As most ladies know and Tim Gunn has spoken out about, the clothing options for women over a certain size range are particularly limited, even though they make up hundreds of thousands of shoppers in the US and beyond and spend significant sums on clothing for themselves. Compound limited selection with a preference for vintage styles and your options are even more limited.
I’ve had my eye on New Vintage Lady’s Etsy site for some time and I did a post on her in 2011, but I’m excited to see that she keeps showing up on my radar and continues to expand her line of vintage patterns, offering fantastic designs that are all the things we love about jazz age and swing era clothing, with all the wonderful details that make them great (and she has a great eye! I love her selections, artwork, and fabric choices). This latest endeavor is via Kickstarter, in an effort to expand her size range to cover bust sizes from 40 inches to 52 inches, as well as improving her existing patterns in terms of graphics and descriptions. Offering a range of sizes is a lot of work – often, you only find one vintage pattern of a certain dress and it comes in the size you found, not a range, and it’s not simply a matter of adding inches around to increase the size, of course it’s MUCH MORE COMPLICATED THAN THAT, in that way that all of our bodies are a complicated mix of measurements.
The obvious rewards here are reaping the benefit of the new patterns once the Kickstarter is funded, but if you don’t sew there is an AMAZING reward – the New Vintage Lady will make you a dress, one of HER garments from the Kickstarter! What could be more amazing and more personal and more lovely than that? (I see she also does men’s trousers *ahem* maybe…if you ask nicely?) If you’ve ever wanted a reproduction dress to your specifications with your fabric choices and you haven’t done this for yourself, this is a great opportunity to help not only yourself, but others of a certain size range to gain access to these wonderful patterns.
There’s so much to love, go check out her line and video and consider backing this project!
I hear a lot of questions about how to isolate the decade, or portion of a decade (or in rare instances, the year), in which a particular garment was made. How do you identify the date of a garment based on the details, fabrics, notions, etc. included the garment? My initial answer is to do your homework, but my learning mostly consisted of shopping for vintage with my mother, asking her to identify the decade, and having her point out different identifying details. I can’t loan out my mother to all of you, so you’ll have to learn the old fashioned way: book learning (or in the 21st century, the Internets).
Kim at Time Machine Vintage directed me to the Vintage Pattern Wiki to get some ideas for dresses, but I was delighted to see that you could search their extensive directory by the type of garment and also by year. I see other compilations of patterns for sale that usually group by decade, but I’m just anal retentive enough to want to add more mid-1930’s dresses to my collection, or to want to make sure that late 20’s/early 30’s dress is actually late 1920’s. Regardless of your OCD level or absence thereof, this website is a useful resource for anyone who would like to learn and understand more about the fashions from each of the swing era decades, down to the year. Another great feature of this site is menswear and children’s clothing included in the patterns, which is not something I run across very often.
Enjoy this resource, I’ve already spent portions of two evenings going through the early 1940’s stuff – this could take a while!
Every now and then Urban Outfitters will have some home item that just blows me away. As I was pilfering through their website looking for gifts for the Boy, I came across these fantastic dress forms. Aside from sewing shops, I’m not sure where you would buy a dress form, but they evoke a certain nostalgia for me. I’d love to have one in my guest room/auxiliary closet to have around, perhaps displaying a particularly awesome vintage garment. From a functional aspect, it would be helpful to have one to hem dresses, or take in dresses, or accomplish some other simple sewing tasks I am capable of.
While these forms are not adjustable, you can buy one in your size (or a close approximation to your size). Available in plain muslin, two prints, and three solid colors. Consider the green one added to my Christmas wish list!
This is another article I’ve written for Yehoodi, with this topic at the request of the Yehoodi staff – enjoy!
Vintage or reproduction? The obvious answer is both, but I’d like to delve into the pros, cons, and considerations that go into the collection of both and the considerations that go along with the decision to wear each of them.
Clothes made in the swing era were rarely mass-produced, and certainly not on the scale that clothing is produced today. The techniques for tailoring and the training that most women went through as a part of growing up to learn how to sew and mend their clothing is almost a lost art today, as is the art of tailoring men’s suits. So, while the clothing is old, it is usually very well made and, if in good condition, can be mended and altered with relative ease. The tailoring and details like pintucks, smocking, and embroidery can take many working hours to make, hours that modern retailers rarely put into their garments without passing on a lot of cost to the consumer.
