I am happy to announce that Lindy Shopper has a new supporter in the form of Etsy store Swell Farewell Vintage – owner Kate Blank has put together a lovely little shop with items from all of our jazz age and swing era decades, and beyond. Kate’s love of all things vintage began early in her childhood and she even ran her vintage clothing business out of her dorm room in college! You can see her experience in her collection, which includes quintessential items from each decade represented. I also love that she has clothing items listed by waist size, which is so helpful in initially narrowing down what will fit from the shop.
Right now the shop features mostly women’s clothing, but Kate has plans to add more men’s ties, as well as more inventory overall. Not everything is listed, so if you are looking for something specific, Kate encourages you to message her with your sought-after items to see if she has anything in her inventory that would fit the bill.
At the moment, Swell Farewell Vintage is running a 15% off coupon – enter the code 15OFF at checkout – it applies to all items!
Here’s what I love from the store:
1950’s plaid peep toe heels1940’s dress with peplum and sequin appliqueSo this is adorable…This beyond sweet 1920’s dress…Black 1940’s shoesThe use of the fabric print on this 1950’s dress is pretty fascinating – excellent neckline, as well
We can thank Australian DJ Sam Carroll (aka Dogpossum) for sharing the link to Soles2dance.com, a website selling stick on soles for dance shoes (or to convert street shoes into dance shoes). Choose from classic suede or their special “low friction” soles, crafted to be used “sticky, high-friction floors or for concrete and asphalt.”
You read that right – now all those exchanges with outdoor venues, street festivals, or impromptu Lindy bombs could be a little less cumbersome with the right soles. I know I fret about what to dance in for concrete situations, so I usually just avoid them. I am very intrigued…
From the website:
“Our hybrid low-friction soles allow dancers to modify their dance shoes so that they provide just the right amount of friction on a wide variety of floors. This is different from conventional dance shoes that work well only on well-maintained, clean wood floors. However, many social dances often take place on less-than-ideal floors that frustrate dancers because of their high-friction surfaces. Dancers at such events often complain about pain in their knees, caused by the high torque needed to overcome the floors’ high friction. Dancers also feel that they can’t dance at their best because pivots and turns are limited by high friction. Similarly, party goers at nightclubs and other dance entertainment venues typically encounter dance floors that are designed more for resilience to street shoes and spilled drinks than to promote optimal pivoting, turning, and sliding. For all of these types of floors, our LOFRI-04 product is ideal.
Lastly, there are outdoor dances on concrete or asphalt where dancing in suede-soled shoes is entirely out of the question because the suede gets shredded within minutes. On such abrasive surfaces, rubber and most other conventional shoe soles produce so much resistance to pivoting and turning that dancers either have to avoid such moves altogether, or risk knee or hip injuries while trying to force them. Our SULOFRI product overcomes this excessive friction on concrete and asphalt. Indeed, dancing on these surfaces with SULOFRI feels almost like dancing with suede-soled shoes on a well-groomed studio floor.”
I think this is the real clincher here. Sure, we can all go out and buy suede and DIY a pair of dance shoes for indoors (Soles2dance also sells the raw materials), but we haven’t really had any viable options (that I know of) for outdoors until this (duct tape doesn’t count). Has anyone else tried these stick on outdoor soles? I’d love to hear a review of this product.
If you haven’t been to Dancestore.com in a while, you should spend a few minutes checking out their new selection of shoes. I knew Dancestore was working on a pair of mesh and leather Aris Allens, but I did not know they had other men’s styles and new women’s shoes up their sleeve, as well. They were kind enough to invite me to test out a few pairs and I’m happy to share my report with you about the women’s shoes (and direct your attention to some of the men’s shoes I think are worthy of a look-see).
