’t forget to “keep it casual.”
Special thanks to Sylvia Sykes, Nick Williams, and David Rehm for their insight into the modern Bal history of the loafer!

Lindy Focus 2017 Vendor Report

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Lindy Shopper and Porg wish you a Happy New Year from Lindy Focus!

2017 was a great year at Lindy Focus – the swing dance community has been growing, learning, becoming better versions of ourselves, working toward becoming a more inclusive community, and Lindy Focus embraced that and gave us resources to explore and grow.  Needless to say, I had an amazing week, I’m filled with hope and joy, and hope that our 2018 continues to see new strides in making us an even better community of people being excellent to each other.

Part of this community is our micro-economy here at Lindy Focus, where vendors set up in the two lobby areas of the Crowne Plaza Resort Asheville and dancers can browse and partake in services and products that are either personal in nature or tailored to swing dancers.

Of course there is the Lindy Focus merchandise table, which is always heavily picked-over by the time I arrive on December 27 – the gear is good, I don’t necessarily know what it was, but I got a green sweatshirt with the LF logo on it and that’s about all this green-loving gal needs. 😉

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Add some Savoy Shop sparkle!

Next to the merchandise/check-in is the Savoy Shop, a consignment shop and shoe repair boutique that has become an essential part of the event to people who not only are looking to buy fun apparel for dancing or offload said apparel to make room in their closets, but also a fantastic on-site backup plan for several kinds of catastrophes that can occur when traveling to dance weekends over holidays – lost luggage, broken shoes, forgotten items, forgotten outfits, upgrades to outfits, and I’m sure there are other ways the Savoy Shop has saved people’s sanity over the course of the week.  Men’s and women’s clothing and shoes available, lots of good selections, tailored to our dancing needs!

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Lush blooms by ChatterBlossom

The main lobby is the main vendor area and the first person I laid eyes on when I got to the hotel was Jamie Sturdevant of ChatterBlossom, an Etsy shop specializing in hair flowers and headpieces made from vintage millinery flowers.  Jamie lives near me, so I am spoiled by being able to collaborate with her on a regular basis, but I am excited that people get to see Jamie’s pieces in person because I can not overstate the fact that vintage millinery flowers are superior in both detail of floral design and in color matching to vintage clothing.  Even if you don’t wear vintage, there are an array of blooms to match your modern attire and add a bit of vintage flair.

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For heads, necks, and lapels…

If Jamie didn’t have something for your head, Forties Forward perhaps had just the piece, offering their lovely blooms, as well as feathered and jeweled headpieces, which were great options for people seeking to add a bit of flair and sparkle to their New Year’s Eve attire.  In addition to hair accessories, Forties Forward also had a nice selection of menswear accessories – ties, hats, and some silky boutonniere flowers just in time for that New Year’s Eve lapel!

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Wear the Woopie rainbow…

A Woopie Bow was a new vendor to Lindy Focus, although I have seen these ties at ILHC in a previous year and I was happy to see them back again, as there are often fewer vendors offering menswear items and I’m sure we all like to have options.  Helena Verheyen, a dancer and theater costume designer based in Ghent, Belgium, is the designer and creator of said bow ties and she selects fantastic fabrics from second-hand clothing and sometimes repurposes neckties to make her bows (which is a great idea if you have a damaged necktie, to get some more wear out of it).  Her website offers custom work, as well!

 

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GET IN MY CLOSET

It took a couple of tries to even get close to the Saint Savoy table and I felt bad for Austrian dancer Maren Merian, who was being pulled in a thousand directions – I’ll start this off by suggesting that we all proceed like civilized humans, take a minute to be patient when there is clearly a line and a demand and one person working the booth, and be mindful of personal space and allowing people to have time to make a decision about footwear.  Once I did make it near the table, of course the shoes were glorious and, after waiting my turn, Maren was gracious and helpful and I purchased a pair of Saint Savoy’s brand new multicolored blues/greens Grace shoe, a perfect 1930’s style shoe in a shape I haven’t seen anyone else making and I certainly hadn’t seen in person until Lindy Focus.  It was love at first sight, a shoe that you don’t even care if you own anything to go with it, it must be owned, worn, and loved!  They also came in solid dark red and taupe, and I spotted Jo Hoffberg in the brown colourway.  The Edens and the Rivieras were also selling like hot cakes and I’m excited to see what Saint Savoy has up their sleeves next!

