For some reason, the 1920s is the most difficult for finding good reproductions. Perhaps it’s a combination of post-1920s Hollywood changing [ruining] the popular conception of what people wore or that the silhouette of the garments, once considered liberating, are taken to look unflattering by today’s standards. As someone who owns real 1920s clothing and good reproductions, I can attest that these garments are comfortable and, if the fit and fabric are good, they can be very flattering. The irony to all of this is that modern pop culture seems to love the 1920s, calling on the decade to provide themes for weddings and parties, leaving the participants/invitees scratching their heads and saying, “What do I wear for this?” Add to this the fact that swing dancers often learn a heavy dose of 1920s based dances, form dance troupes that perform 1920s-inspired dances, and may get called upon to perform, either as a performance group or as individual/social dancers to add to the ambiance of an event. At this point, I’d say a seasoned jazz dancer should have at least one serviceable and passable 1920s styled outfit in their closet for just these occasions.
I’ve blogged in the past about beaded reproduction 1920s dresses, but beads and sequins are not good for social dancing, as they tend to cut into your partner’s hands at touch points. Beads, sequins, and fringe are all well and great, but they aren’t the ONLY options for evening wear (and they certainly weren’t day wear) – so what do we wear?
One possible answer is to purchase a dress from Etsy seller LaVieDelight, who specializes in 1920s style dresses, bags, coats, and coordinating hats for a variety of occasions, all offering a number of styles, colors, and fabrics that are evocative of the decade. The company is based on Bangkok, Thailand and offers some standard sizing guidelines that appear to end on the small end of the sizing range, but they are really making each garment custom for the wearer and offer customization up to a 48 inch bust at the price listed, with the option of a greater than 48 inch bust at some additional charge. There are no additional fees for customization and the turnaround time is between 7 and 10 days (plus shipping time, presumably).
I really like the idea of LaVieDelight’s dresses for dance performances because they come in an array of colors, but also can be solid so that you can add things like hats/headdresses, jewelry, gloves, and other inspired accessories either to make it signature to your look. It’s the 1920s equivalent of buying that little black dress and making it the go-to in your closet depending on what you add to it – although, take heed, the 1920s loved color and I would encourage you to embrace a color other than black for your LaVieDelight dress, particularly if you are planning on making this dress your day AND evening 1920s dress.
I will always love the experience of shopping at brick and mortar vintage stores the most, but online vintage shopping has opened up a world of opportunity and access. In the beginning the hot spot was eBay, then the launch of Etsy seemed to take over the vintage market. With Etsy changing their policies in ways that didn’t work for vintage sellers, I’ve seen people migrate to Facebook groups, Instagram sales, and some establishing their own websites. What about the casual seller or someone who needs to offload a few pieces? There wasn’t a single go-to place for buying/selling vintage clothing.
With all of this in mind, longtime vintage clothing collector and seller Laura Hipshire launched Garb of Ages, a website dedicated to the buying and selling of vintage clothing and accessories. The format looks similar to selling on Poshmark, where you create a listing and potential buyers can search, like, make an offer, or buy the item as listed. The listings are only for items made before the year 2000, to keep things truly vintage and distinguish from other consignment websites.
The fees look reasonable: Buyers pay a $1.95 fee for sales under $20 and 15% of total sales over $20. Sellers pay $.25 cents to PayPal when purchase is confirmed.
This all looks fairly straightforward – let’s give it a go, shall we? I’ll be exploring the listings and adding items of my own in the coming weeks that are left from my @lindyshopperscloset Instagram sales under the user name lindyshopperscloset. It looks like they are still getting started, but I’m excited to see where this website goes!
Lindy Shopper’s Closet Episode 2 is up and I talk about the pandemic’s effects on the swing dance community and what I would have worn to canceled events for which I had already planned outfits. We’ll call this the learning curve episode, I talk too much, I tried to wear too many outfits, and there are some things I would change and realized I forgot to do, but if you want to hang out with me and talk about clothes and how the pandemic has impacted life and the life of your music/dancer friends, you’re probably going to appreciate it. I’ve also posted a ton of links to things I mention in the episode – pandemic relief resources, events and musicians affected by the pandemic, and resources for the clothing and accessories I talk about in the episode.
With the pandemic in full effect along with the accompanying isolation and cancellation of all activities, I was thinking of ways to use my time away from dancing and singing and stay connected. Thinking about how we are all essentially broadcasting communications via the Internet from our homes – our personal and intimate spaces – and how these are our reference and existence points for the time being, I thought about sharing more of my personal space with all of you. I am often asked by visitors to my home to see my closet, so it seemed that was the natural place to go for a first episode and for the title of this web series.
