The Men's Wearhouse three piece suit in brown pinstripe
It is not often that my husband contributes ideas to this blog, but I must give him credit for this find. We’ve been looking for a vintage or new three piece suit for him for a while now and, with his birthday coming up, I guess he kicked his part of the search in gear and found this three piece suit at Men’s Wearhouse to add to his wishlist. It looks pretty nondescript in terms of era, but could easily be enhanced with details, like a vintage tie, pocket square, or tie clip, to give it that swing era feel. It could also double as just a regular suit by removing the vest and adding modern accessories for work, job interviews, or whatever else you may need a suit for. At $199.00, the price is right for this versatile three piece suit, which comes in black, a fine black/white pattern, brown pinstripes, a fine brown pattern, and charcoal gray.
OH. MY. HAWT. It’s been a long time since I came across a shoe that I couldn’t get out of my head, that I was so distracted about that I couldn’t focus on anything else until I figured out how to make it mine. Miss L Fire‘s fall 2011 collection has this shoe, and several other shoes with a distinctly jazz age styling that are simply amazing. Miss L Fire always has some really quirky and amazing shoes, and this goes for the fall collection as well, but there are a few pairs that just defy awesome and somehow become…art. And do you see all these mid-height heels?! OK, I’ve talked this up enough, check out the shoes!
Goddess shoe - I don't usually post what I plan to hoard for myself, but these were just too good not to share. IWILLOWNTHESEClara shoe - a wonderfully detailed t-strap with a wide, low heel - also in green, red and black, and brownEdith shoe - an adorable oxford heel with a wonderful perforated design in the leather - also available in brown and royal blueGabrielle shoe, studded with Swarovski crystals - perfect for your holiday outings and dances - also available in red, blue, and brownMamie shoe - so cute! Also available in brown, black, and blue and tan comboMabel (she's the bomb?) shoe - a great option for a stylish flat shoe - also available in black and white combo and brown and white combo
After seeing the giant white blossom Forties Forward had for sale at ILHC, I couldn’t get it out of my mind. I certainly don’t have enough hair to wear it, but man, it was gorgeous! Following a flower mishap in the Balboa J&J finals, I went searching for a smaller white blossom that would be more secure than the orchid I wore and came across an even larger blossom from Etsy seller Now, Voyager – a gorgeous white orchid of epic proportions! I thought it interesting that the flower was listed as a fascinator and, indeed, it is as large as a hat.
Check out the rest of this quirky Etsy store – fascinators of entire birds, pinwheels, and even a pizza slice…
I’m certain there are many arguments against wearing vintage clothing and I’ve probably heard most of them:
“I can’t afford it.”
“It’s too fragile.”
“Vintage clothing doesn’t fit my shape.”
“Wearing other people’s old clothing is gross!”
In spite of the naysayers, I’d like to share my love and philosophy about vintage clothing and perhaps refute some misconceptions or perceptions about vintage clothing in the process. I’ve come up with a list of reasons why I think vintage clothing is worth adding to my wardrobe and why I enjoy vintage clothing so much.
Quality
If you are looking for sheer quantity of clothing, then vintage clothing probably isn’t right for you, unless you make a lot more money than I do in a year. What I am looking for is quality clothing, something that fits well, is made with nice materials, and will withstand the test of time. I’ve watched a lot of What Not To Wear in my life and Clinton and Stacy always talk about spending a little bit more on clothes to get items that will look more luxurious and quality to improve your overall appearance, clothing that you can wear for years, not just this season.
