I have always loved stickers – I’ve collected them, put them on notebooks, adorned mail and packages, and put a healthy dose of them on band storage/instrument cases and the back of my car. Thus, in one of my periodic Lindy Hop Etsy searches, I was delighted to discover that an artist had made a sticker pack of Whitey’s Lindy Hoppers – not just the logo, but the artist’s drawings of the faces of the dancers themselves!
• Two version of Frankie Manning
• Norma Miller
• Al Minns
• Billy Ricker
• Willa Mae Ricker
• Ann Johnson
Now you have to decide where to put them…so many options, but so many things to stick with stickers!
Clicking through, I see the shop is VectorPixels, which is owned by dancer and dance photographer Sammi Kunz, who I see at events with camera in hand and an infectious smile. A pleasant surprise, but not too surprised for someone I know to be creative! You may also find something else in the shop to take home and stick on something you love – lots of fun art, words, and pixels.
There is a lot of documented history about the creation and performance of The Big Apple line dance in the 1939 film “Keep Punching” – if you don’t know this story already, take a gander at Wikipedia, The Lindy Circle, and Savoy Style. It’s the story of a dance within a dance craze! I love this clip for its energy, the individual style (dancing and clothing) of each of the dancers, and also because they keep it simple and functional – this clothing is obviously their own normal street clothing, with the exception of the coordinating Whitey’s Savoy Lindy Hoppers tee shirts. I imagine this is a snapshot into what they might wear on any given night of the week out at a dance (compare to the more fancy street clothing/costumes in Hot Chocolate (Cottontail) or the outright dance costumes in The Harlem Congaroos clip). There is an array of interesting clothing in this clip – from the dancers to the more fancy daywear/cocktail attire of the actors/extras to the orchestra in tails.
There are so many pieces of clothing worn by the dancers in this clip that are accessible today, so let’s dig in:
First, those custom Whitey’s Savoy Lindy Hoppers tee shirts – we don’t have the light background with the darker graphics, but Chloe Hong has reproduced this graphic on dark blue and dark red tees that you can order from her website. Since none of us hold a candle to the original Whitey’s Lindy Hoppers, we can view these shirts as aspirational/inspirational, a tribute to these original dancers and innovators. I love that some of the tee shirts in the clip are worn as-is and others are worn over another shirt, as layers. This makes me think of the ever present battle of sweat management – if that tee shirt has to last through a day of many film takes under hot lights, you might need that base layer to keep things fresh on the outside.
Since men’s reproduction knitwear is still a bit of an outlier, your best collared “undershirt” solution to get the look from the video is to pick up one of Simon James Cathcart’s short sleeved polos with that distinctive spearpoint collar – they are also made of wicking bamboo fabric, so extra helpful with sweat management. Available in nine colors and I wouldn’t be surprised if SJC was going to release some more in the future. Even though the men in this clip are wearing the spearpoint collars, these polos are also great for women, I have a few and I love them.
A few of the women in this clip looks like they may be wearing either some sort of collared or uncollared blouse underneath their tee shirt or they may be wearing a scarf tied loosely around their neck and tucked in a bit at the tee shirt collar. The House of Foxy’s 1940’s shirt in crepe would give a similar effect to the pointed collar blouses in the clip, with just the top points peeking out and the crepe being flexible enough to work around the tee shirt collar and lay right. One of the women is wearing a belt with her flared skirt and it looks awesome, but the video quality is such that I can’t tell if the belt is leather, fabric, or some other material.
While there is one woman in a flared skirt (and I say that relatively, as we’re not talking Dior “new look” volume, just a bit more twirl than the other women), rest of the women in this clip are in A-line skirts, something with a more streamlined profile, but with enough radius at the hemline to allow for kicks and movement. This skirt silhouette and just-below-the-knee hemline shows the fashion transition to the 1940’s silhouette, when you contrast with the calf-length skirts from the film A Day at the Races that came out just two years before Keep Punching.
UK brand Heyday has a nice A-line skirt, available in several prints and solid colors, I love the quality, wearability, and washability of their pieces. If you are going for the more full skirt, it looks like the House of Foxy’s Whirlaway Skirt fits the bill of being not to full, not too A-line, but just right in terms of fullness for the purposes of this clip. It’s also available in 7 colors and ditto on the quality coming out of this UK brand. Would wear both of these skirts for dancing and for work and for anything, really.