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I don’t know that we’ve had a makeup vendor in the past, outside of someone applying makeup, but dancer Iris Tarou brought us many shades of lip color with LipSense, a product she discovered last year before Lindy Focus and loved it so much she decided to start a business selling it.  There’s nothing better than believing in and loving what you are selling!  Per Iris’ post, LipSense is dance-proof, sweat-proof, kiss-proof, waterproof, and burrito-proof, which is basically what every dancer needs and what sounds like it would be an awesome New Year’s Eve to get your kiss at midnight after a long night of dancing and then go get burritos.  For more information, join the Indelible Look by Iris Facebook group.

We also had massage therapists on-site, which is undoubtedly an essential part of a week-long dance event – Bennie Vo and Erin Hennessy had the perfect setup, a table and chair next to the fireplace for warmth, with the awesome swing music from the music jam in the alcove just a few feet away.

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Charleston kicks for your walls!

Ryan Calloway returned to Lindy Focus with his fantastic jazz music and jazz dancing prints, with a book of samples you could flip through, and then a link to a new service he is using called Redbubble, which streamlined the ordering process a bit, because Ryan didn’t have to be present to take your order and you can see all the options on the website.  In addition to prints, you can also order tee shirts and hoodies with Ryan’s artwork!

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Mary Kay Williams was back offering caricature drawings on-site, on-demand, while you wait.  She had some great samples up, like a dancer/musician/world-famous doctor Dorry Segev in Superman scrubs and Admiral Holdo with her enviable purple fingerwaves.  If you’ve never had a portrait drawn of yourself, Lindy Focus is a great time to add one to your collection!

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Fats Walrus!

Our new visual artist this year is dance instructor Laura Glaess, who had been gradually revealing her line of anthropomorphic jazz musicians on her Facebook artist’s page in the months leading up to Lindy Focus, drawn with a bit of pun and a lot of whimsy.  It was so great to see these in person and see the full lineup of jazz musicians!  She also did the artwork for Brooks Prumo Orchestra‘s debut album which is the perfect segue into the next topic…

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This isn’t even all of it, just what was there when I dropped off the Mint Julep Jazz Band stuff – see how they were adding a second table in front – BANANAS!

…since our local artists also lend their talents to our swing musicians (Ryan Calloway did the artwork for Keenan McKenzie’s new album “Forged in Rhythm“).  The sheer volume of music available for purchase, recorded by musicians in attendance at Lindy Focus, was so large that they had to keep adding tables to hold all the music and merchandise for sale.  It made my heart sing to know that our community can support this much music, much of it recorded and/or composed specifically for dancers and dancing.  I challenge you to learn about these musicians, there’s a list of them here.  Google them, check out their websites, buy their music!

If any of this is incorrect or I have missed something/someone, please let me know and I will edit/add to this post!  It’s hard to keep track of everything going on at Lindy Focus, I’m sure you can agree!  Until next year, love and progress in 2018…

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Woopie Bows in warm tones

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Your Woopie Bow also comes with a how-to diagram

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Edens and Rivieras at your service, from Saint Savoy

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Saint Savoy for men, also with great color options

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The lilies from ChatterBlossom are the size of your face and they are wonderful

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These ChatterBlossom pansies are adorable and sweet (and not the size of your face)

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Lots of real vintage this year at the Savoy Shop, including this wonderful 40’s dress with soutache detailing

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One of several phases of women’s shoes at the Savoy Shop

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Solid men’s shoe offerings at the Savoy Shop

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Anyone know the story on this jacket?  Very interesting…

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Savoy Shop ties to brighten your day

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Just the tip of the iceberg on the Savoy Shop tie clips

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Ryan Calloway’s fabulous prints

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Laura Glaess gives us Lionel Hamster (and Lindy Focus will give us Lionel Hampton as the new bandleader for the 2018 transcription project!)

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Django Rhinohardt is as cool as they come, thanks to Laura Glaess

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Sample the LipSense!

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All the luscious LipSense colors

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Forties Forward gives us flights of fancy!

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Lots of fun blooms at the Forties Forward table, love the polka dots!

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Because because because because because!!!

Natty Shirts’ “Savvy Journalist” Shirt

This post was written by Lindy Shopper.

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In the search for reproduction menswear, one of the most commonly worn items, a dress shirt, is generally available – however, if you are a stickler for detail, you’ll notice that most modern men’s shirts lack that distinctive spearpoint collar prevalent in jazz age/swing era shirts.  One could always spend the money for a custom shirt, but what if you just want something a little more vintage without spending an arm and a leg?