Not all vintage clothing is deteriorating and some of it is in quite durable condition, especially if you find a dead stock item or a person who had items that were well-cared for and rarely worn. The fabrics used in the first half of the 20th century seem more luxurious, the prints and colors more desirable, and the cuts of clothing more flattering. It’s the details that really get me, details that are overlooked by modern clothing designers (or at least the modern clothing I can afford) – bias cuts, goring in skirts, the impeccable cut of a man’s jacket, the use of buttons, beautiful belt buckles, pintucks and pleats, the use of contrast fabrics, the matching of prints, the use of ribbons and other embellishments, beaded details, a snap closure to hold that tab or collar down, structure in a collar or sleeve to make it retain its shape, and on and on. I love getting a new vintage garment and turning it inside out to see how it is made. There are elements in some of these clothes that you can only find in modern designer and couture clothing, which leads me to my next point…
More quality for less money
I’ve mentioned in a previous post that I don’t spend any more on a vintage dress than I would in a modern retail store. That said, I generally pay less for a vintage garment that has more tailoring and details than I would for a comparable new dress. The same holds true for all used clothing – with new clothes you are paying for the new-ness of the garment, the salaries of the people who made it, and the company who is marketing the clothing. If I can get the same or better details for less money and the only difference is that the garment is old or used, I’m going to go with the more cost-effective option.
Fit
I’ve talked in the past about how vintage clothing was made for people of all sizes, not just tiny people, but I also find that vintage clothing just fits me better than modern clothing and is often easier to tailor than modern clothing. Modern clothing is made for the most common size, whatever that happens to be, and doesn’t take into account that everyone has a different bust/waist/hip ratio. If you are a little bigger on the top, bottom, or middle, that ratio isn’t going to work for you, especially if something is supposed to look “fitted.” Checking size charts can be deflating, especially if your bust, waist, and hip measurements land you in 3 different sizes. With vintage clothing, I find that the ratio can be more forgiving – generally fuller skirts, belted waists that can be cinched, and more ample areas in the bust because of how the garment was supposed to be worn. With eBay and online vintage stores, I am able to search for garments that fit my exact measurements, making fit even less of an issue.
Apparently this is what the masses/Google think of sleeves - leg 'o mutton is all we're going to get, after tattoo sleeves and laptop sleeves. I couldn't even find a photo of a regular dress sleeve. Boooooooo...
Coverage
I don’t like strapless or spaghetti strap dresses because I want the comfort of supportive undergarments; however, I am hard pressed to find dresses with sleeves, even in the winter, in modern retail stores. They want you to buy a jacket to go over it, or you have to find a cardigan. What if I want sleeves and a cardigan because I’m cold? I just find the whole thing impractical. I generally find it easier to find a vintage dress with sleeves in my size than I do finding a dress with sleeves at the mall – I think that’s saying a lot.
Unique
If you buy an article of vintage clothing, the odds of someone else having this exact article of clothing is slim to none. Much of the clothing of the swing era was hand made, not mass-produced, but even the mass produced items are rare and far flung. I’ve only come across a couple of items in multiples, one being a dressing gown I found at both Design Archives in Greensboro, NC and on eBay and the other being a 1940’s dress I wore at Lindy Focus last year that several people insisted was exactly the same as a dress owned by Naomi Uyama. Aside from those rare exceptions, my vintage wardrobe remains one-of-a-kind and I think there’s value in finding your own style via these unique garments.
Personal style
Personal style can be maintained via vintage clothing without having to change your entire wardrobe to the stereotypical “vintage” look. I have friends who can pick out both modern and vintage garments and say “This looks like you!” Clearly, there would be major differences in the garments, but there are certain elements that make up personal style that can translate across the decades – cut, shape, color, and decorative notions are a few that come to mind. Sometimes people have trouble discerning whether or not a garment I wear is vintage, but I think the general consensus is that, whatever I am wearing, it is very “me.”
Letter sweater, 1940
It’s been done
Designers are inspired by the designs of the past. It’s that simple. You can look at just about any garment and relate its shape and design to some article of clothing created in a past decade. In my opinion, most of the time, the past did it better.
Ralph Lauren's version for fall 2011
Feeling good about yourself
I’ll admit it, I feel really special when I wear vintage clothing. Clothes from the past tended to be more dressy than today’s jeans and tee shirt uniform (which I do still wear), so when I wear something vintage it’s because I’m going somewhere special, so I want to look special. Maybe I want to be going somewhere special every day, so I try to wear vintage dresses as much as possible so I feel better about myself, even when I’m not going somewhere special. Vintage clothing can definitely elevate your look, your mood, and your surroundings, and I find that people smile more at me when I wear vintage.