I have other ideas for episodes, but I want to see how this first episode is received, so we shall see. I am also open to suggestions for episode topics and garments/shoes you might like to discuss, feel free to post them in the video comments on YouTube.
Also, please click SUBSCRIBE to my YouTube channel for episode updates and to help with monetization of my YouTube account – please and thank you!
I know, I know, but hear me out. I’m pretty sure my mom put me in saddle shoes at some point during my childhood and I ran around the playground wearing them with a dress in ultimate classic kid style. When presented in high school with very limited options for women’s golf shoes, I was delighted that a saddle shoe was one of my options and made my selection accordingly. Then swing dancing came into my life – when I started in 1998, retro culture was an amalgam of generic vintage pop culture, but as the smoke of the late 1990’s swing revival started to clear, it was became very clear to me that saddle shoes were associated with two things: 1) a caricature of the 1950’s and 2) newbie dancers. As a budding Lindy Hopper, all I wanted was everything 1930’s/early 40’s and NOT to be associated with anything that would brand me as a newbie. I wanted to be taken seriously as a dancer. But deep down I still loved saddle shoes because they are adorable.
Flash forward a decade or so and I thought about saddle shoes again. A green and white pair would be amazing and I found a retailer online that made them. Vintage Dancer wrote this great blog post about the history of the saddle shoe, detailing their popularity between 1910 and 1960, clearly marking this as a period-appropriate choice for my swing-era-not-1950’s-caricature dancing activities. And then I remembered how saddle shoes would be perceived and I abandoned that idea.
I don’t know when Gretchen Midgley and I were first talking about this, but saddle shoes came up in conversation and how I’d wanted a pair, but ALL OF THE ABOVE HESITATIONS. Then I got a PM from Gretchen saying I needed to make this happen because saddle shoes would be a versatile addition to her fall wardrobe and she’s right. Gretchen’s message was the kick in the pants I needed. I AM LINDY SHOPPER AND I SHALL WEAR WHAT I PLEASE.
I ordered the green and white saddle shoes from Muffy’s, made from a last from 1956, which feature leather uppers and a Goodyear welted rubber sole and am so excited to finally have them after so many years of being worried about what other people would think about my dancing. Silly, I know – but being perceived as a good dancer was and is so important to me. I got to wear them last night to our weekly dance and I think they will take a little time to break in, but otherwise I am very happy with this purchase.
Would you like a pair of your own? Vintage Dancer has a set of links to retailers at the bottom of the post and I’m also eyeballing a pair from Julia Bo customized to my specifications – has anyone ordered from this site?
If you’re worried about how to style the saddle shoe, Vintage Everyday has a great collection of photos of women doing everything from riding a motorcycle to sleeping in a barrel wearing saddle shoes, with photographs looking like they date from the early 1930’s through the 1950’s.
All this to say let’s be a little kinder, a little less judgmental about what we see on people’s feet. I remember getting into a discussion on a chat forum in the early 2000’s about Bleyers, as I was still wearing mine for dancing, but someone there had branded them a shoe for newbies. At that point, I didn’t consider myself a newbie, but I was embarrassed and mad because I had stuck up for this dance shoe that was servicing my feet and someone set out to belittle me. I was either in school or working 3 jobs between stints in school at that point and I didn’t have a lot of money for dance shoes – hell, there weren’t even that many options for swing dance shoes at that point. Perhaps this is also a lesson in humanity and humility – there’s a human attached to those shoes who just wants to dance.
The Triangle dancers are in a flurry preparing for the inaugural Bull City Swingout (July 12-14, 2019) and we are so excited to share with you all the lovely things our area has to offer – doing my part here and sharing all of my local vintage clothing and jewelry haunts. While the event is walkable within downtown Durham, North Carolina, if you want the full vintage shopping experience, you will need to venture out in a car – however, there are two vintage stores in the downtown area, so even if you don’t have a car you won’t miss out. I’ll start with the stores closest to the event and work our way (distance-wise) out from there.
213 W. Main St. (2 blocks from the Durham Armory)
Tuesday – Friday 11 a.m. to 5 p.m.
Saturday 10 a.m. to 5 p.m.
Sunday 12 p.m. to 4 p.m.