The first pair I decided to try was their new saddle shoe. I personally think saddle shoes are adorable and if you showed up to a dance in a 40’s skirt, blouse, sweater vest, and saddle shoes, I’d think you were completely awesome. And adorable. Very collegiate, no? I think most people associate saddle shoes with the 1950’s and poufy skirts, but they date back to 1906 when Spalding introduced them for tennis and squash players and reached their height as a trend that spanned 20 or so years, from the 1930’s through the 1950’s.
Saddle Shoe – available in brown tweed, black tweed, and classic black and white
I have been looking for a pair of saddle shoes for myself for some time, but have failed to find any with leather soles (like the pair from my childhood), only that spongy “crepe” sole which I find not as well-suited for dancing. Dancestore has introduced a great compromise – a saddle shoe with a hard rubber sole that has been sueded. I opted to try the brown tweed version of their saddle shoe, which has a soft tweedy fabric covering most of the shoe with brown faux leather covering the “saddle” part of the shoe. They came with two pairs of laces, a thicker set and a thin set. When I first tried on the shoe it felt a bit stiff, but after only a couple of dances, the stiffness wore off at the points where I needed movement. The shoe itself was very comfortable, the rubber sole flexible, and I didn’t worry about the shoes as I danced in them. I wore them with socks, which was a nice change for me, and they looked great with the collegiate outfit I described above. 🙂 The only criticism I have, which is more of a personal preference item, was that the footbed was not super cushioned – this is not something that bothers me, but some people prefer a cushioned footbed. Given the shape of the shoe, it would be easy to add an insole or inserts for an easy fix. I normally wear a 7 in Aris Allens and needed a half size larger because I wanted to wear socks with them.
Athletic Mary Jane – available in black, white, black & white, and black & leopard print,
The second pair I tried is actually a style that has been out for a while, but since I don’t normally wear flats for dancing, I hadn’t had much incentive to try out the Aris Allen Athletic Mary Janes. I know there is a population of dancers out there who don’t wear heels who are looking for a Keds alternative, so I thought I’d try them out. The biggest pros for me with this shoe were the wide sole and the cushy insole. The shoes themselves felt of regular width, but the width of the sole seemed wider than the sueded Keds I owned, which in turn made my ankles less prone to roll and just gave me more overall security in feeling “grounded.” The insole on these shoes is cushy in all kinds of good ways – giving without being squishy; soft, yet resilient in its mesh design; arch support with good placement of said support. The strap was ample, so they remained on my feet, and the wingtip styling is adorable. I also had to go a half size up with this shoe for it to fit comfortably. I am hopeful that, like the white mesh oxfords, I’ll be able to shine these up with Windex when they get dirty.
D’Orsay Sandal – available in black satin, tan satin, and silver sparkle
The final pair I tried is definitely a new style for Aris Allen and was the one I was most excited about – the d’Orsay sandal. I have admired the Aris Allen d’Orsay satin t-strap since they launched a few years ago, but never bought a pair because the 3 inch heels were just too high for me for dancing. I hoped that they would create a similar pair with a lower heel and was elated to see the d’Orsay sandal with a 1 5/8 inch heel.
I selected a black satin pair to try out. Initially I got a size 7, but couldn’t fit my foot in the shoe, so I exchanged them for a 7.5. I got the 7.5 on my foot, but because I have a weird foot* the part of the shoe around where your foot enters the shoe near the ball of the foot was too tight. I enlisted the help of my friend Tiffany Linquist, another size 7 lady, to test the shoes for me, as her foot fit into them without the same problem. Another dancer, Heidi Reule, also tried out the fit of the shoe and did not have the same problem.
After about 5 dances, Tiffany came back over to me – the short end of the strap had broken on the d’Orsay sandal. We were pretty mortified, because we both have Aris Allen shoes that we love and know that they can make quality products. We brainstormed about the shoe and here’s what we came up with:
– The quality of the shoe appeared to be good – the materials used appeared to be quality, the overall aesthetic of the shoe was very good, the cutouts added to the comfort at the ball of the foot, and the insole was soft and comfortable.
– The heel height and width were ideal for Charleston, Balboa, and Lindy Hop.
– While the ball of the foot was very flexible, the arch was not – it was stiff and the shoe itself was very narrow at the arch. Tiffany’s feedback was that the shoe was very comfortable while she was dancing on her toes, but not while she was standing still. The arch, overall, felt and looked very narrow and, when she was wearing the shoes, she said it felt like her arches were dancing off a cliff (i.e. not secure).
– The arch support in the shoe felt like it was too far forward in the shoe.
– We were surprised that the strap broke (the small part with the buckle, not the long part with the holes for the buckle) until we noticed that there was no elastic on the strap. The absence of elastic, combined with the stiff arch appeared to put unnecessary strain on the strap, which likely caused the break. There is only so much thread can hold without some give to that tension.
That said, I hope that Dancestore does not give up on this style – I would still love to own a pair of shoes in this style and heel height – I hope that they take this feedback and make some improvements to this lovely shoe – a little elastic and some love in the arch would help what is, otherwise, a good shoe.
MEN! If you are still reading, you are dedicated – there are good things for you, including a much anticipated mesh wingtip in brown tones, a sweet white wingtip that looks like it may give Re-Mix’s version a run for its money (at half the price), and dance loafers in black, white, and a “Michael Jackson” edition in black with a special rubber insert in the heel that was specific to a pair of shoes worn by the King of Pop. I notice in the descriptions for the white wingtips and the loafers that they have taken feedback from dancers to heart and made these pairs with a thicker sole than the regular Aris Allen dance shoes – the result is something more like a quality pair of dress shoes and requires a bit of a break-in period. Not a bad thing if you are looking for a more quality pair of shoes. Men, I would take the time to read the descriptions of these shoes, as they have taken the time to describe their qualities in a fairly in-depth way to help you make a decision about what shoe would be right for you.
I love where Dancestore is going with their men’s shoe line – I think the aesthetic is spot on and the focus on quality materials and listening to user feedback is a step in a great direction. I think there are some improvements that could be made with the women’s shoes – aside from the aforementioned satin sandal, I would also like to see more leather shoes in the women’s shoe line and would like to continue to be able to buy leather wedges, which are a staple of my dance shoe wardrobe. I see that my staple wedges are being phased out, which is a shame because there are no viable alternatives, in my experience, that have the same wonderful, flexible sole as my Aris Allens. I am on my second pair of tan Rugcutters (since purchasing my first pair circa 2003/4?), and would still be on my first pair if they hadn’t smelled so terrible after 5 or 6 years that I had to throw them out. I wore them to death, almost every night, until I could afford to expand my shoe wardrobe and buy more wedges. I love them, please don’t get rid of them! *grovels and clings to your leg*
I would like to thank Dancestore for involving me in a review of their products. I am a staunch supporter of their shoes because I believe that they are a great entry point for dancers to buy dance shoes at more affordable prices and are one of the few places offering viable social dance shoes in flats. I hope they continue to make shoes that I love and experiment with new styles and adjustments to make the shoes that they have even better for dancing.
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*I have weird feet, so not every shoe works. I am the genetic product of a father with narrow feet and mother with tiny feet, a high arch, and Haglund’s deformity – the result (in me) is a narrow heel, a disproportionately wide ball of the foot, and the Haglund’s knob on the back of my heels. I also have a Tailor’s bunion and have had two surgeries to repair a toe I mutilated in my youth by falling down the stairs, breaking my toe, and then stuffing the broken toe into toe shoes before it healed. Needless to say, I must have very comfortable footwear and my health insurance has labeled me as having a pre-existing condition.
Like a breath of fresh spring air, the Shabby Apple Ferris Wheel Collection arrived in my inbox yesterday – the collection features some great 1950’s-inspired silhouettes in cotton candy colors, perfect for those looking for an early spring. I am particularly pleased that Shabby Apple selected some really great prints for this collection, as they tend to lean more toward solids. I also love that their full skirt comes in so many colors and prints. As always, Shabby Apple’s dresses are great for dance or work, so we can get maximum mileage with our purchase. Here are my favorites from the collection:
Lovely shaped dress in blue with a floral printFruity print!A sassy look with a Peter Pan collarDots! I am usually not a fan of ruffles on the bottom, but the placement of this ruffle has the potential to create a really flattering silhouette
I know several people who collect red lipstick for the lovely vintage look it gives them – there are so many reds to have, but not all lipsticks are created equal. The worst part about wearing most lipsticks is that they eventually wear off, leaving you looking thin-lipped, which defeats the entire purpose of wearing it in the first place. A night of dancing can wreak havoc on red lips. I have been looking for a budge-proof lip product and, after a semi-diligent search, I have the answer.
Kat Von D seems like the perfect spokesperson for a lip product that’s both glamorous and tough-as-nails. I was in Sephora on a whim and my friend Ellen Tucker, who works there, asked, “Is there anything you need?” I once swore by an Aveda lip pencil as a red lip foundation, but after it was discontinued I had no choice but to seek other products. I explained the red lip pencil/base search and she brought me over to the Kat Von D cosmetics, pulling out a really vibrant red and black tube of Everlasting Love Liquid Lipstick in Outlaw (brick red). I was skeptical at first because liquid cosmetics can be difficult, but after a demonstration of it’s inability to be removed from her skin without a scrubbing, I was convinced…
…and I haven’t gone back! I am frequently asked how I manage to keep my lipstick on after dancing, meals, and gigs – this is the answer. It’s a bright red, but can be tempered by layering with other lipsticks. It is also matte, which gives it more of a vintage look.
It is slightly difficult to apply the first few times, but then you start to develop a technique and you understand that your fear of its electric red-ness will subside after the color sets in and it darkens a bit. I found it easiest to apply to either the middle of the upper or lower lip, then press lips together to spread the color, then do the outline of your lip. Also, check your teeth before you leave the mirror and give them a once-over with your tongue, or you’ll look like you had a vampire meal after application. Remove at the end of the night with a makeup remover – you may have to go over it twice to get all the color off.
I am hopeful that this line of cosmetics stays around for a while and, of course, I’d love to see some more color variations on red.
That’s right, I said corn – I found this great 1940’s sequin applique dress, but instead of the typical bows or flowers, this one features what could either be corn or yellow grapes. For our purposes, I’m going with corn and this is the sparkly equivalent of a novelty print. If I were heading to the Hawkeye Swing Festival or the Heartland Swing Festival, I would pick this up in a second. Adorable!
This was a bit of an interesting year for vendors at Lindy Focus, in that few of the usual suspects were present, so the vending was made up mostly of DIY lindy hoppers, including endeavors by Lindy Focus itself. Lindy Focus offered a consignment shop for those who had danceable clothes and shoes to get rid of and for those who needed/wanted such items. I did pretty well in the selling department, so some of you may have left Lindy Focus with a Lindy Shopper vintage garment. 🙂
Noticeably absent was Dancestore and their signature Aris Allen shoes, a serious business faux pas, in my opinion – 900+ attendees, many of which (including me) were looking to buy or replace dance shoes. To make up for the lack of being able to replace dancers’ worn out shoes, Lindy Focus offered a shoe sueding and repair service.
One of Sharon’s creations
Marathon dance event vendor Sharon Crawford of Creations by Crawford was on hand creating custom hair pieces, boutonnieres, and other elegant accoutrement for ladies and gents at her table, positioned next to the ballroom off the registration lobby. Sharon’s table was always open and always had a bevy of guests – from hairdressers to nappers to chatters, all were welcome to hang out. I don’t know how she got any work done, but I’d wager to say she’s the longest working vendor at Lindy Focus (as evidenced by the sunrise/survivors photo on the last day, she was probably working the whole time).
Forties Forward – love these gals!