Sustainability
I feel like there’s been a lot of talk about sustainability and being conscious about the environmental impact of our clothing purchases and, while I didn’t initially purchase vintage clothing for this purpose, it’s certainly an incentive to continue to do so. I like to think that I am rescuing this clothing from the garbage heap, keeping its wonderfulness alive while eliminating its clutter and deterioration in a landfill.
As for vintage clothing being gross, well…I guess I’ll just have to be gross. There’s nothing like a trip to the dry cleaners to make an old garment feel new and get out that musty attic smell. 😉
I’ll agree that this is a labor of love. I think some people get frustrated because they treat a vintage clothing store like they would treat a store at the mall. When you are shopping for vintage clothing you have to shift your approach, know that not everything comes in your size, and be patient. Just like any good wardrobe, building it takes time. I’ve been collecting vintage clothing for over a decade now and I’m just now getting to the point where I feel like I have a vintage outfit for almost every occasion. The result – a wardrobe that I love and adore – has been worth the wait.
I had the pleasure of dancing and competing at this year’s International Lindy Hop Championships, held just outside of Washington, D.C. in Alexandria, Virginia. The event was a unique mix of swing dancers, in varying styles of dance, from around the globe. I think the event is best summed up by saying that ILHC is where you can see all those people you see dancing on YouTube – but there’s nothing better than seeing it live, as a video can’t quite capture the energy these couples and teams generate or the dynamic in the room.
(I apologize in advance for the quality of the photographs, as I forgot my real camera and had to use my phone)
Dancestore in the house!
Like most large swing dance events nowadays, ILHC had its own set of vendors, most of which I would categorize as the “essentials” providers – shoes, bloomers, hair flowers, and vintage/vintage-inspired clothing. Baltimore-based Dancestore.com was there with a lineup of Lindy and Bal-friendly shoes, including their new pair of white wingtips, which look gorgeous in person. Nina Gilkenson‘s mom, Laurie Gilkenson, was on hand, selling shoes for Dancestore, as well as vintage odds, ends, clothing, and shoes from Nina’s vintage shoe collection. If you wore a size 6.5, it was definitely your lucky day! More photos below of this and the other vendors.
Forties Forward had an array of new hair flowers, since I last saw these gals, Erica DeBlasio and Michelle Postles, at Lindy Focus. My new favorite bloom was a giant white bloom, possibly a magnolia blossom, that was so large it could almost be a hat!
My Heinies, in grand fashion, occupied the largest vendor space, with racks of colorful bloomers in all styles, as well as a beautiful collection of dance shoes for men and women. I noticed a particularly lovely pair of men’s two tone brown wingtips that garnered a lot of attention from the leaders in attendance, as well as some new to-die-for red heels in the collection. I noticed a number of followers in the competitions wearing My Heinies…and some who didn’t, but that’s another story…
A letterman's sweater from Model J Vintage
Working the booth with My Heinies was Model J Vintage, the Etsy store of New York dancer Joy Grad, which specializes in “a lifetime of collectibles directly to you from my personal closets and new adventures.” She turned up the volume for ILHC, offering a collection of both dance-ready and exquisite vintage and reproduction items from her collection and from Carol Fraser‘s closet. I swore I wasn’t going to buy anymore gowns, but I couldn’t pass up a 1940’s gown made of green silk, with a chevron bodice and velvet bow – it was a triple threat and I didn’t stand a chance. 😉
Last, but certainly not least, Mike Thibault of Vintage Jazz Art set up a gorgeous display of his framed prints, which are simply stunning in person. If you have an empty spot on a wall in your home, consider filling it with a daily reminder of your awesome dance hobby…
Thanks to everyone who organized the event and to those sold their wares at IHLC! I hope to return next year!
Gilkenson swagA most exquisite pair of heels from the late 1800's/early 1900's, with jewels on the heelsMy Heinies at ILHCAn array of HeiniesSome delicious new shoes, courtesy of My HeiniesAn adorable blouse from Model J VintageJoy showing off a lovely vintage dressThe gown!That glorious magnolia-like blossom I was telling you about, front and center, from Forties ForwardThe coy ladies of Forties ForwardThe Vintage Jazz Art display
In my haste to get out of town this weekend, I forgot to post links to two pairs of Aris Allen men’s pants in black that I found on eBay, high waist with a wide leg, three pleats, and cuffs. The first pair is a size 32 long and the second pair is a size 34 long – if you lack a tall inseam, they can always be hemmed. Both pairs of pants have never been worn and, at $19.99 starting price for a pair of dress dance pants, this is a crazy deal.