Dolly’s is a vintage clothing store and gift shop, offering both men’s and women’s clothing in addition to some fun Durham merch, cute gifts, and some downtown necessities (i.e. umbrellas in case you forgot yours, socks for jurors who get cold at the courthouse). Most of the clothing will be 1950’s-1980’s, but there are a few Art Deco gems hanging around – there’s a brown crepe and sequin evening gown and matching bolero from the 1930’s in there right now that better go home with someone! Dolly’s is only two blocks away from my office and is my haven when I need a cheerful place to be during a lunch break – say hi to Larisa Harrison, the owner, or maybe local artist Anna Wallace will be working that day. This is also where I take most of my vintage clothing that no longer fits.
GIBSON GIRL VINTAGE
1001 W. Chapel Hill St.
Open 12 p.m. to 6 p.m. (closed on Mondays, open ’til 8 p.m. on Thursdays)
Owner Sara Spissu opened Gibson Girl Vintage a few months ago and she’s already got a full shop with more inventory coming in all the time – every time I go in, there’s new things to see, which is all very exciting. Gibson Girl has both men’s and women’s clothing, as well as a good bit of furniture and housewares. Like Dolly’s, it will mostly be 1950’s-1980’s clothing, with a sprinkling of earlier clothing – there’s a lovely yellow lace 1930’s dress and some hawt black 1940’s pumps (size 7.5) in there right now that I wish fit me! It’s about a 20 minute walk from the Durham Armory – if you decide to take that hike, there are some other great things within this block of the city, like the Durham Co-op Market, Grub (a yummy restaurant), and a Joe Van Gogh coffee shop.
CARLISLE & LINNY VINTAGE JEWELRY
112 S. Churton St.
Tuesday – Friday 12 p.m. to 5 p.m.
Saturday – 11 a.m. to 5 p.m.
Sunday – Monday 1 p.m. to 4 p.m.
If you like vintage jewelry, Carlisle & Linny is the stuff dreams are made of, stocking Victorian through 1970’s jewelry, and not in a token way – there are so many Art Deco pieces that I spent about two hours in the store the first time I went, mulling over the pieces I should buy. I am fairly indecisive, particularly when there are so many lovely things…regardless, this tiny shop is packed to the gills and there’s even more in the back. If you are looking for something specific, reach out to owner Lindsley Bown ahead of time to see if she might have something – her inventory is deep, jewelry is small, so it takes some effort to find things. This shop is about a 17 minute drive from the Durham Armory and downtown Hillsborough is adorable – there are several good restaurants and a wonderful chocolate shop, Matthew’s Chocolates, within a couple of blocks of the shop.
If you attended the Eastern Balboa Championships, you may already be familiar with Raleigh Vintage, as they were our wonderful lobby vintage vendors who saved all their good swing era stuff all year for our selection. You can also get a nice selection of their inventory on their website, but obviously nothing beats going in person and being able to try things on. This shop is a 30-35 minute drive from the Armory and can be a little hard to find if you don’t know what you’re looking for – the entrance is down a ramp, between a shop and a parking lot, look for a door and a Raleigh Vintage sign at the bottom of the ramp. Once you’re inside, it doesn’t even feel like you are in a basement, the space is a light and airy salon with a selection of Victorian through 1970’s clothing and accessories that reflects the excellent taste of the owners, Andi Shelton and Isaac Panzarella. It’s also a few doors down from my favorite Triangle bakery, The Cupcake Shoppe.
FATHER & SON ANTIQUES
302 S. West St.
Monday – Saturday 12 p.m. to 6 p.m.
Sunday 1 p.m. to 5 p.m.
Father & Son is a Raleigh institution, predating any of the aforementioned shops and was one of those places before the downtown area started revitalizing that was an admirable and crowded mix of excellent junk, vintage clothing, and awesome furniture. They have moved to a location that is less crowded and less dank and it is just not the same and my heart will always belong at that old location. Father & Son tends to be better for menswear than women’s clothing, but it’s still worth a trip, particularly if you love mid-century furniture – they always have a beautiful selection and furniture makes up about half the store. This shop is also about a 30-35 minute drive from the Durham Armory.
Since their launch a few years ago, I’ve been a supporter of Royal Vintage Shoes, an offshoot of American Duchess, creating reproduction vintage shoes from the 1920’s, 30’s, and 40’s. My one complaint was that these wonderfully crafted shoes with leather uppers did not have leather soles – until now! For Spring 2019, Royal Vintage has made the transition to leather soles and I’m so excited about the offerings, all of which can be added to your dance shoe wardrobe. The new leather soled collection will be available for pre-order on their website starting on April 25, 2019. I particularly love the wedges, the heeled oxfords, and I’m delighted they are re-issuing their two tone Lillian Mary Janes (although I’ve already purchased the rubber soled version from a previous collection, womp womp). Enjoy their “Foxtrot Summer” collection, aptly named to now cut a rug!