It has been suggested by some of my esteemed OcTieBer colleagues that Natty Shirts’ “Savvy Journalist” shirt is that shirt – not quite exactly a vintage spearpoint, but definitely closer than most modern options, and, at $29.99, it’s far from breaking the bank.  You can even get it monogrammed for an additional $5.00.

Letter Sweaters

This post was written by Lindy Shopper.

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One of the classic swing dance looks is a “collegiate look,” a youth culture of the jazz age and swing era (and beyond, really), who had their own trends and fads, like any youth culture – one option to add to this look is a classic letter sweater.  Last year All Balboa Weekend had a limited number of ABW patches made up, so of course I snagged one because I love the look, love the concept and I lettered in a couple of sports when I was in high school, so I’m partial to that nostalgia – I mean, of course I’ve lettered in Balboa by now, my 10th ABW, right?

But my ABW letter patch has been sitting on the dresser in my guest room since then, waiting for the perfect sweater.  I had hoped to find a vintage one, but finding one in the right color and in my size proved to be a non-starter.  I ran into New York dancer/instructor/performer Adrienne Weidert at Camp Hollywood in September sporting a Miss Camp Hollywood letter sweater and she (and several other former Miss Camp Hollywood title holders) had purchased theirs online.  It makes sense, I had a letter jacket in high school, those classic items can still be purchased, why not sweaters?

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A Neff letter sweater with all the bells and whistles

A quick internet search directed me to Neff, a company still making classic letter jackets and letter sweaters, but the absolute best part is that these sweaters, made from acrylic, are customizable – 16 different colors to choose from, decide what you want each color to be for the body of the sweater, the neck/placket, the pocket trim, the buttons, and if you want stripes on either sleeve.  I designed a sweater and submitted it for a quote, which came back at $94.95, which is cheaper than any vintage sweater I had found that would work.  Then we had to get our roof fixed for the impending hurricane than never ended up coming, and the sweater quote email sat in my inbox, I’m sure you know how that goes, and I never got around to getting this…

Then, dancer/instructor/organizer Andy Nishida tagged me on Instagram for a kelly green 30’s/40’s wool letter sweater being sold by @mrartdeco, and I had to have it – exactly my size, my favorite color, maybe it would look good with the ABW letter, and if it didn’t I’d still have a ton of things to wear with it.  It arrived and it is WARM and HEAVY – like I don’t know if I’d need a coat if I had it on, which I think was the point (that you’d want everyone to see your sweater and not cover it up with a coat).  There’s no way I could dance in it, so I decided to look for something more…3 seasons than 1 season.  But never fear, the green sweater will be out in its own glory, it really needs no embellishment and you will all see me coming a mile away.

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Harlow cardigan – a good choice for my climate and needs

I had a birthday coupon for J Crew and went to look at their cardigans – I don’t buy a lot of things from J Crew, but their Jackie cardigan is my go-to classic cardigan (good weight cotton, lovely finish, stays nice through washes, nice shape/length, etc.) so I went to check on any new colors they may have for the fall season.  As I’m perusing the cardigan page, I notice the Harlow cardigan, which looks like a letter sweater in shape – merino wool, pockets on each side, trimmed in grosgrain ribbon, but it looks like a lighter weight wool.  Of course ordering things online is tricky and I was fully prepared for this sweater to be a total failure of modern clothing, like most things from mall retailers are for me these days.  It arrived today and it’s perfect – great weight for a little nip in the air, light enough to be a middle layer, I prefer natural fibers for breathability, and just enough space to sew my letter on.  I can’t wait to wear it out and about!

Thus ends this letter sweater story – if you are on a search for your letter sweater, I hope some of this information will be helpful.

SJC Update: Workwear Chambray Separates/Suiting and 40% Off Summer

This post was written by Lindy Shopper.

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I will continue to sing Simon James Cathcart’s praises – his fall releases thus far consist of matching separates in salt and pepper or Dutch blue chambray, inspired by nineteen teens, 20’s, and 30’s workwear, and I think the concept of purchasing mixing and matching pieces you like is brilliant, not to mention all of these could be worn separately or together as a suit.  And all the pieces are great – two jackets (belt back or Norfolk style), two styles of trousers with proper buttons at the fly and for braces (narrow or wide leg), a waistcoat in each color, and a dart cap in each color.