I feel like the turnaround time on my dance travels has been too quick, but I’m heading back up the east coast to Washington, D.C. this weekend for the International Lindy Hop Championships. This will be my first time at this event, so I’m not sure about vendor opportunities, but I will report back if I find anything interesting. Au revoir!
Aris Allen is on a roll this week, this time with the debut of a new men’s shoe (a rare occurrence, indeed) – a lovely white wingtip oxford with classic broguing detail along the seams and on the toe. Aris Allen has been the go-to for affordable men’s swing dance shoes and I’m happy to see this welcome addition to their men’s footwear line. Now, you just have to decide if you are a white wingtip man or a white cap toe man…
This has got to be the deal of the week – this pair of Remix Savoy heels in black, size 7, only one bid at $29.99, or Buy It Now – $89.99. Super steal!
Of course, after I save up and decide to buy them, they go out of stock...but now I get a second chance!
This post was written by Lindy Shopper.
I’m jumping out of my chair with excitement because the Balboas are back! At least for a limited run, that is – the Balboas in the ivory/parchment combo are available, along with the brown combo and black. If you’ve been on the fence about one of these pairs of shoes, get off the fence right now, sell an organ, take out a loan, and get them while they are in stock because LS has on good information that these shoes will no longer run in their current design.
In other glorious Remix news, the men’s captoe oxford is also available in a new color, a soft brown leather. The popular Anita shoe will be made in metallics – muted gold and silver – which I love because metallics go with so many things and make your footwork shine! Also available in a new color is the Strider, a 1930’s/40’s oxford, which breaks away from muted tones and now comes in a cheerful purple.
I don’t know if I had time to mention this style when they launched, but Remix’s Emily shoe is a lovely brogued t-strap shoe that is simply a knockout. Available in ivory and a bright blue they are calling “Ultramar Blue.” Using my Google skills (rather, looking for a photograph to post), I also found this shoe available in brown at Shoostore.com.
With this summer’s record-breaking temperatures, it becomes even more necessary to either take cover or create your own cover at outdoor events. In between dances, I like to hide under my inexpensive, Asian-inspired parasol, which does more for keeping you cool and protecting you from the sun than you would think. It’s no substitute for a good sunscreen or an AC unit, but it does create shade and adds instant beauty to your mise-en-scène, without breaking the bank. Here are some lovely parasols to keep you made in the shade this summer:
Dragon and Phoenix paper parasol on eBayBlue and white parasol on eBayPink, silver, and gold star parasol on EtsyPurple Battenburg lace parasol on eBay - comes in many other solid colors, as well as solid with white panelsJapanese paper parasol on eBayFlower shaped cherry blossom parasol from AsianIdeas.comRed spiral paper parasol from AsianIdeas.comElephant parade parasol from AsianIdeas.comPeacock parasol from AsianIdeas.com
Trashy Diva NEVER has a sale, so, even though it’s only 25% off, it’s significant enough to warrant a post on Lindy Shopper. The sale runs from today through Sunday and includes all regular priced items, just use the code TD25 when you check out. Go buy one of these gorgeous dresses!
The eBay gods have offered up this wonderful reproduction specimen by American designer Ralph Lauren, who has created one of the holy grails of male swing dancer shopping, his version of the linen Norfolk jacket. In white, breathable, summer weight linen, this Norfolk jacket has oodles of details, like the square pockets in the front, full belting, and what looks like pintuck detailing in the front. Made in a size 40L, it’s a wearable size for a taller gent. At $375, this grail comes with a price tag I’d not normally post on Lindy Shopper, but it was too good not to share and it’s new, with the tags still attached. I always have hope that, if I watch the item long enough, the price will go down or the seller will entertain other offers.