That said, there are some reproductions that do provide these details, but they don’t come cheap. Trashy Diva, who mass produces dresses, puts a lot of thought into their reproduction garments, keeping the tradition of matching belts, contrast buttons, and interesting dressmaking details. Likewise, ordering something custom from a tailor or online custom clothing service will get you that quality, but you’ll also see that quality come out of your bank account.
Here’s the big argument – what if I rip something? The fear of destroying vintage is something I dealt with for a long time, even after ripping the back out of two vintage dresses and seeing that they could be fixed without noticeable signs of mending. Obviously, reproduction garments will be more durable because the fabric is newer, but that doesn’t mean that the newer fabric won’t rip. Part of the durability issue, for both new and old garments, can be tackled by some careful considerations before purchase – does the fabric feel durable? Can I move in this (do some solo jazz steps in front of the mirror in the dressing room)? Does it fit me properly or is it too tight in one or some areas? Are there parts of the garment that could get in the way of dancing?
Reproductions will win this point, but not all vintage should be discounted. I’ve got some vintage crepe dresses that are indestructible and the construction of vintage men’s jackets really speaks for itself.
Reproductions have come a long way since I started dancing, as clothing makers have begun to move away from the black, white, and red with polka dots color scheme and embrace prints, period colors, and period appropriate fabrics. I’ll continue to use Trashy Diva as an example because they do it so well on a large scale – some of the rayon prints they choose for their fabrics are so spot-on that it’s hard to tell if the dress is vintage or new. Other fabric choices, such as silk crepe or a knit that looks like wool jersey (but without the itch), are period appropriate, upgrade the look of the garment, and, in some cases like the jersey knit, provide a modern upgrade of a classic fabric that makes it even more wearable for today.
You can work with a dressmaker or tailor to make your vintage reproduction unique or an exact copy a garment. This does require you to become involved in the creative process of the garment by selecting fabrics, buttons, details, notions, and any considerations you have about the fit of the garment. It took me a while to become comfortable being a part of the creative process (what if the fabric I picked out looks bad?), but after spending a little time in a fabric store and familiarizing myself with fabrics used in both modern and vintage clothing, I was able to embrace the creative process as a new challenge – to collaborate with the tailor to put together a look, in a fabric and color/print I love, with a pattern I love, to create a new garment that is vintage by design with a reflection of my personal style.
With all this in mind, there is hope; however, the creativity of seamstresses and tailors past is far reaching and the patterns much more complicated – as the number of skilled sewers was higher, the patterns of the swing era were more complicated and counted on the person sewing the garment to make certain dressmaking leaps in creating the garment. I say this because my mother has made me a few dresses and even though she is an extremely skilled seamstress, her experience was primarily through the streamlined silhouettes of the 1960’s and 70’s, not the draped, detailed, side zippered, crazy seamed 1930’s and 40’s. What I’m getting at is that, on top of the already unique nature of these clothes and fabrics that are no longer made, you have a skilled population who more often embraced the task of clothing design/creation and the creative challenges that go along with it. I believe those creative challenges resulted in some truly original designs – some of them may fall short, but many of them are what makes owning vintage clothing such a pleasure in our mass produced world. I often use these creative choices of the past to inspire my own reproduction creations.
The reproductions will win this point – even though vintage comes in all sizes, for the most part, it’s one of a kind and finding something with your measurements can be difficult. For men, vintage daywear is nearly impossible to come by. Reproductions, whether mass-produced or custom, are able to be replicated in multiple sizes. With the rise of Etsy, the Vintage Pattern Lending Library, and other web-based and local tailors who have taken an interest in making reproduction garments, reproductions of swing era clothing are more available now than ever.
Fit actually works three ways in this discussion. The best way to get something fitted is to have a reproduction made for you. In my opinion, the next best fit usually comes from vintage clothing, especially if you are going for accuracy. For example, Trashy Diva, while divine, mentions in some of their garment descriptions that they have raised the waist line to a more empire waist, which is neither period appropriate nor the most flattering cut if you have an hourglass shape or a small waist. Other reproduction makers will cut corners, either with tailoring or fabrics (stretch fabric, while sometimes helpful for movement, does not make a garment FIT any better if the garment is ill cut), to make a one shape fits all silhouette which really only flatters a certain body type that most of us do not have. Vintage garments are usually constructed in such a way that they can be modified, while mass produced reproductions are made without ample hems to be let out or seams that are surged and tight, without that extra 1/2 inch or inch of fabric that might be available to be let out to make something fit just right.