Men’s bottoms look like your standard fare for trousers, tucked in shirt or not tucked in – I mean, whatever’s comfortable for you after umpteen takes, right? If you are looking for something high waisted, I can’t say enough good things about SJC’s 1930’s chinos, which can handle belt or braces. Or just go and buy whatever lightweight, breathable trousers you can find and wear that shirt untucked! The exact right pants are usually hard to find, but for this look it’s not an absolute essential, the devil is in the other details. For the tucked-in crowd, note the dancer with the skinny belt – how skinny is up to you and your pants loops. Google was an absolute failure at looking for skinny belts (“no, Google, I mean REALLY skinny, 1.5 inches wide isn’t skinny!”), so dive deeper into your internet searches and/or go to the women’s section of a department store to buy one because nobody cares where it comes from.
The footwear is all over the map. I see white Keds-like sneakers with dark socks (that may color-coordinate with the collared shirt under the tee shirt) and in other colors (Gray? Black? Oh, wait, we’re not in Technicolor), or maybe even a shoe with a more substantial sole closer to Vans’ classic shoe (or their newly engineered more flexible/lightweight version).
I see a couple of pairs of saddle shoes thrown in the mix and, though most modern associations are with the 1950’s, the saddle shoe’s popularity boomed in the decades prior to the 1950’s, as well. Most saddle shoes I see today have a crepe sole, which isn’t my favorite for dancing, but Re-mix carries them with a leather sole. I’d consider giving this Restricted pair from ModCloth a whirl because they have leather interiors (for my sensitive feet), what appears to be a flat synthetic sole, and because the blue/brown color combo is awesome. Then I go and find this yellow and white Chelsea Crew pair…I need to stop while I’m ahead.
Finally, one dancer has some classic leather oxfords on, which previous discussions on my blog have covered everything from buying them used at thrift stores to getting your first pair of Aris Allens to splurging for a pair of Allen Edmonds (or finding them used on eBay).
To recap: classic dance shoes of your choosing, socks, comfy pants/skirt, signature tee shirt, optional undershirt/collar/scarf action. One might say this is not too far from what we are wearing on the dance floor today. Now, time to go practice the second half of the Big Apple that I never seem to remember….
A lot of black Lindy Hoppers are speaking right now and a lot of us are listening, but I know a lot of us also want to take action to help. I have been looking for more ways to be an ally and to use my voice to help make our community more inclusive to black dancers. Lindy Shopper is my most public voice, but this is a fashion blog – I wasn’t sure how I could help writing about clothing and shoes.
Then I saw a Facebook post made by dancer Angel Sheniev Cadenza, which detailed ways in which racial isolation is present in the dance scene, and one of those was was the following: “Racial isolation in the dance scene to me…It is planning to attend a vintage-themed dance event and having almost no black reference points to create your look because all the vintage themed resources are created by and for whites, and black people are almost non-existent in historical media.”
I spend a good amount of time poring over photographs and videos from the 1920’s, 30’s, and 40’s studying the subjects’ clothing and I knew that there were a lot of black reference materials (a good place to start is the Vintage Black Glamour Facebook page, which you should all be following because it’s fabulously curated with lots of historical information), but I can do better and share this information here. I realize newer dancers may not know all the vintage clips of the swing era, so let’s explore that. The focus of this blog is source material, where to purchase clothing and shoes, so I’ll try to tie that in, as well – we should be inspired AND know where to get the look.
Back in 2010, I started a series called “What’s Old is New” and I realized that I never actually made this into a series, so I’m going to pick this up and continue it (after posting it in Angel’s thread as a possibility of how I could contribute to this discussion and received positive feedback)…so here we go. If this is a misstep, then I apologize and I will stop and continue listening.
The first and only post in my What’s Old is New series was about the clothing in the Marx Brothers’ film “A Day at the Races,” which features Whitey’s Lindy Hoppers and I found sources for some modern day inspirations/approximations of the garments worn by the women dancers in the film. I still love their outfits, the quintessential mid-calf 1930’s skirts in bias cut plaid are just awesome.
Let’s take a look at another classic clip featuring Whitey’s Lindy Hopper’s, a 1941 soundie called “Hot Chocolate (Cottontail),” featuring Duke Ellington and his Orchestra playing Cottontail. The dancers are wearing clothing that is not quite costume, not quite street clothing, somewhere fun and in the middle.
The pinafore/jumpers on the women are just adorable and I am dying over the huge sleeves on their blouses. The men have a bit more variance in their dress, ranging from overalls to jackets with maybe the largest collar I’ve ever seen on a shirt. Finding exact replicas of these garments would be hard, you’d likely have to get a copy made, but we’ll find some pieces that capture some of the fun of these garments.