But what to wear with your new workwear?  How about a work shirt in 4 different colors, two stripes and two solids?  SJC gives you a great jumping off point for many different workwear inspired looks.  Add some work boots or oxfords, add a tie to dress it up, add a henley to dress it down…

ALSO, there’s a 40% off sale on those magical chinos that everyone keeps looking for on my blog (high waist, wide leg, breatheable, danceable), as well as the summer weight flannel trousers (which I think would be more perfect for fall around these parts), the signature zig zag neckerchief, and the vintage style polos in bamboo fabric that every dancer needs as part of their wardrobe of comfort and style.

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Action back is ready for action.

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It’s a cinch!

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Love this rust 1930’s work shirt, also available in a cream stripe, charcoal solid, and Dutch blue solid.

 

SuAli Swing Shoes

This post was written by Lindy Shopper.

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The trend of swing dance-focused shoe companies continues and no one has their pulse on the dance shoes of now like dancer/instructor/organizer Jenna Applegarth – in my next installment of shoes Jenna has recommended to me and others in the Women’s Swing Dance Shoe Hunt! Facebook group, we have SuAli Swing Shoes based in Italy and owned by swing dancers.

You’ll have to pardon my complete ignorance of the Italian language – I’m using Google to translate the SuAli Swing Shoes website, but this is what I can tell from the rough transation (and really, we mostly need photos of these lovely shoes AMIRITE?):

Anyone else with more information is free to share more in the comments section.  Ciao!

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The Jean shoe – the sides of the heel have cutouts, too!

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The Frankie cap toes, also available in black/brown combo.

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Love the Big Bea in this plummy color – also available in royal blue.

Camp Hollywood XX Vendor Report

This post was written by Lindy Shopper.

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I’m excited to bring you my first ever Lindy Shopper vendor report from my very first Camp Hollywood!  I have been wanting to attend this event for years and life always found a way to keep me away from dancing in California.  I was able to attend half of the event (Sunday and Monday), to sing with Michael Gamble and the Rhythm Serenaders, and even attending half of the weekend was awesome, but I’m afraid my vendor report has some holes because not all vendors are at their tables all the time and our schedules didn’t always coincide.

Camp Hollywood has the largest dedicated space for vendors of any event I have attended, it’s an entire hotel ballroom, plus a side room with a clothing vendor and hair salon pop-up.  If the airline had lost my luggage, there were no worries about covering my needs for the weekend.

Let’s take the tour, shall we?

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Oh, hello…have we met?

My first stop was Vintage Blue Moon, which arguably held the largest vendor space and was a treasure trove of both men’s and women’s vintage – the men’s section was at least as large, if not larger, than the women’s section.  There was enough inventory that I felt transported, I’ve been in some brick and mortar shops with smaller inventory than what owners Robert and Kristi Alvarez brought to the LAX Marriott.  The selection was carefully curated for its swing era audience, and even had a good selection of 1920’s clothing and accessories, which they brought this year after getting requests last year.  I picked up a 1940’s suit for my day job that is reminiscent of something Tilda Swinton would have worn in her turn as gossip column twins in Hail, Caesar! and I couldn’t be more pleased.

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All the colored bangles at All the Shiny Things

All the Shiny Things occupied most of the vending space in the center of the ballroom and I’m afraid I didn’t get a chance to chat with the owner of this space, but the array of costume jewelry from so many decades past was vast and colorful – I get easily overwhelmed by jewelry counters and this was like the King Kong of jewelry selections.  I loved all the colored bangles, if you were looking for a match, you’d probably find it here.  Now looking at this photo and wishing I had more time to figure out what colors I need!

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A Loco Lindo dress in one of the most popular prints of the weekend

I was excited to see Loco Lindo again, who had come to All Balboa Weekend several years ago, and see what owner/designer Linda Marrone had been up to since then.  I’ve been following her line of clothing on Facebook, but it’s always nice to see things and chat in person.  Her washable and danceable crepe dresses (great for work, too!) were already selling well and she was out of several sizes in some prints, but I managed to snag a dress in my size in a tropical print that I’d seen on her website and liked from afar.  Her corner of the ballroom was cheerful and bustling, a credit to Linda’s designs and her personality as she chatted with the dancer/shoppers.  Like Trashy Diva, her prints come in limited runs, so don’t tarry when making your decisions about what to buy.

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Chloe’s signature shoe

The ever-classy Chloe Hong occupied a good portion of the vendor ballroom, with the largest selection of items I’ve seen at an event to date.  In addition to her custom tailoring and racks of samples, she carried two colors of the famous Whitey’s Lindy Hoppers logo tee, as well as a rainbow selection of her low-heeled t-strap shoes, which are fast becoming ubiquitous on dance floors all over the US (and I can say this, having seen them at dance events on the east coast and the west coast on the same weekend).  Gracious and kind, it’s always a joy to see her at events and see the beautiful custom work she does for dancers.