The shoe blessings runneth over and, while this vintage reproduction shoe company doesn’t appear to be directly marketing to the swing dance community, all signs point to it being a default winner – Memery, a UK-based company, is making reproduction shoes from the 1920’s, 1940’s, and 1950’s with leather soles (but also a vegan option) and they are lovely, in some classic colors and some unexpected colors. While it appears that they are getting a start on their shoe lines, it looks like they are off to a strong start, particularly with their 1940’s pump, which comes in six scrumptious suede colors and two heel heights (3 cm/1.18 inches and 6.7 cm/2.6 inches). This is definitely a shoe company to watch!
This year was my first full Camp Hollywood experience, flying in before the event began and flying out after the event ended, and after I got my obligatory In-N-Out Burger fix, I headed to the vendor area to hover and watch the magic unfold in the vendor area. The vendor area was comprised of an entire ballroom, a large adjacent conference room, and a large Camp Hollywood merch table where you could purchase both camp swag and music from the bands and musicians performing over the course of the event. This is definitely the largest vendor area at any event I have attended – I marveled at it last year, but this year I understood. The traffic in Los Angeles is so bad that you almost don’t want to leave the hotel, or at least not to go somewhere outside of a 5 mile radius. I looked into some sightseeing on Friday – maybe a vintage car museum or a Frank Lloyd Wright house – but the 12-15 miles to get there would take over an hour at 10:30 a.m., which I was neither willing to spend the time nor the money to accomplish at that point, especially with evening band obligations. So, the shopping comes to you!
I did manage an excursion with fellow vintage enthusiast Brettie Page, who had a car at Camp Hollywood – through some careful planning on her part and a small window of time on Monday where the traffic would only take about a half-hour, we rushed over to Paper Moon Vintage. I don’t have a full report because, when one has the challenge of an hour in a vintage store, one must be focused, particularly when said vintage store has a great selection of swing era items. Brettie and I both left with garments – she an incredible 1940’s bathing suit in shimmering white with gold stars and me with a silk 1930’s garden party dress – which is just about all you can ask for in a successful run to a vintage shop. I also left with this swell Jo Stafford pin – like, how often do you come across 1940’s band merch? Like, never. The cherry on this sundae was that everything in the store was 15% off.
Back at the LAX Marriott on the first day of the event, I hovered near the ballrooms and enough friends were volunteering at the Re-mix Vintage Shoes booth that I got pulled in with some lovely chatting and managed to be their first purchase of the weekend. Some day I will visit the mothership, but it was still great to chat with owner Philip Heath about shoes, pick up the shoes I had reserved, and check out all the new gorgeous purple shoes and a selection of wedges (which he doesn’t usually bring to All Balboa Weekend, the only other dance event Re-mix attends as a vendor). I was pleasantly surprised to find that the Starlet shoe will actually fit my feet, even though I believe it’s on the same last as the Gabrielle, which my feet are entirely too fat to wear – another pair to go on the wishlist!
My second stop of the trip, in the brief window between sound check and downbeat, was to hit up the Vintage Blue Moon booth and I’m so glad I did! Apparently, the vintage expo at the Queen Mary didn’t happen this year and Vintage Blue Moon was having a magnificent sale on jewelry, both vintage and some excellent reproduction “Bakelite” jewelry. The first pass yielded a Bakelite scottie dog brooch, a 1930’s rhinestone ukulele brooch, and a matching repro necklace and earrings set in peppermint stripes. I returned later to go through the clothing and there were some truly special pieces – in particular a 1930’s black satin (that heavy/heavenly indestructible kind) jumpsuit with appliqués (dying/gasping), really excellent 1920’s dresses, 20’s/30’s lingerie, and an impressive wall of menswear.
As I’m running through the vendor area, I notice a dress – CAN IT BE – it’s the Beach Clip dress! As we’ve talked about on this blog, I knew the Beach Clip dress (originally owned and worn by Southern California dancer Genevieve Grazis) was being reproduced for sale by Loco Lindo and recently heard that it would be debuted at Camp Hollywood, but I almost couldn’t believe my eyes. Having examined it up close and inside out, I was so excited to finally see this project come to fruition and to see an entire rack of these dresses in wonderful prints on comfortable and washable rayon crepe. I made a beeline for the Loco Lindo booth after the main dance ended and was relieved to find several prints still available in my size, including a scottie dog print. (Fate? Fate.) Loco Lindo owner Linda Marrone and her crew did an incredible job with the design, translating a fairly complicated late 1930’s dress into the garment I ultimately purchased, which will be comfortable and movable for dancing, with the same amazing twirl from that gored skirt. You could also buy a Beach Clip skirt, and, of course, any of Linda’s other wonderful dresses, skirts, pants, and blouses in that wonderful crepe fabric. The “Venice Beach” skirt is already on the website and I hear the dress will be posted for sale in short order. Very special thanks to Jennifer Halsne, who essentially unearthed this dress, brought it to national attention, and then worked with Loco Lindo to make this reproduction happen! For more on the story of the Venice Beach/Beach Clip dress, visit Jennifer’s blog, Swing Sleuths.
Sharing the vendor area with Loco Linda was Bandini St., selling a variety of head bands, hair flowers, shoe bags, and ideally situated next to the door leading to the main ballroom across the hall. Let’s say you’ve already picked up a pair of Re-mix shoes, snagged a dress from either Loco Lindo or vintage dress, then you can put the finishing touches on your ensemble and/or buy a nice shoe bag to protect your new shoe investment. I had thoughts about WHAT IF THE AIRLINE LOSES MY LUGGAGE and then I realized that I’d be at Camp Hollywood where I could replace everything except my underwear.
All the Shiny Things! Occupied the center of the main vendor ballroom with an intense amount of jewelry for just about anyone or anything. I noted on the evening of the A Bug’s Life theme that it would be easy to stop by the ATST booth and instantly upgrade your outfit to tonight’s theme by purchasing one of many insect brooches or small pins to be worn on a dress or lapel or collar. I particularly loved the rainbow display of bangles – lucite, bakelite, other plastic, who knows? But if the color fits…
Need a hairstyle to get you through the weekend or maybe want to do something special for the Saturday night dance? The stylists from Hush Hush Bang Bang had you covered, offering an array of services from blowout to a full updo or glam waves.
A Walk Thru Time Vintage is the last stop in the main vendor area ballroom, offering a mix of swing era vintage, later vintage, and costume pieces. I particularly loved that they created a tiki/tropical vignette, as we were surrounded by palm trees poolside at the Marriott and it just seemed right that you might want to pick up something festive to wear by the pool or to the special poolside live music on Monday.
Across the hall in a conference room I found a Lip Sense booth, which was a collaboration among Iris Tarou (who was also vending at Lindy Focus this past year, Tawnie Gadd, and Lisa Cleveland. I am a big fan of budge-proof lip color for dance events for obvious reasons (short = face sometimes accidentally grazing lead’s shirt during Bal, also having to be dressed before dinner because of time constraints) and I am not above forgetting cosmetics! I also love the combined effort of these dancer/business women, which means the booth stays open more often for shoppers and they can alternate dance time!
The remainder of the conference room was a bit less defined, so I apologize if I credit a garment to the wrong vendor. Both Pepperpie Vintage, who was at Camp Hollywood last year, and Rare Revival Vintage carried a mix of swing era vintage and dance/fab appropriate later vintage items, mostly women’s items. In the very back was a men’s corner by Purple Peacock Vintage, with some truly fabulous menswear pieces, like a 4 piece suit (extra pants, y’all), other swing era three piece suits, and the cutest light blue and white polka dot braces (that I really considered buying even though I don’t own any pants that could accommodate them).
If I’ve missed anyone, please give me a shout! There’s so much going on at Camp Hollywood and the vendor area is no exception – save your pennies to do some serious shopping at next year’s event!
I attended my 12th All Balboa Weekend this past weekend and, although I didn’t compete, DJ, run a fashion show, or run a band, I still managed to fill my weekend with so many good things and people even though I came there “just to sing.” Of course, no trip to Cleveland would be complete without a bit of vintage shopping, both on-site and in town. You can check out past blog posts for the scoop on Sweet Lorain and Chelsea’s Costumes, the former being my favorite vintage store of all time and the latter being a great place to score some inexpensive and awesome menswear.
At the Holiday Inn, the vendors did not disappoint this year. There are always a few new items of ABW merchandise each year, including baseball tees with the phrase “I’d rather be doing Bal” and a cute silhouette of Bal dancers on a solid tee and a striped tee. If you’ve looked at the ABW baby tees and thought you didn’t have a use for such things, have you considered that your dog may look adorable in just such a tee? A sweet pup named Luna came to hang out at the event (who may be the most calm and tolerant dog I’ve ever seen) and did a little photo shoot for us and everyone’s heart melted just a little bit.
Re-mix Vintage Shoes was out in full force with an array of Bal-friendly footwear in colors to suit just about any outfit. I didn’t see any new models, but that doesn’t particularly matter when you are dealing in the classics and when you want to replace that pair of gold Balboas that you’ve worn out that not even a gold Sharpie can salvage at this point to make them look like you didn’t put them through a meat grinder…it always makes me happy to walk by this table and see people excited about buying a pair of Re-mix shoes.
De Fils en Perles returned with even more gorgeous beadwork and whimsy. Classic Art Deco-inspired cuffs abound, a new series of rings were added, along with a number of butterfly designs (which were super popular and sold out last year), and (for funsies) some 8-bit characters from Super Mario Bros. and some Minions. The detail here is scrumptious, with no two pieces alike.
Dancestore made an appearance, although I should really call it the Laurie Gilkenson (aka Nina’s mom) booth because it’s more than just Dancestore shoes, it’s also a collection of vintage and vintage-inspired items (such as castoffs from Nina’s incredible shoe collection), as well as hand-crafted items made by Laurie, such as knitted caps for newborns.
Victor Celania set up a booth for his successful custom menswear business, Established Sartorial – based in Austin, Texas, victor has clients both within and outside of the swing dance community and decided to try a vendor booth at ABW. Victor is also the bandleader of the Waller Creek Vipers, whose debut album Bespoke Bounce is hot off the presses and you could pick up a copy at his booth while you drool over all the lovely menswear fabrics.
Jamie Sturdevant of ChatterBlossom was busy every time I rolled by her booth and I think people are finally in the same place I have been for a while, bringing Jamie garments and getting her expert opinion on just the right color, texture, and scale to complete your look. I say complete because I never quite feel right with just my plain hair at a dance event anymore, a flower just elevates an already special night of music and dancing. I also spotted a number of men picking up her boutonnieres, which delights me to no end.
Holding it down at the end of the hallway were the ladies of Flower Child, who informed me that this is their favorite event to collect things for throughout the year, and you can tell that they know their audience well. I find myself revisiting this area multiple times throughout the event, to look for myself and to marvel at how well-curated it is, to the point that I picked out a couple of things with specific people in mind and those people ended up buying those garments. They get us. I saw that they had more separates this year for women, gorgeous blouses, and my favorite piece of clothing was a light turquoise gabardine jacket that Victor picked up for himself.
That’s all for now – save your pennies for next year and join us at All Balboa Weekend for excellent dancing, music, and shopping!
He may not know it outright, but Simon James Cathcart is here to serve swing dancers – that is, serve up classic, rare, and sought-after reproduction menswear pieces in great fabrics. His latest offerings are all cotton, which means it’s all breathable and washable for us sweaty dancer types.
The workwear cotton stripe is being offered in four pieces, a belt back jacket, a waistcoat, a pair of trousers, and a cap, all inspired by 1920’s workwear. From the website:
“SJC has woven this exclusive cloth, which recreates the striped pattern from a pair of genuine 1920’s work-wear trousers in the company’s collection of vintage clothing. The cloth has been brushed on the inside for warmth…”
The details on these pieces are wonderful, as per usual – notice all the careful seams and generous use of pockets. Of interest to dancers would be the note about ample room in the thigh of the trousers, which translates to more room for your legs to move about unrestricted.
Finally, you just need some basics and SJC is, again, delivering the goods – what’s more basic than a pair of chinos or a pair of jeans? The workhouse chinos come with all the casual air of a weeknight DJ’ed dance, but have all the details you expect from period trousers, such as buttons for braces, a cinched back, and a nice V at the back of the waistband.
Cotton = breathable = sweat and dance to your heart’s content! Keep it comin’, Simon!
I have been counting down the days until February 1 since Royal Vintage Shoes made its announcement that they were taking pre-orders for their spring line on said date and showed previews of some of the most delicious new reproduction 1930’s shoes I have seen in a while – a golf shoe in kelly green and white (BE STILL MY HEART, also in brown) and a two tone 1930’s sandal (in blue/white and red/white). However, neither of these shoes have leather soles, so my intent was to go about my merry way, purchase these as street shoes, and not blog about things I felt it might not be OK to dance in, since our focus is on function AND aesthetics. But you should go look at their entire spring line because it is all beautiful!