SUITABLENESS FOR DANCING
This can be pretty garment-specific, or even year-specific. I don’t see a lot of early 1930’s reproductions because the hemlines were lower and some of the skirt shapes not necessarily movement-friendly. When using an early 1930’s pattern to create a reproduction, I usually ask that the hemline fall just below the knee, instead of at mid-calf level so when I dance and compete people can see my legs. The designs of the late 1930’s through 1950’s are, overall, pretty dance friendly and I think most reproduction swing dance garments draw from this time frame. Reproductions usually come in more wash and wear fabrics, which is helpful to dancers because we sweat a lot. Only a handful of reproductions I’ve encountered seem to have issues with dance-ability, usually relating to fabric choice (silky/slippery, wool, synthetics that don’t breathe) or the cut of the sleeve or arm hole – I always do an over the head test with my arm to test a garment’s range of movement.
Overall, vintage clothing is cheaper than buying a reproduction. There are obvious exceptions to this rule, but generally, if a vintage dress costs more than the reproduction, it’s probably not something you’d want to wear to a dance to sweat in because it’s a quality piece. Most of the vintage I purchase for dancing is less expensive because it’s a common silhouette, in a common (usually durable) fabric, and it’s second-hand goods. Because it costs less, I won’t feel so bad if something happens to it on the dance floor. With reproductions, you are paying for the labor and fabric with today’s costs of producing, distributing, and marketing the garment. However, that added cost can mean piece of mind if you are truly concerned about ruining something vintage or if you are particularly rough on your clothing.
I’m sure there are other pros and cons and I’d love to hear your thoughts on this topic – feel free to chime in or let me know if you have any questions.
In this post I’m going to pay homage to La Mode Pyjama, a blog devoted entirely to beach pajamas of the 1920’s and 1930’s. While this blog is not a source for the actual purchase of said pajamas, it does offer wonderful and inspiring photographs and postcards of beachwear from that era, highlighting various styles of beach pajamas. The material here is simply gorgeous – the colors, the shapes, the scenery, it’s like a wonderful time machine to a tropical destination. The beachwear shown here is so creative, ranging from clean and chic to drapey and sophisticated, with each outfit showing different parts and amounts of skin.
The blog is affiliated with the Trojan Academy of Studies Cartophiles, which, according to the blog (as translated by Babelfish/Yahoo, as I don’t speak French) “Its goal is to study the old postcards, i.e. to carry a glance on the technique cartophile, to evaluate their historical interest, to consider their sociological interest. Monthly meetings make it possible to the members to make their presentations. Studies made by the members of the Trojan Academy of studies cartophiles and relating to teaching, the leisures, various local events, of communes and any subject cartophile without exclusiveness in places. The academy publishes postcards of collection (47 achievements) primarily devoted to the local life and booklets taking again the contents of the conferences of its members.” I have an aunt who collects old postcards of Beaufort, North Carolina, my hometown, and it a fascinating study of the past, leisure, and writings from the beach. To focus on a particular fashion trend of the time that is directly associated with the beach is a great way to show how the postcards convey the fun and relaxation to be had (or to envy, if you are the recipient of the postcard) at the beach.
With beach pajamas you don’t have to sweat how you look on the beach, you simply look fabulous in a floaty, elegant, drapey, one piece pantsuit. Top it off with a big brimmed floppy hat, sandals, and beach tote and you’re ready for a day in the sun without having to worry about your ghostly white legs, bikini line, or any undesirable bits showing in your bikini…no worries means you might actually relax at the beach. I think we’re on to something here.
Where can you find your own pair of beach pajamas? A Google search reveals that you can buy a pair for your American Girl doll, but finding a life sized pair will prove more difficult. Unless you can find a vintage pair somewhere (likelihood: slim), you will probably have to either make your own pair from a pattern, like this one from Wearing History Patterns, or have a pair made for you, like this adorable pair from Etsy seller Time Machine Vintage. I opted for the latter and am so pleased with the results (in green, of course) – beyond comfortable!
While these pajamas were widely photographed at the beach, you certainly shouldn’t relegate your beach pajamas to purely sandy locations – they’ve been spotted “puttering in the garden,” I could see this as a great hostess outfit, and I’ve definitely spotted Heidi Rosenau wearing hers out dancing. If you have a pair, I’d love to see yours out on the dance floor!