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Brittany in action

Occupying an end cap of the All the Shiny Things center island in the vendor ballroom was Electro Flapper – Get Dolled and Dapper, featuring vintage hairstyles, brow shaping, and lashes by owner Brittany Leavitt.  I didn’t get to spend time chatting with Brittany, but I do love seeing these services at dance events, whether its for a special updo or routine maintenance that you simply haven’t had time to get to until it’s right there in front of you at a dance weekend and you’ve got an hour of free time.  Check out the amazing and perfect vintage ‘dos on her Facebook page and get inspired to make an appointment for CHXI.

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Because there were so many vendors, two vendors had to set up in a conference room next door to the vendor ballroom.  The first of these is Pepperpie Vintage, which had a mix of swing era goodies and clothing from more recent decades.  Again, I just had enough time to run by and snap some photos, thankfully with the permission of owner Perrin Iacopino – but, alas, I couldn’t find a website or a Facebook page for this shop, so if anyone in the know can direct me I will be happy to link to where we can find Pepperpie Vintage information in the future.

Sharing the space with Pepperpie Vintage was a “Hair Bar” run by Kimmery Michelle Thompson of Shear Attitude Hair Salon, offering up-do’s, down-do’s, a mix of both, hair accessories, and color streaks.  The Hair Bar looked so inviting, with a lighted sign, vintage pink bonnet dryer, and a glorious Art Deco vanity that just begs for finger waves to be done in view of its glorious circular mirror.  I didn’t get to see Kimmery in action, but you can see her work on her lovely Instagram page, @_kimmerydoesmyhair.  Two great hair stylists at this event!

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Adorable and inviting!

We return to the vendor ballroom to visit Saint Savoy’s table – no one was at the table when I was in the ballroom, but it’s no secret that I love dancing in their shoes, having blogged about them several times before on this blog.  Since I didn’t acquire any new and interesting tidbits, I’ll share all my previous Saint Savoy posts so you can see the love.

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The lovely Vogue wedge

Also no secret is my love for Re-mix Vintage Shoes and, while I didn’t get to visit the mothership, owner Philip Heath had an extensive selection of footwear, including wedges, which are not usually a part of his All Balboa Weekend display (which is the only other time I have seen Re-mix shoes en masse at an event).  I got to chat with Philip for a bit about his recent travel to Italy to sell shoes at an event, his visit to the shoe factory that makes these glorious shoes in Spain, and about the construction of the reproduction 1940’s wedges.  Did you know that not just the leather outside of the shoes is modeled after vintage shoes, but also the inside construction of the wedge sole?  We talked about the flexibility and give of the leather for each style, particularly the two most popular styles, which right now are the pleated toe wedge and the Vogue wedge.  Philip noted that even the finishing touches are the same on these shoes, with a stitched edge on the pleated toe and a ribbon edge on the Vogue, both of which affect the structure of the shoe, how it fits, and how the leather stretches (or in the case of the Vogue, how it doesn’t stretch as much because of the ribbon).  This explains why my  bunioned/bone spurred feet gravitated toward the pleated toe wedge as my favorite pair of Re-mixes for dancing!  Close seconds in the most-popular-Re-mix-wedges-for-dancing category were the Picasso wedge, which I find has similar give to the the leather as the pleated toe, and the Greta wedge, which Philip noted that many people with difficult feet were surprised at how well this shoe worked for them and stretched with them.  I had been having some anxiety about another dance shoe company discontinuing all of their wedges (maybe hanging on to them past their smell-by date) since I mostly wear wedges to my local weekly dances, but I feel so much better after this conversation with Philip about selecting Re-mix wedges that are going to be right for my foot for dancing.

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Last, but certainly not least, instructor/dancer/visual artist Mickey Fortanasce has created a follow-up deck to his original Legends of Swing deck of playing cards (sold at Lindy Focus this past year), with the second edition featuring swing dance legends from the west coast, including Jean Veloz, Hal Takier, and Ray Hirsch.  Two important things to note: 1) “ALL profits from the sale of these cards will be donated to worthy organizations The LA Burrito Project doing outreach feeding and donating supplies to the Los Angeles homeless, and Black Lindy Hop Matters, an organization based in Baltimore, MD which works to build welcoming communities and advancement opportunities for black dancers and advocates for cultural integrity, recognition and respect for African American people and heritage” and 2) you can still purchase a deck from the Camp Hollywood website while supplies last!

