Tag Archives: International Lindy Hop Championships

ILHC 2018 Vendor Report

This post was written by Lindy Shopper.

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The International Lindy Hop Championships is one of those events where, even if you go into it feeling like you don’t have a lot to do, there are so many excellent people around and things to see that this feeling dissipates very quickly.  While the vendor area was not as robust as in years past, there were still some new surprises as well as staple vendors to get you some things you may need and some things you may want.

I usually do a trend report, but I’m sad to say that I did not see many of the competitions this year due to both work obligations and time spent with friends outside of the dance.  I WILL note that I did see the invitational strictly and, if this is any indicator of trends, white was absolutely a trend this year – white skirts, pants, and even a jumpsuit.  White is one of those attention-grabbing colors for competitors and we usually point to shoes as a prime example, i.e. highlighting a dancer’s footwork, so here, let’s say we’re highlighting all those amazing swivels.  I also want to give a shoutout to Remy Kouakou Kouame, along those same lines, for wearing a stellar pink suit in a sea of neutrals and for being such a great menswear inspiration to up and coming dancers – I noticed one of the Cleveland Junior Jitterbugs, Jermaine Trevon Donald, competing in pink trousers and one of the sweetest sport coats I’ve seen in a long time (it’s hard to tell from the video, but the fabric is awesome), and coach Valerie Salstrom told me that Remy is a big inspiration to him.  Here’s to inspiring dancing and inspiring and eye-catching competition apparel!

Now, on to the vendors!

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Victor Celania has been working in custom menswear for years and serving dancers in the Austin, Texas swing dance community, but has only recently started setting up shop at swing dance events under the name of his business, Established Sartorial (which may have the cutest logo ever).  I love visiting Victor’s table and seeing and feeling all the wonderful fabric samples.  I also love hearing people talk about the kids of garments they want and how they want things to fit – we all have such different bodies, different needs, and different ways that off-the-rack clothing doesn’t work for us.  I’ve known Victor for a long time, he has such excellent taste and I’m glad he’s sharing this skill with the rest of the dance community.

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Dance the rainbow

Speaking of excellent taste and custom clothing, Chloe Hong was on site and focused on selling her not-quite-flats-not-quite-heels t-strap dance shoes that have become so popular due to their comfort and the array of colors offered – an actual rainbow of options appeared on her table, which I love and adore.  This goes without saying, but being able to try on the shoes is so important for us as dancers, so having Chloe at ILHC with shoes in all available sizes to try on was fantastic.  I ordered a pair in light gold and I’m so excited to try them out (following a recent purge of 10+-year-old dance shoes that were well past their prime)!  She also had a selection of men’s oxfords in more subdued colors with a contrast sole, I would be interested to hear from people how they like dancing in them.

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Sparkle butts assemble for swing outs…

New this year to me was Lucky Lindys NYC, a brand of bloomers made in New York and created by New York dancer Julia Loving.  I did not get to speak to Julia in person, but there were no less than three people at her booth, either helping or shopping, who sang the praises of these bloomers as to their comfort and construction, particularly that there is no center seam in the crotch area, eliminating THAT kind of discomfort.  If you missed out at ILHC, you can pick up a pair from the Lucky Lindys NYC Etsy shop.

Finally, also new to me, was Dee’s Tees, tee shirt customization and design by Darlene Davis, who would craft, create, and cut your tees on site in any number of ways to effectuate the desired result.  Maybe you want a larger neck hole or something off the shoulder, then maybe the shirt becomes an over layer for something interesting underneath.  She was using ILHC tees as examples, so you could pick up a tee and walk 10 feet over to Darlene’s table for instant gratification and leave with a one-of-kind shirt. I don’t have a website, but if you are interested in this kind of service at your event, email Darlene at darlenetedford@gmail.com.