Forties Forward, one of my favorite hair flower vendors, was right across the hallway from Sharon, making sure that the ladies of Lindy Focus had all the hair flowers they needed. With the customary gussying up for New Year’s Eve, I’m sure they did well. Added inventory this year: false eyelashes. Va-va-voom!
Also a regular, Mike Thibault’s jazz and lindy hop prints are always a welcome sight. I love his selection, especially the new-ish one of the interior of the Savoy ballroom packed to the gills with dancers. If you haven’t seen what he has, definitely check out his website – Vintage Jazz Art – and pick up something inspiring to put on your wall.
Next to Mike’s table was a curious little table of notecards with photograph images of dancers with a sign saying “Dance Cards by DJ Stone.” Perhaps a few campers picked one up to send a note saying “Wish you were here?”
The designer and her models – photograph courtesy of Jessica Keener Photography
Finally, New York designer Nicole Lenzen not only had a lovely rack of dresses at her vendor table, she debuted her first collection of dresses and rompers for dancers at Lindy Focus in a glorious fashion show during one of the camp meetings, featuring some of your favorite female instructors as models for her designs. The collection was movement-conscious, high in twirl factor, and rich in textiles. The designer loves to work with fine fabrics, produced ethically and created into garments in New York’s garment district. Nicole hopes to have her website ready to take orders soon – she does custom garments as well as those featured in her collection. Nicole is a delight and I look forward to seeing her business grow and flourish. Check out the fashion show in the video below for a full view of the collection and also Jessica Keener’s lovely photographs.
I think a fashion show and debut collection must be a swing dance event first, if not a Lindy Focus first, no? Clearly we are heading in the right direction.
I’ll close by saying I really enjoyed being on a panel discussing blogging and social media with Rebecca Brightly, Michael Seguin, and Jerry Almonte. Everyone had thoughtful commentary and different insights based on our different experiences. Special thanks to Abigail Browning for inviting us to participate and giving us questions so that we actually had something to say. 🙂
Mike Thibault’s wonderful Vintage Jazz Art printsDance cards by DJ StoneI couldn’t resist posting the beading detail from one of Nicole’s dresses. You should go look at the fashion show, but you won’t be able to see all the wonderful details in her dresses!
I am eagerly anticipating my departure to Lindy Focus XI, not only for the shopping opportunities this year, but also for my appearance as a panelist in one of the Lindy Focus Field Day discussions! Come to the Overlook ballroom at 1:00 p.m. on December 30 for a discussion on “Scene Building in the Age of New Media” with me, Rebecca Brightly of Dance World Takeover, Jerry Almonte of Wandering and Pondering, and others!
In addition to vendors and merch, Lindy Focus boasts a consignment shop where you can bring your gently used clothing and shoes (up to 10 items) to sell in their shop to make a little extra cash for yourself (to do more shopping with, of course!). There’s also a shoe shop where they are offering a sole sueding service – $15 per pair for high quality suede and professional strength cobblers adhesive. They will also have many pairs of vintage and dance shoes for sale at the shoe shop. So many things!
Finally, Lindy Focus has a room with some emergency supplies, if you find yourself ailing outside of drugstore business hours. From Eva Millwood: “In room 128, there will be available band-aids/neosporin, Tylenol, Advil, Aleve, Tums, and Benadryl for $.25, and emergen-c and off-brand 5-hour energy shots for $.50. Someone will almost always be here!” They may add to this list of available items, so come to this room if you find yourself in a bit of a medical bind, but don’t need urgent care.
Lindy Focus continues to exceed expectations – I can’t wait to be there!
Red Tartan – can’t post on Christmas Day without a Christmas tie!
Thanks to a tip from North Vancouver dancer Sarah Vincent, I am now apprised of the existence of M.G. Baker Co. Bow Ties, handmade in the U.S.A. and christened with names like Foxtrot, Lindy Hop, Bunny Hop, Charleston, Boogie, and other vintage dances. The funny thing is, this guy is not a dancer…which means he must be very clever to know the names of all of these dances. 🙂
These ties are 100% cotton, which means they are friendly for the inevitable sweat that accompanies your dancing. It also means you could probably throw it in the wash (but air dry, lest your tie shrink to mini-tie).
From the website: “All M.G. BAKER CO. Bow Ties are the traditional “Self-Tie” variety; meaning they are the kind you tie yourself. But don’t fret! Each and every one is uniquely packaged in a keepsake box complete with illustrated tying instructions to help teach even the most inexperienced beginner how to tie a bow tie to perfection.”
One of the first things on my Facebook feed this morning was a photo of a pair of red and a pair of green wingtip Keds, made by St. Louis dancers Beccy Aldrich and Kayce Maureen. I love a DIY project and the shoes were so adorable I couldn’t resist posting them here.
They got the idea from Pinterest, which linked to this site in a language unknown to me. However, the photographs take you step by step through the process so you can make a pair of your own! Beccy adds that they used fabric pens to create all the patterns on the shoe, and supplemented with white fabric paint to highlight the dots in the brogueing. We’re not sure what the turquoise pen is in the photo.
If you’re going to Lindy Focus, you’ll get to see the green pair and red pair in person – nice job, ladies!
My outlet tux! Photo courtesy of Bonnie Stanley Photography.
I had heard rumors about the Hillsborough Formalwear Outlet in Hillsborough, NC long before I actually went there – mostly people who had purchased a hat from their collection, but they spoke of a giant warehouse full of tuxedos, for rent or for purchase, at very reasonable prices. When Raleigh’s Vaudevillain Revue decided to go 20’s/30’s for a show, I decided it was time for me to pull a Dietrich for my performance and get a tux of my own.
The Deal: jacket, pants, shirt, vest or cummerbund, bow tie, studs, and cufflinks for just over $100 (including tax). You take it home, it’s all yours, everything you need but the socks and shoes.
How do they do it? When formalwear retailers and renters liquidate their stock, this place buys the goods. You are purchasing sometimes new, sometimes previously rented, goods. They have a wide selection of tuxedo styles – from tailcoats to modern jackets, every imaginable color of vest. If they don’t have it in the main warehouse/shop, they have a few other warehouses to draw from, including one that is almost entirely full of polyester 70’s tuxes with ruffled shirts – imagine the color combinations (*laugh*cry*shudder*)! All this to say that they probably have a tux that will work for you and your needs.
The customer service was fantastic – someone was essentially assigned to me and helped me painstakingly put together a men’s tux for my not-a-man’s body. I was elated with the result and the price – I’ve put together Halloween costumes with fewer pieces that cost more than this.
I was really hoping that they would be open the week between Christmas and New Year’s Eve – people need tuxes for NYE, right? – and with Lindy Focus that week, people could fly into RDU and hit the warehouse on the way to Asheville. Alas, they will not be open that week, so my plans for directing you to them for this year’s LF have been foiled. However, this is a family-owned business, so perhaps if enough of you emailed them we could convince them to open for a day, or take appointments? Just a thought. Perhaps you can hit them up on the way back to RDU and pick up one for next year…
Fancy legwear has definitely been a trend in the Lindy Hop community for the past few years and it makes sense – we are paying a lot of attention to movement and embellishing that is one way to get someone to look at your legs. I was contacted by the UK legwear retailer, Tightsplease, about reviewing their site and product and I am happy to report that all is well in the UK for quality hosiery.
I tried a pair of the Tightsplease brand’s Jive Stockings, which proved to be highly durable. I didn’t dance in them, but I did brave a Christmas party with a shooting contest, a parade, hot glue gun crafts, small children, and runway walking on a gravel driveway. They’ve made it through the wash on the delicate cycle and are ready to go again. This is saying a lot for these hose because I am the destroyer of all panty hose that are not, essentially, medical grade support hose. I destroyed a different pair last night on the first wear by simply attending a concert and sitting in a chair for 2 hours. Riddle me that.
I was very excited to see that they carry what they are calling Charleston stockings, which look like the silk stockings of old, but probably aren’t silk, based on the price tag. I am hopeful for the latter because silk stockings tend to get droopy around the ankles mid-way through the night and I’d love for modern technology to have improved on that, but maintain that same rich, silky look. Ella wasn’t kidding when she sang about silk shiny stockings – they are really shiny!
The website also lists the denier for most of the hosiery, which I find extremely helpful as the hosiery Godzilla. If there’s two pairs that look the same, you can be sure I’ll go for the one with the higher denier number.
Here are some of my favorites from this lovely site:
Side bow suspender tights – sassy without the garter beltChicago tights – more shiny stuff!Freakin’ gorgeous hold ups with peacock feather detail80 denier tights in 7 colors – hoping 80 denier means Godzilla-proof…Dogstooth tights
I am often curious about men’s footwear, specifically for Lindy Hop and Balboa. You see everything from sneakers to wingtips, but the options for shoes made specifically for dancing are drastically more limited than women’s options. My friend Matt Mitchell from Austin, Texas posed this question on Facebook: “Looking to retire the Aris Allens. What shoes would you recommend? Nick, David, Jeremy, Mickey, and any other lead?” I’d like to know the answer to this myself!
Jon Tigert chimed in first with his endorsement for Pronto Uomo brown leather oxfords, adding that “they are mostly a clothes company, but the shoes hold up great and are super comfortable.” A quick search of the internets revealed very little in the way of offerings for purchase, but if you are looking for tuxedo shoes for this year’s Lindy Focus, their patent leather tuxedo shoes are available at Men’s Wearhouse. A search of eBay shows that there are a lot of these shoes being sold used, which translates into savings for you.
Nick Williams‘ shoe of choice has been discontinued, Nordstrom brand loafers, but Jeremy Otth posted a link to a pair of loafers from Nordstrom that could fit the bill. Nick says that this particular loafer is different in terms of design, so his search for a new favorite dance shoe continues. David Lee adds that he is wearing the new Nordstrom loafers, which were a little hard on his feet until he bought inserts, and they are now great.
Andreas Olsson favors these sweet Moreschi Italian loafers, acknowledging that they are pricey, but that they are very comfortable and extremely durable. He’s still wearing the pair he bought in 2006.
In terms of general brand recommendations, Carl Nelson recommends Florsheim because they fit his feet well. Jason Swihart* perfers Allen Edmonds, but adds that “any quality men’s shoes with a flexible, not-too-heavy leather sole (if the heel is rubber, you can have it replaced)” is good. Jeremy says that Stacy Adams shoes are good if you like a thicker sole, but he prefers the Nordstrom loafer so he can “feel the floor.”
Other general tips:
– Buy shoes that fit your feet.
– Shoe trees and leather treatment can help make shoes fit you better.
– Vintage shoes are a viable option, especially if you have narrow feet.
– If you find a pair of shoes you like and they aren’t leather on the bottom or on the heel, you can always find a cobbler and have them soled in leather or suede.
I found this discussion very useful and broadening in terms of knowning what options are available to men. It appears that classic men’s shoe makers/retailers are the most viable options outside of the Aris Allen brand. Thanks to all who participated in this conversation for your feedback and the results of your trials and errors.
* Mr. Swihart appears on the Lindy Shopper blog with the permission of his legal counsel.
How adorable is this 1930’s bias cut red and white striped dress? Seriously adorable and festive, lightweight for dancing, bias cut for movement, matching belt and capelet, what more could a girl ask for in a holiday dress? 😀
The question at the forefront of my mind today (after a trip to the mall where there is an overabundance of sequins and glitter) is what will I wear on New Year’s Eve at Lindy Focus? Something that twirls, something that sparkles, something like…this Striking Gold dress from ModCloth! But…it’s not available in my size. Still, it’s a good dress, someone should sparkle in it (in red or gold), no? 😉 For me – the search continues!
Lindy Shopper 