I know I am missing at least one vendor, but I wasn’t in the ballroom when the vendor was there to get permission to take photos, so my apologies!  (EDITED to add that Jen Gomez of Bandini St. came forward to note the missing vendors, one of which was her table of accessories and shoe bags that was a part of the Loco Lindo booth and I had taken a picture of her shoe bags and not realized it was a separate vendor.  Check out her Etsy shop, full of lovely hair accessories.  The other vendor I missed was A Walk Thru Time Vintage and Costume Annex, selling vintage clothing and costumes.  Thanks, Jen!)

Much love to you, Camp Hollywood, for providing such ample space for vendors and for providing four days of shopping, social dancing, competitions, classes, and so much more. ❤

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Jewels at Vintage Blue Moon

 

 

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Enough menswear to line a wall of the ballroom…courtesy of Vintage Blue Moon

 

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Pearls to go with any flapper ensemble, at All the Shiny Things

 

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Far right, Re-mix’s pleated toe wedge, with the Greta wedge in the middle

 

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An adorable blouse by Loco Lindo

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Vintage sunglasses at Vintage Blue Moon

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A tropical dress for me, backed by a number of Loco Lindo’s fantastic crepe prints

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Shoe bags in fun prints by Bandini St.

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Wool caps in lush tweeds and colors by Chloe Hong

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That wonderful logo on tees thanks to Chloe Hong

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Chloe Hong’s custom work sample rack – check out those striped jackets!  Someone please buy the green stripes and come dance with me!

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Adorable vintage tunic at Pepperpie Vintage

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I love a capelet! At Pepperpie Vintage

All Balboa Weekend 2017 – Vendor Report

This post was written by Lindy Shopper.

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I apologize for the tardiness, but, as we all know, life happens outside of the Internet – always better late than never is the All Balboa Weekend vendor post, because ABW has, in my opinion, the best vendor aggregate year after year.  This was my 10th ABW, if you can believe it, and the first one I couldn’t attend for the entire weekend, but I promise I crunched to maximize my time there and to give you this attempt at a comprehensive vendor post.

Before we get into the shopping, I have two things to note:

  1. I was given the incredible opportunity to examine Genevieve Grazis’ performance clothing, including the famous Beach Clip dress, and was invited to talk about the dress’ construction and details in front of the entire event as part of Kate Hedin and Bobby White‘s presentation and demonstration of the dress.  While everyone is gaga over the 11 godets that, combined with 1930’s satin, make this dress spin like a dream (and rightly so!), but my favorite part of this dress are the sleeves – a triple pleats, both front and back, along the arm hole seam with two piped seams straddling a panel in the middle of the sleeve.  The result is a puffed sleeve created by divine architecture.
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LindyShopper talks, Kate is radiant in Genevieve’s dress – photograph courtesy of McFreebird Photography

2.  Coif magicians Destinee Cushing and Francine Amendola combined forces to form the Hepcat Salon, delivering incredible and pristine vintage hairstyles all weekend long.  I know several people who will get their hair done and wear it for a couple of nights or most of the weekend so they don’t have to worry about doing it multiple nights and to keep it out of their faces, which I think is a great plan to maximize your ‘do and practical for a dance weekend with lots going on that you don’t want to miss.

The flagship booth at ABW is always Re-mix Vintage Shoes, who makes very rare appearances at any events outside of southern California.  I know people wait until ABW to buy their first (or second, or 10th) pair of Re-mix shoes so they can try them on and see how the styles fit their feet.  I can’t tell you how happy it makes me to see them all in a row.

Next in the lineup was Sweet Lorain, which is my favorite vintage shop in Cleveland.  To call it a shop is really an understatement, it’s almost a warehouse, definitely a department store, and you can get lost in there for hours amongst the clothing, furniture, kitchen wares, records, Christmas decorations, and on.  Of course, for ABW, they pull a selection of garments with dancers in mind from the 1930’s through the 1950’s so that you don’t have to do the digging, it’s already been dug out for you and is sitting in the hallway of the event.  My story this year is that Andy Nishida and Rita Shiang (dancers and organizers of Richmond, VA’s Jammin on the James) had come to Cleveland a few weeks earlier for the World Congress on Art Deco and had scouted a 1920’s dress for me at Sweet Lorain.  1920’s dresses are hard for me because of my body type, so I was hesitant to phone in the purchase, even though Rita knows my size.  I show up at ABW with this texted photograph of a dress and the owner, Redwin Lewis, knew the dress immediately, still had it, knew it would be perfect for me – and it was!  Sometimes vintage shopping is easy and sometimes it takes a few steps to find a dress a home.