Finally, Richmond dancers Dave Barry and Cate Rauschenberger set up their Jazz Garden, an array of gently used jazz CDs which they have scavenged in thrift shops and beyond to give this music the second life it deserves in the hands of new owners.  I love this idea, very much akin to scavenging/thrifting vintage clothing, and taking it to the next level by collecting a critical mass to sell at an event.  Like a good vintage clothing store, Dave and Cate have curated dance-friendly jazz artists and saved you the effort of intense and time-consuming digging.  I salute y’all, as I also enjoy the hunt!

I know there was also a massage vendor, but I was never in the area when they were around – I’m happy to update if someone wants to message me with their name and information!

Cheers!

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Darlene in action, getting started on a custom tee

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Samples of Dee’s Tees finished products

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An array of bloomer options from Lucky Lindys NYC

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Cate and Dave know good jazz music

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The men’s shoe offerings from Chloe Hong

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Gorgeous suiting fabrics from Established Sartorial

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“Buttons, buttons, we’ve got the buttons…buttons for the swingeroo…”

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Eshakti for Fall and at ILHC

This post was written by Lindy Shopper.

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Classic shapes, flattering pleats, POCKETS

I don’t know who is designing for Eshakti, an India-based company making customizabe/semi-customizable clothing, but they are up for everything and I am here for their vintage-inspired styles in knits and machine-washable fabrics.  I haven’t written about them on the blog, in part because I assumed everyone knew about them and in part because I wasn’t sure if they would keep up with the few vintage-inspired styles they were offering, but it’s been a few years and I get and love what they are throwing down, especially for this coming fall.  They’ve graduated from basic shirt dresses and 50’s shapes to much more adventurous vintage silhouettes with delicious details.

Aside from the wash-and-wear fabrics, one of the main reasons I’ve had friends recommend and wear this brand is the wide range of sizes and the ability to customize the garments, not only in body proportions, but also modifying parts of the garment itself – don’t like a scoop neck?  Make it a V-neck.  Don’t like sleeveless?  Add your choice of several different sleeve options.  It costs a bit extra to make these modifications, but it’s a modest cost and Eshakti always seems to be running a sale of some sort to basically offset that cost.  And every dress comes with pockets – if you don’t want pockets, you can opt out at no cost (but why would you? lol).

What prompted this blog, in addition to recent emails from Eshakti and ensuing purchases/longings, were some prominent Eshakti sightings at the International Lindy Hop Championships this past weekend.  Dance instructor Carol Fraser coached and performed with the Jazzabelles, a solo jazz performance team from Long Island, New York, and she and her teammates were all in coordinating shades of green of the same Eshakti dress.  This particular dress I have seen on other women I know who are into vintage style it’s one of those universally flattering cuts for many different body types.  Combined with the ease of the knit fabric and the relatively reasonable cost, Eshakti becomes a great option when you are looking for performance team outfits.

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The Jazzabelles in coordinating Eshakti dresses.

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Vocalist Taryn Newborne in her custom Eshakti dress.

Highlighting the versatility and customization elements and also the more luxe fabrics, my fellow vocalist this weekend, Taryn Newborne, sported a gorgeous embroidered lace dress from Eshakti, which she customized by adding length to the skirt and modifying the sleeves.  The results were superb, she looked and sounded like a queen.

I would say my only complaint about Eshakti is that you can’t always linger when making a decision – some dresses, like the Jazzabelles’ dresses, have been on the website for a few years; others have disappeared within a matter of a couple of months, for reasons unknown or because they run out of that particular fabric (I’m looking at you green cat print skirt, also couldn’t find Taryn’s dress to link).

Now, for what’s been catching my eye for fall – enjoy!

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This dress is reading super 1930’s to me

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The bodice, the balloon sleeves, the little buttons at the shoulder – leave as is for dancing or maybe lengthen the hemline for a more 30’s-inspired day look.  Comes in more colors.

 

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This is going to be one of my go-to dance dresses – I customized by adding short puffed sleeves.  More color options on the website.

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Classic brown polka dot with lovely flat rushing at hips and matching belt.

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Y’all know I love a jumper…

 

ILHC 2016: Trend and Vendor Report

This post was written by Lindy Shopper.

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My seat for the weekend’s evening festivities.

It was another banner year for the International Lindy Hop Championships, now in its 9th year, and full of life, energy, and joy that only swing dancing with people who love these dances with every fiber of their being can bring.

This year’s ILHC was very different for me than in previous years, primarily because I was only singing with Jonathan Stout‘s bands on Friday and Saturday night, whereas in previous years I had competed, DJ’ed, participated in the Yehoodi broadcast, and also sang, usually 2-3 of these at various times over the course of the weekend.  Consequently, I cannot say that I was in the ballroom as much as I had been in the past, but I received a request for a trend report, so I will tell you what I was able to see while I was there:

Trashy Diva: TD has been around for a while and there would always be a token dancer in a TD dress (usually Mia Halloran (as in the video below) or Valerie Salstrom), but this year the TD was out en masse.  As my gaze scanned the dancing crowd each night, there were numerous ladies sporting TD’s signature printed rayon dresses and it made my heart sing!  You all looked amazing – at one point, I happened upon a cluster of three women in TD chatting in the hallway and there’s nothing that makes me happier than fashion bringing people together.

Cropped tops: This trend was a pleasant surprise, seeing adorable cropped tops paired with everything from floaty skirts to high waisted trousers, and always impeccably assembled with the rest of the outfit.  Everything from right at the top of the waistband to about three inches above the waistband, so some were just a peek when you lifted your arm to turn and others were more intentionally part of the ensemble’s silhouette.

High waisted tapered leg pleated front pants:  Ubiquitous, for a second year in a row.  My distaste for this trend remains, but at least they all fit you well, no one looked uncomfortable.

Women in ties: Neckties, bow ties, and I think I even spotted a Continental – ladies, won’t you join me during OcTieBer?

Men: I’ve got nothing, it looked rather more of the same, except that well-dressed men are always in style.  Nevermind, keep looking amazing, don’t change. 😉

If you attended, I’d love to hear what other trends did you noticed while you were there – feel free to leave a note in the comments.

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May 15, 2016 Lake Buena Vista, FL Ashley Eckstein / Her Universe Photo credit: Preston Mack

I’m also going to give honorable mention to Diana Smith, who wore my favorite clothing item of the weekend, a black floral romper that, at a distance looks like it’s made from a a nice vintage floral, but upon closer inspection has Captain America’s shield nestled in the beds of flowers!  Click on the photo to make it larger so you can see the detail –  brilliant nod to the Captain America back story and the victory prints of the 1940’s.  Did I think to get a photo of Diana in this romper?  No, because I’m a terrible reporter and I think I got her in trouble during sound check because we were both working when I started geeking out about her romper…so you’ll have to settle for the Kohl’s model at right.  Unfortunately, this romper is no longer available at Kohl’s! *sigh*

There were not as many vendors at ILHC as in the past, and I particularly missed seeing Chloe Hong, but there were 4 vendors offering goods and services to the masses in the hallway of the event and they should be noted because they are noteworthy!

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Holding down the largest vendor space was Laurie Gilkenson (aka Nina’s mom) with both Dancestore’s line of dance shoes for men and women, as well as vintage shoes and clothing.  I noticed that Dancestore has a new colorway in their Aris Allen men’s wingtip, a nice brown and cream.  I also died when I saw that Laurie had several pairs of 1920’s shoes, just the loveliest things in satin that my feet will never fit into!  Also, vintage velvet…so many lovely things…

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Junebug Shop’s original designs

Across from Laurie was the Junebug Shop, the custom clothing endeavor of Anna Yergat, who had her designs on display, as well as a line of geometric beaded jewelry in just about every color – so you could order an entire accessorized ensemble at her table.  The Junebug Shop Etsy page carries Anna’s custom designs as well as some vintage clothing items.  Anna’s designs look romantic and dance-worthy, vintage nods with modern twists.