Then I went to visit Royal Vintage’s parent company, American Duchess, which produces shoes from time periods prior to the jazz age, because I love historic costumes and I like to see what is out there. To my surprise, as part of their spring line of Victorian shoes, there was a lovely little flat two tone oxford with a leather sole called the Eliza. The uppers are houndstooth wool and leather and come in shades of black and brown. These shoes look so soft and comfortable, which is not something you can always say just by looking at a shoe. So if you’re in the market for flats, you can use these for modern swing dancing or your 1830’s-1860’s ensembles.
Pre-orders last through the end of February with shoes expected in April!
2017 was a great year at Lindy Focus – the swing dance community has been growing, learning, becoming better versions of ourselves, working toward becoming a more inclusive community, and Lindy Focus embraced that and gave us resources to explore and grow. Needless to say, I had an amazing week, I’m filled with hope and joy, and hope that our 2018 continues to see new strides in making us an even better community of people being excellent to each other.
Part of this community is our micro-economy here at Lindy Focus, where vendors set up in the two lobby areas of the Crowne Plaza Resort Asheville and dancers can browse and partake in services and products that are either personal in nature or tailored to swing dancers.
Of course there is the Lindy Focus merchandise table, which is always heavily picked-over by the time I arrive on December 27 – the gear is good, I don’t necessarily know what it was, but I got a green sweatshirt with the LF logo on it and that’s about all this green-loving gal needs. 😉
Next to the merchandise/check-in is the Savoy Shop, a consignment shop and shoe repair boutique that has become an essential part of the event to people who not only are looking to buy fun apparel for dancing or offload said apparel to make room in their closets, but also a fantastic on-site backup plan for several kinds of catastrophes that can occur when traveling to dance weekends over holidays – lost luggage, broken shoes, forgotten items, forgotten outfits, upgrades to outfits, and I’m sure there are other ways the Savoy Shop has saved people’s sanity over the course of the week. Men’s and women’s clothing and shoes available, lots of good selections, tailored to our dancing needs!
The main lobby is the main vendor area and the first person I laid eyes on when I got to the hotel was Jamie Sturdevant of ChatterBlossom, an Etsy shop specializing in hair flowers and headpieces made from vintage millinery flowers. Jamie lives near me, so I am spoiled by being able to collaborate with her on a regular basis, but I am excited that people get to see Jamie’s pieces in person because I can not overstate the fact that vintage millinery flowers are superior in both detail of floral design and in color matching to vintage clothing. Even if you don’t wear vintage, there are an array of blooms to match your modern attire and add a bit of vintage flair.
If Jamie didn’t have something for your head, Forties Forward perhaps had just the piece, offering their lovely blooms, as well as feathered and jeweled headpieces, which were great options for people seeking to add a bit of flair and sparkle to their New Year’s Eve attire. In addition to hair accessories, Forties Forward also had a nice selection of menswear accessories – ties, hats, and some silky boutonniere flowers just in time for that New Year’s Eve lapel!
A Woopie Bow was a new vendor to Lindy Focus, although I have seen these ties at ILHC in a previous year and I was happy to see them back again, as there are often fewer vendors offering menswear items and I’m sure we all like to have options. Helena Verheyen, a dancer and theater costume designer based in Ghent, Belgium, is the designer and creator of said bow ties and she selects fantastic fabrics from second-hand clothing and sometimes repurposes neckties to make her bows (which is a great idea if you have a damaged necktie, to get some more wear out of it). Her website offers custom work, as well!
It took a couple of tries to even get close to the Saint Savoy table and I felt bad for Austrian dancer Maren Merian, who was being pulled in a thousand directions – I’ll start this off by suggesting that we all proceed like civilized humans, take a minute to be patient when there is clearly a line and a demand and one person working the booth, and be mindful of personal space and allowing people to have time to make a decision about footwear. Once I did make it near the table, of course the shoes were glorious and, after waiting my turn, Maren was gracious and helpful and I purchased a pair of Saint Savoy’s brand new multicolored blues/greens Grace shoe, a perfect 1930’s style shoe in a shape I haven’t seen anyone else making and I certainly hadn’t seen in person until Lindy Focus. It was love at first sight, a shoe that you don’t even care if you own anything to go with it, it must be owned, worn, and loved! They also came in solid dark red and taupe, and I spotted Jo Hoffberg in the brown colourway. The Edens and the Rivieras were also selling like hot cakes and I’m excited to see what Saint Savoy has up their sleeves next!