De Fils en Perles returned to ABW this year with even more intricate beadwork, much of it Art Deco-inspired.  I was particularly smitten with the earrings this year, which were often made of an exquisite central bead with smaller embellishments and looked perfect for certain 1920’s and 1930’s ensembles.  I am often overwhelmed by jewelry, so many beautiful small things at once, and I took some time to sit down and go through the earrings and really appreciate the detail that goes into each piece.

Retro Rosie made its ABW debut this year and before I even got to ABW, there was a buzz that a vendor was there selling Trashy Diva.  I spoke with Miranda Scott, the owner, who runs this brick and mortar shop and an online shop, that most of her sales are online.  I found this unsurprising, given the specialty nature of the garments (as much as I like to think we are the norm), and was glad she gave ABW a chance.  She had several Trashy Diva dresses that are discontinued in most sizes, so secondary stockists are essential for the dress you may have missed (since they TD lines are selling out within days of launch, nowadays) and the chance to try things on in person.  She also had a selection of Besame Cosmetics, another item that I can’t purchase locally to me, but that I see on the internet all the time on vintage blogs and it’s great to see the colors in person and be able to try them on, as well.

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Jamie in an ABW ensemble with giant lily

Jamie Sturdevant’s Chatterblossom booth is always a bright spot, with her cheery disposition, creative floral-inspired ensembles for each day, and a bevy of blooms for each possible scenario and outfit.  Indecision abounds at this booth, as there are so many to choose from, so many outfits to match, so many beautiful pieces that you just want to come home with you.  My favorite pieces this year are the giant lilies she acquired earlier in the year by chance, they are just so big and elegant, I want one in every color!  Message her about matching one to your favorite ensemble, her Etsy listings are only the tip of the floral iceberg.

Finally, at the end of the hallway are the Flower Child ladies, who also do an amazing job of curating just the kinds of vintage goods dancers and swing era enthusiasts want, and also go back to their warehouse to look for items to fill specific requests.  With new things brought back every day, it’s worth a gander multiple times during the event to keep up with what is in stock.  My favorite item this year, brought to my attention by Jamie and ultimately purchased by Destinee, was a chartreuse 1930’s gown studded with rhinestones, featuring braided straps and a bias cut guaranteed to flatter the figure.  Destinee wore it on Saturday night and, with her impeccable hair and makeup and a Chatterblossom bloom, looked like a legit silver screen movie star – or perhaps early technicolor, because no one should hide the color of this gown!

And here we are!  Enjoy the photo spread below!

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But for serious…this chartreuse gown from Flower Child is everything!  Thanks to Destinee Cushing for allowing me to use this photo.

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A sun-speckled display at the Flower Child booth.

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Ladies hats, ladies things…at Flower Child.

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A gorgeous 1940’s rayon print dress at Flower Child.

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Bathing suit…romper…whatever you want…at Flower Child.

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A waistcoat and some men’s accessories at Flower Child.

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Lilies, roses, and blooms about at ChatterBlossom.

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A purple and white orchid at ChatterBlossom.

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Oh, God, I’m terrible at botany – I don’t remember what these are, but they looked like they were dappled in frost, just so lovely – at ChatterBlossom.

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A sight for sore eyes – gorgeous Besame Cosmetics on display at Retro Rosie.

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Vintage hairstyling books and Trashy Diva at Retro Rosie.

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Trashy Diva, alive and in person – at Retro Rosie.

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Perfect summer cropped top at Sweet Lorain.

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What even is this magical woven trim detail on this dress?  At Sweet Lorain.

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A sweet 1940’s rayon print long sleeved dress at Sweet Lorain.

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Bakelite abounds at Sweet Lorain.

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1940’s neckties at Sweet Lorain.

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More delicious details at Sweet Lorain.

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Minty fresh color on this comfy men’s shirt at Sweet Lorain.

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One of many awesome sweater vests at the Sweet Lorain booth.

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A summer starched topper at Sweet Lorain.

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Re-mix, how do I love thee?  Let me count the ways…

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Men’s selections at Re-Mix Vintage Shoes.

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Knots divine at Re-Mix Vintage Shoes.

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Beaded sets at De Fils en Perles.