I am a big fan of 1940’s dresses with sequin appliques, but re-creating this look has been almost impossible due to lack of resources for good, ready-made appliques. Most of the appliques I have seen in modern fabric stores tend to be either matronly or childish. It’s hard to place sequin appliques in context during my lifetime (Dallas? Golden Girls?), but people in the 1940’s did some beautiful things with appliques and used them liberally to create embellishment on beautiful dresses, which otherwise might appear plain.
In searching for silver stars for a headpiece, I came across Sequin Appliques, a website devoted to selling…well, sequin appliques. There are so many things here – styles, shapes, sizes, colors – my mind is racing as to what I might do with some of these appliques. The obvious thing would be to buy a plain dress from somewhere and gussy it up by tacking on an applique, on the lapel, bodice, or skirt. I could also see some interesting fascinators made from some of these pieces, or simply pin one in your hair. Maybe shoe clips…or sew them on to your sueded Keds. 🙂
Here are some of my favorites from the Sequin Appliques web site:
I WILL find a dress for this appliqueLarge butterfly appliqueClassic bow appliqueAn elaborate monochromatic floral beaded appliqueSilver beaded star with crystalsPlaying card setBeaded anchor - ahoy!Floral motif
A few of our participants at curtain call, from L-R: Abigail Browning, Elizabeth Tietgen, Patrick Draus, Kyle Kettner, Dominique Blouin, Mia Goldsmith, Bobbly White, Emily Shuhmann, Heidi Rosenau, Joe McGlynn and Valerie Bissig - photographs by Patrick Hovan
I had the honor of working on the committee that produced All Balboa Weekend‘s first 1930’s Vintage Fashion Show this year. The committee was comprised of Valerie Salstrom, Shannon Sheldon, Shannon Butler, Victor Celania, and myself, with some consultation about accuracy from the reigning queen of vintage, Heidi Rosenau. The idea was that we would put out the call for people attending ABW to submit photos of themselves in 1930’s clothing that they either own, inherited, or borrowed and we would decide on themes based on the contents of the submissions to put together a complete show. We would also take people who were interested in modeling and put them in extra vintage clothing, provided by myself and Valerie.
The plan worked. We had enough models, clothes, and themes to put together a cohesive fashion show. Having never actually coordinated a fashion show, I was relieved when Shannon Sheldon stepped up to the plate at our meetings to expertly organize the execution of the show, down to charts of participants, clothing, what rack their garments would hang on, who they would enter with, in what order, who had a quick change and would get priority near the rack, and who needed help changing. I love organization! Victor and I cat-walked in the lobby to make sure the music was right for each theme. After a single run through with the participants we hoped everything would go according to plan.
We knew there would be a bit of a time crunch getting everything in, but when it came time to put on the show everything ran so smoothly that I think we came in under time! The themes/vignettes were beachwear, sleepwear, collegiate, picnic, day wear, cocktail, and evening wear. In addition to helping organize the show, I also participated in the show, in a floral day dress and straw hat and a green velvet evening gown with matching cape. I also had one of those quick changes and it was so fast that, even with two people dressing me and not changing shoes I barely made it out in time for the vignette! I have to hand it to the people who do this every day, getting people dressed, re-dressed, and parading them around a room is hard work!
Thank you to everyone who participated and made this wonderful! Special thanks to Remix Vintage Shoes for sponsoring the fashion show and giving all participants a discount on their lovely shoes, as well as the vintage store Flower Child for providing the participants with props for the show.
Here are some photographs of the fashion show, courtesy of Patrick Hovan (P.S. if there are more photos I haven’t seen them, but would love to post more here! Please let me know if you find others):
Dominique Blouin, Bobby White, and Shannon Butler model evening wearKate Hedin, Joe McGlynn, and Brandi Ferrebee show off their cockail attireHeidi Rosenau in beach pajamas and Joe McGlynn in a Palm Beach suitA closeup of that Palm Beach suit - looking sharp, Joe!Mia Goldsmith's gorgeous black and gold gownLindy Shopper's gown and cape, with Carla Heiney sporting a velvet and fur coat over Valerie's grandmother's black and white evening gown