Finally, the Vinspire Salon at ILHC was staffed by Destinee Cushing (hair) and Lani Barry (makeup), offering full services faces and quoifs all weekend, if you could even get one – they were so popular there was a wait list!  One could say that having hair and makeup done, either professionally by these two or by other means (self, friend) was also a trend this past weekend and rightly so – this is quite possibly Lindy Hop’s biggest and most broadcast performance opportunity of the year and it’s a time to shine, look vibrant under all those bright lights, and look and dance your best.

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Lani preparing for a new client and Destinee working on some curls.

And that’s a wrap!  I love coming to ILHC for the energy and the inspiring dances I see all weekend, there’s a little something here for everyone, even if you aren’t competing.  Sometimes it’s good just to take it all in.

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Geometric jewelry at the Junebug Shop.

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Vintage velvet must be the greatest snuggle fabric ever…sorry for the blurry photo, I was probably mid-swoon.

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1920’s shoes AAAAAAAAAAHHHHHHHHHHH

ILHC 2014 – Vendor Report

This post was written by Lindy Shopper.

Get your ILHC tees here!

Get your ILHC tees here!

I was excited to see some new vendor faces and an old favorite return to the International Lindy Hop Championships this year. Particularly, with a focus on menswear – it is so easy for women to find good dance clothing, but most of our vendors (who are mostly women themselves) cater to women. This year, the men and women had some great vendors to choose from, from pieces you could take home to custom-made garments to order.

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Did I mention my love for Chloe Hong? After her stint at All Balboa Weekend, I was suprised (read: elated) to see her back in the U.S. after such a short time. Not only did she clean up on the dance floor, she set up shop at ILHC to take custom orders for her wonderful selection of women’s skirts and classic men’s suiting. Just going through her fabric swatches makes me happy! If you have never considered ordering something custom and you find yourself at an event with Chloe Hong, I would recommend at least looking into ordering a custom piece – she can get your measurements in person and has lots of experience dressing dancers for a range of movement (she counts Bobby White, Thomas Blacharz, Pontus Persson, Laura Keat, Jeremy Otth, and Juan Villafane as customers, and I could go on…)

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Returning for another year (have they been at ILHC every year?) is Forties Forward, with an array of lovely hair blooms, feathers, and accessories. One can never have too many hair accoutrements and I was also pleased to see that Forties Forward shared their table with A Woopie! Handmade Bowties (another menswear vendor!), which had a nice array of ties and even included some adorable instructions on how to tie the ties! I always need a little help when I tie my ties, so an adorable instruction card on my vanity beats, say, that YouTube tutorial I have to pull up every time I do this…

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Perhaps the most impressive display belonged to Brown & Williams Clothiers, who specialize in vintage British menswear – yes, they import and they curate a stellar collection, a portion of which was on display at ILHC. I wish could sport the amazing jackets, sweaters, and trousers I spotted in their booth (none of them small enough!) – a seriously delicious collection for anyone who digs British style, collegiate style, boating, and especially tweed. If you are interested in checking out some of their stock, it looks like the best way to purchase is through their Etsy site – that green and white crested blazer *drool*…

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Then there was this mysterious banner for Behind the Beat – Clothes that Match Your Rhythm and a link to a website that says it is launching July 7 (checks calendar…still no). Upon further inspection, a Facebook page yields evidence of graphic tee shirts and hoodies, so I guess we will stay tuned? Stay tuned.

And that’s all, folks, check out the goods below – happy shopping and happy dancing at ILHC!

Collar options - FROMChloeHong

Collar options – FROMChloeHong

Chloe does casual

Chloe does casual

An array of sample jackets at FROMChloeHong

An array of sample jackets at FROMChloeHong

The fabulous Chloe skirts - look at those colors!

The fabulous Chloe skirts – look at those colors!

Trouser detail at FROMChloeHong

Trouser detail at FROMChloeHong

Some softness from Forties Forward

Some softness from Forties Forward

Some signature blooms from Forties Forward

Some signature blooms from Forties Forward

What a cute name for ties!

What a cute name for ties!

A selection of A Whoopie! ties

A selection of A Woopie! ties

Adorable tie instructions

Adorable tie instructions

Belt back jacket spotted at Brown & Williams - definitely a good sign

Belt back jacket spotted at Brown & Williams – definitely a good sign

Red vest, for a more formal look - at Brown & Williams

Red vest, for a more formal look – at Brown & Williams

This striped jacket would be a great attention-grabber in a competition - at Brown & Williams

This striped jacket would be a great attention-grabber in a competition – at Brown & Williams

Lots of interesting details on this vest, especially the button lapels - at Brown & Williams

Lots of interesting details on this vest, especially the button lapels – at Brown & Williams

ILHC 2014 – Trend Report

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This post was written by Lindy Shopper.

This year’s International Lindy Hop Championships were a little topsy turvy for me – instead of competing and commentating on the Balboa Strictly competition and ILHC trends for Yehoodi’s broadcast, I was DJ’ing the Balboa competitions and singing with Jonathan Stout‘s bands. I ALMOST thought I wouldn’t have time to gather information for a blog post, but then I found myself going “OK, I have 5 minutes before sound check, let me just run over here…” So, you see, I have a post for you after all – two, even. 😀

Let’s start with trends! Here’s what I saw this year:

They actually looked better styled by the dancers at ILHC - tuck in shirt of your choice, hem to ankle length, add Keds and optional belt and/or head scarf.

They actually looked better styled by the dancers at ILHC – tuck in shirt of your choice, hem to ankle length, add Keds and optional belt and/or head scarf.

– Women’s high waisted pants with tapered leg, optional pleat – if they had gotten them at the GAP, it would be a new era of khakis swing because these pants were everywhere. I counted at least 10 pairs on follows in one of the Lindy Hop prelims heats, plus scattered sightings elsewhere. NYC dancer Jessica Miltenberger reported that American Apparel was a prime source here, offering said pant in a recent sale for a great price and versatile colors. It looked like a casual scene in a 1950’s technicolor film, with all the tucked in shirts, high waisted pants, and skinny belts…but that’s probably a different GAP commercial…

– Men’s suits in non-traditional colors – I saw lovely shades of deep burgundy, purple, and different blues, all elegantly done and tastefully accessorized, but with that extra pop that makes you notice them – which is exactly what you want in a dance competition, to be noticed.

– Stockings with detail on the lower thigh – yes, Jo Hoffberg has been doing this for years, but this year people must have Googled hard enough to find all her elegant stocking sources. The beauty of the lower thigh detail is that you don’t have to wear a super short or flyaway skirt to see all that glorious detail, and it emphasized swivels in a really cool and different way.

– Men’s purple dress shirts – were rampant! Light, medium, dark, all the shades. See also coordinating follower outfits.

Remy Kouakou Kouame & Vincenzo Fesi – holy mother of *insert expletives of joy*, those white suits…all their ensembles from the weekend, really, but their powers combine in this magnificent routine for sartorial and jazz dance sublimity.

Vendor report coming soon – stay tuned!

International Lindy Hop Championships 2013

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As always, I am very excited to be attending the International Lindy Hop Championships in Washington, DC – this year I will reprise my role as guest commentator on Yehoodi’s live stream broadcast of the Open Balboa competition (in HD!) and look forward to seeing all the wonderfully creative competition outfits and pairings the competitors put together. I will also be on hand to report about all the wonderful vendors at ILHC and I am hopeful for a few new faces this year in the vendor area.

See you there or see you online!

The ILHC Belt Fiasco

This post was written by Lindy Shopper.

(Another article I have shared with Yehoodi – thank you for having me as a guest commentator for the ILHC broadcast!)

Wonder Woman wears a belt that creates a very prominent focal point for her outfit. Now, imagine Wonder Woman in a Lindy Hop competition. Imagine that with each swingout, the belt moves just a little bit to the right as a result of her movement and her lead’s contact, and then more to the right, and you begin paying attention to where the center of the belt is going instead of her dancing. By the time the spotlight is over the belt is almost halfway around her back, so that she no longer looks like the Wonder Woman that hit the floor at the beginning of the comp – she looks like a hot mess, shirt and skirt askew, having been pulled a little bit along with the belt.

I saw this happen in almost every competition at ILHC 2012, especially during the multiple Lindy Hop prelims on Saturday afternoon with multiple dancers. I also saw bra straps come out during spotlight dances, skirts that were too tight so that they either inhibited movement or rode up on the dancer’s body until there was room for movement, and shirt tails that came out of the skirts (or trousers for the gents). But the belts were the most egregious – wide swaths of leather, elastic, and metal making an orbit around the waist of so many dancers it was an epidemic.

Why is this so bad? This is the INTERNATIONAL LINDY HOP CHAMPIONSHIPS, the Olympics of our dance, if you will. When you have reached this level of competition there are certain expectations of presentation because you want people to focus on you and your abilities, not focus on something falling off your outfit or costume. You will be on YouTube for the world to see as one of the best swing dancers in the world. There is a level of professionalism that is expected at this point in the competition and a level of presentation that is higher than just wearing street clothes as you would wear them on the street. The visual distraction of a wardrobe malfunction and the accompanying anxiety of the viewer as the malfunction occurs is not the desired result in any performance – what if an Olympic ice skater had a bra strap fall down in the middle of a routine? I would wager that the television commentary would be less about her performance and more about whether or not she was coming undressed.

It’s all fun and games until somebody loses a focal point.

This problem is easily addressed, but requires some planning:

MAKE SMART CHOICES

When you are buying clothes for dancing or deciding what to wear in a competition, make good choices. Don’t wear clothing that inhibits your movement – make sure to do a motion test on your clothing, can you move your arms and legs in the way that you need to in order to effectively dance the way that you do? Buy clothing that fits you and is secure on your body – clothing that is too big can get caught on things or fall off, make it harder to find points on your body that need to be found by your partner, and, if large enough, can create drag that can dull your movement, either physically or visually. Don’t have too many straps or appendages hanging off that might get caught in something or accidentally grabbed. You get the idea – you want to be beautiful and interesting, but also efficient.

DO A DRY RUN

As someone who has had a wrap dress come untied in the middle of a spotlight, I can not stress enough the importance of doing a dry run. Before you dance in an outfit in a competition, please take that outfit for a spin on the floor at a dance prior to the competition. I promise that the wow factor of a new dress is completely lost when something goes wrong with the dress. There are things you can’t even anticipate that could happen, so it’s better to be safe than sorry.

SECURE YOUR CLOTHING

Safety pins are your best friend. Plus, safety pins are usually in plentiful supply at competitions if you forget your own. Every belt that rotated this past weekend could have been secured to the shirt, dress, or pants of the wearer.

I mentioned this to someone and they were afraid of putting holes in their belt, but the secret is that you don’t put holes in your belt – with the elastic belts (which were most of the infractions this weekend), you simply gather a group of threads from the inside of the belt with the pin, then pin it to your garment. Do this in at least two places. If you are worried about piercing your belt, garment, or whatever, then don’t wear it. Seriously. Find something else to wear or find a something that you can secure. This is more of an issue with larger belts or belts that have prominent buckles or decoration. Skinny monotone belts can probably slide by unnoticed from a distance.

The security doesn’t end with belts. I pin stray bra straps, especially when I am wearing sleeveless garments. I pin necklines to my bra to make sure they don’t move. I pin shirts to my underwear or bloomers when I am wearing skirts or that rare pair of pants. I have even pinned my dress, slip, and bra together because the centrifugal force of the weight of the dress would pull it off my shoulders. At any given time I have 2 to 8 safety pins holding my outfit in place for dances.