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All this wonderful detail, handmade, just incredible – at De Fils en Perles.

 

 

 

 

SJC 1930’s Chinos

This post was written by Lindy Shopper.

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If I seem like a broken record, I promise it’s not the record, because the tune keeps changing.  One of the benefits of doing limited runs and placing orders in advance for goods is that you are only ordering based on the demand and you can easily switch your attentions to the next development.  I really like Simon James Cathcart’s business model because he is constantly bringing new items to the market, hence the repeated posts.  The downside is that you don’t get a year to mull over whether or not you need something in your life, but maybe that’s best – if it’s not hitting us in the gut or on our mind consistently for a matter of days, do we really need it?  You might if you decide you might have regrets later.  I’ve learned to trust my gut.

Another thought before I get to the substance of this post – the most searched for item on Lindy Shopper is men’s high waisted trousers, presumably in light-weight, breathable fabrics for dancing.

So what I am telling you is that this item, which is the most sought-after item on this blog, is available to you now on Simon James Cathcart’s website, but not for long!  This limited run of 1930’s chinos, available in khaki, navy, and chocolate brown, are what you have been looking for – something off the rack that you can throw on your body with a shirt of just about any ilk, and go out dancing.  Washable.  Breathable.  Movable.  Unisex.  That’s right, ladies, these trousers are for us, too – though a man’s pattern, given that these sit at the natural waist and have a wide leg, wide enough to accommodate a larger hip/waist ratio, this could work for you, too.  SJC’s advertising includes both a male and a female model to show you just how this will work, which caught my eye and took out the guesswork.

You know what to do!

SJC for Summer – Oviatt Polos and 1930’s Trousers

This post was written by Lindy Shopper.

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This yellow is coming home with me…

It’s a banner week – a new Trashy Diva print is coming out tomorrow and today I open up my Facebook feed to find that Simon James Cathcart has not only restocked his amazing vintage style bamboo fabric polos, there are even more colors (!!!) and he’s added these fantastic 1930’s trousers to the website!

Men and dapper ladies, let’s talk about these trousers – from the website:  ”

SJC has just woven 50mts of 16oz Cream English 100% wool flannel, so do not hang about here. This fluffy ecru coloured cloth is thick but soft and billows like the sails of a yacht in the breeze when one moves.

Crafted into a 1930’s loose cut trouser that features deep pleats, a wide leg and a high rise fit.  The pants feature a button down coin pocket flap, side adjustors, sturdy pocket bags, sunburst corozo buttons, suspender buttons, deep fly front and belt loops.

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They come in a long untailored length so you can add your own 2″ cuffs on them to suit.

Judging by the outstanding quality of the cloth, the high desirability of the cut, the incredible price these pants will go fast.”

Have you had dreams of Fred Astaire’s wardrobe?  This looks like a good step toward his day-wear.  Pick from cream or gray fabric, then add striped socks and your desired footwear…

Chester Cordite – Modern Vintage Menswear

This post was written by Lindy Shopper.

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We should just start giving all our clothing money to the UK because I’m convinced this is where the giant hub of vintage reproduction clothing is located.  Thanks to a Reddit thread about trying to find suits for swing dancing, I’m now hip to Chester Cordite,  which offers “a modern take on classic styles from the golden age of 1930s and 1940s, producing limited edition suits and shirts with period influenced fabrics at splendidly affordable prices and all suits made in England.”  Chester Cordite got its start with that same frustration of not being able to find the right suits in good condition, and since necessity is the mother of invention, we have this company producing wonderful suits and shirts.

The suits are definitely custom, in gorgeous fabrics, perfect vintage-inspired cuts, and are fairly reasonably priced for custom work.  On an even more accessible level are their spearpoint collar shirts, which will give you an immediate vintage look (compare to modern shirt collars) for only 60 pounds (roughly $75 as of the date of this post), about what you would spend for a shirt at a nice menswear store in the U.S.  The shirts also come in an array of solid colors and stripes, which I love for dancers because most menswear-wearing dancers I know don’t commit to a jacket the whole night and it’s nice to have something classic other than a white dress shirt to complete your look.  All of the suits and shirts are paired with vintage ties in photographs on the website to give you an idea of how your vintage look will work.

Here are some of my favorites from the website:

 

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Just gorgeous – 3 piece suit with belt back, Buchan Hopsack

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This blue is a herringbone, yessssssss

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Sage check front…

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…and back!

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Cement gray stripe spearpoint collar shirt.

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Blue and black stripes for the spearpoint shirt.