For the blouses, my first instinct was to go to the House of Foxy website and they deliver – their Elsie blouse has those amazing sleeves (available in mustard, black, and white). They also have a great Peter Pan collar blouse available in ivory, ivory gingham, black gingham, and a black/gray/red floral print – I know I have missed seeing these available outside of thrift/vintage shops and I’m glad House of Foxy is offering some twists on the basic (or not so basic) blouse so we can find some reproductions we may not feel as hesitant to dance in. I own the Peter Pan collar shirt and some other pieces from this company and the quality is stellar, would purchase again.
I didn’t see but one vintage 40’s jumper that caught my eye on Etsy (but it’s awesome – black velvet with pockets on the front!), but they tend to pop up somewhat often, as these jumpers and pinafore dresses were fairly common – the thing you won’t find is the shorter skirt length, but then you can decide what length you want and what look is more your style.
Men, I don’t even know where to begin with that giant collar, it’s amazing and a sight bigger than any 40’s, any 70’s, anything I’ve ever seen. Since a trend in the 70’s was 30’s style and the collars were of superior width and breadth in that decade, I went looking in vintage because I honestly don’t know of any modern retailer carrying an approximation of this. Even Simon James Cathcart’s polos aren’t cut that big, but if you wanted a nod to that big collar, this would be a reasonable place to start. The 40’s shirts were a bust, but there were some promising 70’s options on Etsy – like this Art Deco print or this yellow long sleeved shirt. There were more great printed shirts on Etsy with wide collars so take a gander!
As for the overalls…I’ve got nothing. Sometimes garments are so special that they can’t be found and/or have to be made.
I went looking for the light car coat in the video and the first hits were Burberry and Prada, so I retreated to Etsy and found one from the 60’s that fit the bill. That they were doing aerials in a coat is pretty awesome, but you’ll probably save yours for before and after the dance.
There are other pieces I wish I could find! In particular that two tone paneled skirt, what a great piece to have in your closet.
Feel free to chime in with other pieces you have found that look inspired by this clip in the comments! This is not meant to be an exhaustive list, but a starting point for ideas and sources.
I’m excited to bring you my first ever Lindy Shopper vendor report from my very first Camp Hollywood! I have been wanting to attend this event for years and life always found a way to keep me away from dancing in California. I was able to attend half of the event (Sunday and Monday), to sing with Michael Gamble and the Rhythm Serenaders, and even attending half of the weekend was awesome, but I’m afraid my vendor report has some holes because not all vendors are at their tables all the time and our schedules didn’t always coincide.
Camp Hollywood has the largest dedicated space for vendors of any event I have attended, it’s an entire hotel ballroom, plus a side room with a clothing vendor and hair salon pop-up. If the airline had lost my luggage, there were no worries about covering my needs for the weekend.
Let’s take the tour, shall we?
My first stop was Vintage Blue Moon, which arguably held the largest vendor space and was a treasure trove of both men’s and women’s vintage – the men’s section was at least as large, if not larger, than the women’s section. There was enough inventory that I felt transported, I’ve been in some brick and mortar shops with smaller inventory than what owners Robert and Kristi Alvarez brought to the LAX Marriott. The selection was carefully curated for its swing era audience, and even had a good selection of 1920’s clothing and accessories, which they brought this year after getting requests last year. I picked up a 1940’s suit for my day job that is reminiscent of something Tilda Swinton would have worn in her turn as gossip column twins in Hail, Caesar! and I couldn’t be more pleased.
All the Shiny Things occupied most of the vending space in the center of the ballroom and I’m afraid I didn’t get a chance to chat with the owner of this space, but the array of costume jewelry from so many decades past was vast and colorful – I get easily overwhelmed by jewelry counters and this was like the King Kong of jewelry selections. I loved all the colored bangles, if you were looking for a match, you’d probably find it here. Now looking at this photo and wishing I had more time to figure out what colors I need!
I was excited to see Loco Lindo again, who had come to All Balboa Weekend several years ago, and see what owner/designer Linda Marrone had been up to since then. I’ve been following her line of clothing on Facebook, but it’s always nice to see things and chat in person. Her washable and danceable crepe dresses (great for work, too!) were already selling well and she was out of several sizes in some prints, but I managed to snag a dress in my size in a tropical print that I’d seen on her website and liked from afar. Her corner of the ballroom was cheerful and bustling, a credit to Linda’s designs and her personality as she chatted with the dancer/shoppers. Like Trashy Diva, her prints come in limited runs, so don’t tarry when making your decisions about what to buy.
The ever-classy Chloe Hong occupied a good portion of the vendor ballroom, with the largest selection of items I’ve seen at an event to date. In addition to her custom tailoring and racks of samples, she carried two colors of the famous Whitey’s Lindy Hoppers logo tee, as well as a rainbow selection of her low-heeled t-strap shoes, which are fast becoming ubiquitous on dance floors all over the US (and I can say this, having seen them at dance events on the east coast and the west coast on the same weekend). Gracious and kind, it’s always a joy to see her at events and see the beautiful custom work she does for dancers.