I don’t know that we’ve had a makeup vendor in the past, outside of someone applying makeup, but dancer Iris Tarou brought us many shades of lip color with LipSense, a product she discovered last year before Lindy Focus and loved it so much she decided to start a business selling it. There’s nothing better than believing in and loving what you are selling! Per Iris’ post, LipSense is dance-proof, sweat-proof, kiss-proof, waterproof, and burrito-proof, which is basically what every dancer needs and what sounds like it would be an awesome New Year’s Eve to get your kiss at midnight after a long night of dancing and then go get burritos. For more information, join the Indelible Look by Iris Facebook group.
We also had massage therapists on-site, which is undoubtedly an essential part of a week-long dance event – Bennie Vo and Erin Hennessy had the perfect setup, a table and chair next to the fireplace for warmth, with the awesome swing music from the music jam in the alcove just a few feet away.
Ryan Calloway returned to Lindy Focus with his fantastic jazz music and jazz dancing prints, with a book of samples you could flip through, and then a link to a new service he is using called Redbubble, which streamlined the ordering process a bit, because Ryan didn’t have to be present to take your order and you can see all the options on the website. In addition to prints, you can also order tee shirts and hoodies with Ryan’s artwork!
Mary Kay Williams was back offering caricature drawings on-site, on-demand, while you wait. She had some great samples up, like a dancer/musician/world-famous doctor Dorry Segev in Superman scrubs and Admiral Holdo with her enviable purple fingerwaves. If you’ve never had a portrait drawn of yourself, Lindy Focus is a great time to add one to your collection!
Our new visual artist this year is dance instructor Laura Glaess, who had been gradually revealing her line of anthropomorphic jazz musicians on her Facebook artist’s page in the months leading up to Lindy Focus, drawn with a bit of pun and a lot of whimsy. It was so great to see these in person and see the full lineup of jazz musicians! She also did the artwork for Brooks Prumo Orchestra‘s debut album which is the perfect segue into the next topic…
…since our local artists also lend their talents to our swing musicians (Ryan Calloway did the artwork for Keenan McKenzie’s new album “Forged in Rhythm“). The sheer volume of music available for purchase, recorded by musicians in attendance at Lindy Focus, was so large that they had to keep adding tables to hold all the music and merchandise for sale. It made my heart sing to know that our community can support this much music, much of it recorded and/or composed specifically for dancers and dancing. I challenge you to learn about these musicians, there’s a list of them here. Google them, check out their websites, buy their music!
If any of this is incorrect or I have missed something/someone, please let me know and I will edit/add to this post! It’s hard to keep track of everything going on at Lindy Focus, I’m sure you can agree! Until next year, love and progress in 2018…
In the search for reproduction menswear, one of the most commonly worn items, a dress shirt, is generally available – however, if you are a stickler for detail, you’ll notice that most modern men’s shirts lack that distinctive spearpoint collar prevalent in jazz age/swing era shirts. One could always spend the money for a custom shirt, but what if you just want something a little more vintage without spending an arm and a leg?
It has been suggested by some of my esteemed OcTieBer colleagues that Natty Shirts’ “Savvy Journalist” shirt is that shirt – not quite exactly a vintage spearpoint, but definitely closer than most modern options, and, at $29.99, it’s far from breaking the bank. You can even get it monogrammed for an additional $5.00.
I will continue to sing Simon James Cathcart’s praises – his fall releases thus far consist of matching separates in salt and pepper or Dutch blue chambray, inspired by nineteen teens, 20’s, and 30’s workwear, and I think the concept of purchasing mixing and matching pieces you like is brilliant, not to mention all of these could be worn separately or together as a suit. And all the pieces are great – two jackets (belt back or Norfolk style), two styles of trousers with proper buttons at the fly and for braces (narrow or wide leg), a waistcoat in each color, and a dart cap in each color.
But what to wear with your new workwear? How about a work shirt in 4 different colors, two stripes and two solids? SJC gives you a great jumping off point for many different workwear inspired looks. Add some work boots or oxfords, add a tie to dress it up, add a henley to dress it down…
ALSO, there’s a 40% off sale on those magical chinos that everyone keeps looking for on my blog (high waist, wide leg, breatheable, danceable), as well as the summer weight flannel trousers (which I think would be more perfect for fall around these parts), the signature zig zag neckerchief, and the vintage style polos in bamboo fabric that every dancer needs as part of their wardrobe of comfort and style.