Ultimately, you don’t want to have to worry about your clothing when you are competing, you already have enough worries. You also don’t want the audience to worry about your clothing, you want them to see your amazing dancing. This goes for any competition, not just ILHC. Make sure that the focal point remains you, that your clothing enhances your dancing rather than inhibits it, and that you project the polished look of a professional dancer, regardless of your division or level.

ILHC 2012 Vendors

This post was written by Lindy Shopper.

It was another glorious weekend of competitions, inspirational figures (young and old), and a celebration of movement to some of the hottest jazz in the US – I’m talking about the 2012 International Lindy Hop Championships, held in Washington, D.C. this past weekend. The swanky Renaissance Arlington Capital View Hotel was the swanky backdrop for this event and the bright and shiny decor only added to the vibrancy of the event.

Were there vendors? You bet! I only wish there had been more vendors, as it appeared that they were fewer in number from last year. The most noticeable absence was Carol Fraser and her army of My Heinies, fabulous shoes, and accompanying Model J Vintage that filled up a prominent space in the vendor area at ILHC 2011. As a consolation, I did notice that every follow who showed her heiny in a comp had it securely covered. 🙂

Dancestore’s newest version of the trumpet skirt, available in black, brown, and red – as of ILHC, not available on the Dancestore website.

Dancestore was there with an entire inventory of their staple shoes, but of serious note was the introduction of a new (wait for it)…trumpet skirt! While it’s not the trumpet skirt we know and love, it’s still a nice variation on the theme, with beautiful Art Deco-inspired seaming on the front. The twirl factor is good! The only con, in my opinion, is the material – it is a very stretchy/drapey jersey instead of the more substantial stretch suiting-type material of the trumpet skirts of my crusade. The new skirts are great if you want something to ball up and throw in your suitcase, but are not so good if you have hip, bum, or belly bumps, or if you want to tuck in your shirt. I am still eagerly awaiting the return of the more substantial trumpet skirt. In the vein of more substantial fabrics, Dancestore also had a fantastic new red wiggle dress (also not available on the website yet).

Next door, Laurie Gilkenson (also known as Nina‘s Mom), set up a table that was a mix of fabulous and/or quirky Nina clothing castoffs, fabulous vintage shoes, Mobtown Ballroom tee shirts, various DVDs from instructors, and anything else anyone else happened to want to sell. My favorite item on this table was actually the Mobtown Ballroom tee, which not only embodied the rebellious spirit of Mobtown, but also managed to be patriotic and historic – highly appropriate for an event in our nation’s capital!

Photograph of the Savoy Ballroom

Mike Thibault set up a display of his wonderful swing and early jazz prints from his Vintage Jazz Art website. I noticed a couple of new prints, including a colorful print a flapper with a trombonist and saxophonist and (most notably) another print of a photograph of the Savoy Ballroom featuring a mob of dancers and Erskine Hawkins on the band stand. Mike said that he was working with the photographer’s son and that this relationship may yield some more choice photographic prints! We’ll definitely stay tuned, especially if there is more Savoy Ballroom and trombone player goodness to be had.

Forties Forward was on hand to make sure the dancers were appropriately and florally decorated. I have several of their flowers and they are some of my favorites. These gals know that the blooms need to stay relatively flat to be practical for dancing and for this Lindy Shopper salutes you.

Last, but most certainly not least, the adorable and incomparable Dawn Hampton was intermittently manning her own table of CDs and DVDs of “The Unforgettable Hampton Family.” Sadly, I did not get photographic evidence of this!

And that’s a wrap on the vendors, but stay tuned for two more ILHC-related posts. I hope events will continue to have vendors and promote Lindy Hop commerce amongst businesses and the participants who need/want these unique products. ILHC, see you next year!

ILHC

This post was written by Lindy Shopper.

I feel like the turnaround time on my dance travels has been too quick, but I’m heading back up the east coast to Washington, D.C. this weekend for the International Lindy Hop Championships. This will be my first time at this event, so I’m not sure about vendor opportunities, but I will report back if I find anything interesting. Au revoir!