Occupying an end cap of the All the Shiny Things center island in the vendor ballroom was Electro Flapper – Get Dolled and Dapper, featuring vintage hairstyles, brow shaping, and lashes by owner Brittany Leavitt. I didn’t get to spend time chatting with Brittany, but I do love seeing these services at dance events, whether its for a special updo or routine maintenance that you simply haven’t had time to get to until it’s right there in front of you at a dance weekend and you’ve got an hour of free time. Check out the amazing and perfect vintage ‘dos on her Facebook page and get inspired to make an appointment for CHXI.
Because there were so many vendors, two vendors had to set up in a conference room next door to the vendor ballroom. The first of these is Pepperpie Vintage, which had a mix of swing era goodies and clothing from more recent decades. Again, I just had enough time to run by and snap some photos, thankfully with the permission of owner Perrin Iacopino – but, alas, I couldn’t find a website or a Facebook page for this shop, so if anyone in the know can direct me I will be happy to link to where we can find Pepperpie Vintage information in the future.
Sharing the space with Pepperpie Vintage was a “Hair Bar” run by Kimmery Michelle Thompson of Shear Attitude Hair Salon, offering up-do’s, down-do’s, a mix of both, hair accessories, and color streaks. The Hair Bar looked so inviting, with a lighted sign, vintage pink bonnet dryer, and a glorious Art Deco vanity that just begs for finger waves to be done in view of its glorious circular mirror. I didn’t get to see Kimmery in action, but you can see her work on her lovely Instagram page, @_kimmerydoesmyhair. Two great hair stylists at this event!
We return to the vendor ballroom to visit Saint Savoy’s table – no one was at the table when I was in the ballroom, but it’s no secret that I love dancing in their shoes, having blogged about them several times before on this blog. Since I didn’t acquire any new and interesting tidbits, I’ll share all my previous Saint Savoy posts so you can see the love.
Also no secret is my love for Re-mix Vintage Shoes and, while I didn’t get to visit the mothership, owner Philip Heath had an extensive selection of footwear, including wedges, which are not usually a part of his All Balboa Weekend display (which is the only other time I have seen Re-mix shoes en masse at an event). I got to chat with Philip for a bit about his recent travel to Italy to sell shoes at an event, his visit to the shoe factory that makes these glorious shoes in Spain, and about the construction of the reproduction 1940’s wedges. Did you know that not just the leather outside of the shoes is modeled after vintage shoes, but also the inside construction of the wedge sole? We talked about the flexibility and give of the leather for each style, particularly the two most popular styles, which right now are the pleated toe wedge and the Vogue wedge. Philip noted that even the finishing touches are the same on these shoes, with a stitched edge on the pleated toe and a ribbon edge on the Vogue, both of which affect the structure of the shoe, how it fits, and how the leather stretches (or in the case of the Vogue, how it doesn’t stretch as much because of the ribbon). This explains why my bunioned/bone spurred feet gravitated toward the pleated toe wedge as my favorite pair of Re-mixes for dancing! Close seconds in the most-popular-Re-mix-wedges-for-dancing category were the Picasso wedge, which I find has similar give to the the leather as the pleated toe, and the Greta wedge, which Philip noted that many people with difficult feet were surprised at how well this shoe worked for them and stretched with them. I had been having some anxiety about another dance shoe company discontinuing all of their wedges (maybe hanging on to them past their smell-by date) since I mostly wear wedges to my local weekly dances, but I feel so much better after this conversation with Philip about selecting Re-mix wedges that are going to be right for my foot for dancing.
Last, but certainly not least, instructor/dancer/visual artist Mickey Fortanasce has created a follow-up deck to his original Legends of Swing deck of playing cards (sold at Lindy Focus this past year), with the second edition featuring swing dance legends from the west coast, including Jean Veloz, Hal Takier, and Ray Hirsch. Two important things to note: 1) “ALL profits from the sale of these cards will be donated to worthy organizations The LA Burrito Project doing outreach feeding and donating supplies to the Los Angeles homeless, andBlack Lindy Hop Matters, an organization based in Baltimore, MD which works to build welcoming communities and advancement opportunities for black dancers and advocates for cultural integrity, recognition and respect for African American people and heritage” and 2) you can still purchase a deck from the Camp Hollywood website while supplies last!
I know I am missing at least one vendor, but I wasn’t in the ballroom when the vendor was there to get permission to take photos, so my apologies! (EDITED to add that Jen Gomez of Bandini St. came forward to note the missing vendors, one of which was her table of accessories and shoe bags that was a part of the Loco Lindo booth and I had taken a picture of her shoe bags and not realized it was a separate vendor. Check out her Etsy shop, full of lovely hair accessories. The other vendor I missed was A Walk Thru Time Vintage and Costume Annex, selling vintage clothing and costumes. Thanks, Jen!)
Much love to you, Camp Hollywood, for providing such ample space for vendors and for providing four days of shopping, social dancing, competitions, classes, and so much more. ❤
‘Tis the season for horse racing and large hats and the Lindy Hop community will always be tied to “the races” by way of Whitey’s Lindy Hoppers’ appearance in the Marx Brothers’ film. What better way to celebrate than by picking up a very limited edition horse race print blouse, courtesy of Jitterbuggin’? The stylized horses and be-hatted spectators on this reproduction blouse are just perfect for a dance or your local Derby festivities. And when I say limited run, I mean she only made three of them and one of them has already sold! (Kim, please make more! <3)
While I’m helping organize/run Frankie 100 NC this weekend, I’ll definitely have one eye on New York to see what amazing videos and news come out of the main Frankie 100 celebration. Already, I see friends posting photos and experiences, including shopping – I think the most eagerly anticipated Frankie 100 merch is the reproduction Whitey’s Lindy Hopper jacket, which FROMChloehong took preorders for several weeks ago.
It was no surprise to me that the master of vintage collegiate style, Bobby White, posted a photo of his acquisition of the jacket (I would do the same thing – it’s exciting, it’s here, it’s real!), but there was more! Chloe also had custom bags made just for the jacket with the Whitey’s Lindy Hoppers logo, as well as tee shirts. I was ecstatic to see the tees, not only because they would be available at a much lower price point than the detailed wool jacket, but also because the tees themselves are reproductions of sorts from the Keep Punching Big Apple routine! I say of sorts because it looks like the tees in the video are a lighter color with a darker graphic – Bobby says there is also a yellow tee available with a darker graphic, so you can get that Keep Punching look. 🙂
Thanks to Bobby for sharing his loot and to Chloe for keeping the surprises coming!
EDITED to add that the order form is up! Click here to order. Chloe is donating a portion of the proceeds to the Frankie Manning Foundation and, if you get your order in by April 30, you can pick up your jacket at Frankie 100!
I’m still looking for the perfect compact and keep coming across ones I like from the swing era World’s Fairs. The World’s Fair is a series of large expos held in different countries, the highlight of which were the national pavilions, created by participating countries. According to Wikipedia, the early expos, starting in the early 1800’s and, until the late 1930’s, were focused on trade and “were the platform where the state of the art in science and technology from around the world was brought together.” After that, the World’s Fair focused more on cultural exchange. Key expos of the swing era held in the United States were Chicago in 1933 and New York in 1939 (the 1939 World’s Fair also featured performances from Whitey’s Lindy Hoppers). The merchandising opportunities for these expos were in abundance and you saw everything stamped with a world’s fair logo, from silk scarves to money clips to parasols.
I love magazines that do the “real” v. “steal” spreads – taking designer and runway ensembles and translating them into more affordable pieces to create the same or a similar looking ensemble. I’ve been wanting to do this on Lindy Shopper, but instead of designer, take looks from iconic Lindy Hop photographs or videos and create an ensemble using modern pieces of clothing. I love doing this for Halloween costumes, but it does take patience to find each piece.
So here we go! For the first ensemble in this series, I’m looking to A Day at the Races, the classic Marx Brothers film from 1937 featuring Whitey’s Lindy Hoppers. For the most part, the dancers appear in street clothing, but there are two follows wearing bias cut plaid skirts that really pop on the silver screen, the bold pattern contrasting with the more solid colors on the extras in the background. It’s no secret that I love plaid and this is a great use of plaid to draw attention to these two follows.
For the most part, the two outfits are the same: bias cut plaid skirt, white socks, dark shoes, and a collared blouse/sweater. The first plaid skirted follow has a low heeled t-strap shoe and a wing collared short sleeve sweater, while the second has a low heeled oxford and a collared blouse, which may or may not be under some sort of short sleeved sweater. The white socks also help draw attention to the follower’s footwork, especially with the t-straps.
It’s always interesting to see exactly what pieces come together to make up an ensemble. Sometimes it’s more simple (or more complicated) than you think. I had no trouble finding the skirt or the shoes, but the tops were quite difficult and I’m still empty handed on the lace trim collared shirt. Here’s what I was able to dig up to help achieve this look: