With the pandemic in full effect along with the accompanying isolation and cancellation of all activities, I was thinking of ways to use my time away from dancing and singing and stay connected. Thinking about how we are all essentially broadcasting communications via the Internet from our homes – our personal and intimate spaces – and how these are our reference and existence points for the time being, I thought about sharing more of my personal space with all of you. I am often asked by visitors to my home to see my closet, so it seemed that was the natural place to go for a first episode and for the title of this web series.
I have other ideas for episodes, but I want to see how this first episode is received, so we shall see. I am also open to suggestions for episode topics and garments/shoes you might like to discuss, feel free to post them in the video comments on YouTube.
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I attended my very first California Balboa Classic – aka Cal Bal – last month and I’d say I don’t know what took me so long, but I have another hobby that managed to conflict with this event year after year. I made the decision to choose Cal Bal this year and Cal Bal did such a great job welcoming me with open arms that I didn’t want to leave. It’s also the first event I’ve attended in several years that I was not hired as a musician, so there was ample time for dancing between DJ shifts, which I have sorely missed and desperately needed.
To set the vendor scene, you need to understand the layout of the hotel – this is a hotel event, but this is not your typical hotel. The Hyatt Regency Newport Beach is more of a complex, with lovely outdoor spaces connecting separate buildings, taking advantage of what are usually mild temperatures in southern California. The ballroom was a separate building within the hotel complex and to enter the ballroom, one had to walk down a little path and through a large covered-but-open-to-the-air space. It was a bit chilly at night, so the covered outdoor space had some temporary walls and heaters, as well as couches for sitting (basking) under said heaters, a snack station, a cash bar, and all the vendors for the event. Had the temps at night been a little warmer, the vendor location would have been truly ideal – during the day it was lovely.
Cal Bal had some great merch this year – you’ve already seen my post about the Kendra Dandy designed scarves and pocket squares, and there were also pins, bags, and tee shirt designs (one even featuring the Rendezvous Ballroom). I was elated to see a green tee shirt with musicians on it, so that came home with me! If you aren’t sure how to style your large Kendra Dandy Cal Bal scarf, Cleveland dancer and instructor Alexis Davila posted an awesome/adorable/creative video on Facebook of several different ways to wear it on your head – I believe you can still order one, it looks they are up on the Cal Bal web store.
At this point, I’m blessed that Re-mix Vintage Shoes owner Philip Heath knows me by sight and always gives me a little tidbit to keep me coming back for more. This year, the buzz was the production of a gold Opera model, which had previously been relegated to suede (which I don’t prefer to try to maintain) – since metallics are my go-to neutral, this was a delightful new development and I was excited that this particular model fit my particular feet, having never previously tried on any Opera model.
I didn’t notice the new addition to the men’s shoes (maybe a Fairway or a variation thereof? I’m not seeing it on the website) until Nicholas Centino posted the photo below of their gloriousness, but there’s a new two tone brown oxford with perforations that is so subtle and lovely. I’m also not seeing them on the Re-mix website, so pick up that phone…
Next stop in the circle of vendors was the new-to-me Swankys Vintage, who appeared to have mostly menswear and some women’s items, with a mix of Swankys reproductions and vintage clothing, with a very 1940’s/50’s California aesthetic in terms of styling and color palette. The reproductions were almost seamless with the vintage at first glance, the textures, fabrics, and colors were so spot on. Lots of clothing that evoked comfort, ease, and fun, as well as some really nice looking classics, like tweed trousers with a buckle back. It was so nice to see more of a focus on menswear, which tends to be minimal to non-existent in terms of vending at events.
I’ll also give an honorable mention to the gent who set up a mostly vintage men’s shop for Saturday night, who I asked for a business card and he said this was his last vending spot ever and that he was liquidating his collection and selling it to another vintage seller. It is hard work running these vendor spots/booths at events, carting around inventory, being present to run the shop, paying vendor fees and for hotel rooms, so my hat’s off to all the vendors – whether you’re still in the game or getting out, this is an important part of events and I’m appreciative of everyone who shows up.
I’m always excited to see Jenna Applegarth‘s Applejacks shoes at events, as I’ve probably learned more from her than anyone about the extensive and often frustrating process of designing, producing, and shipping dance shoes – I’m completely invested in this storyline and here for all subsequent chapters. Remember that this is a labor of love each time you buy a dance shoe made by swing dancers for swing dancers! I know several of us are eagerly anticipating the new models (I swear I saw green on Instagram), but the models out right now are particularly well-suited to Balboa. One of my friends noted that she didn’t necessarily know what she’d wear with the rose gold shoes, but that they felt so good on her feet that it didn’t matter. Good thing metallics are neutrals!
Next up in our tour of vendors was Swingbird Fashions, who I have previously blogged about in terms of an Etsy shop, but since that post this brand has expanded greatly and wonderfully. I am terribly sad that I was not able to meet the creator of these garments, Leea Kuronen from Denver, Colorado (it’s hard to be at your booth at every minute of the day, I completely understand) because I was smitten with everything – the colors, the fabric selection, and all the lovely details. There’s this one green dress with white soutache detail that is absolutely to-die-for – I saw both Teni Lopez-Cardenas and Heather Ballew had purchased one of these dresses and wore them in competitions that very weekend. It’s an I NEED TO WEAR THIS NOW kind of dress! Lovely trousers, skirts, blouses, and dresses all around – this corner of the room made me smile.
Across the room Loco Lindo represented with their line of crepe printed dresses, blouses, skirts, pants, and, of utmost importance, their Venice Beach clip dress, recreated from the one worn by Genevieve Grazis in said clip, she of the many gored twirly skirt. It’s honestly super gratifying to see a whole line of them on a rack, knowing the history behind the dress and the process of getting this dress reproduced – get your twirl on and your shuffle on, let’s do this! On a related note, I’m sad I missed the crunchy sound of shuffling on sand the Monday of Cal Bal where everyone met on the beach near the site of the former Rendezvous Ballroom – living that beach clip dream…
Sharing the space with Loco Lindo was Jen Gomez of Bandini St., who typically also shares a space at Camp Hollywood. It’s a great idea, to share space, share labor, and have that symbiotic relationship of pairing dresses with hair accoutrements immediately. This is probably going to be super personal to my preferences, but I was particularly happy to see pairs of hair flowers that were an ideal size (Goldilocks here, not too big, not too small…), flat – but with enough texture to be interesting, and a color gradient so that it goes with various shades of whatever color it represents. VERY SPECIFIC. I need to go through my closet to see what I might need, as these are available on the Bandini St. Etsy shop in several colors.
Finally, we’ve reached the lovely Saint Savoy booth at Cal Bal, with a candy colored array of heels and flats. While their Riviera model remains the most popular and is available in a wide array of colors, I heard lots of talk about their oxfords for women being particularly comfortable. A few other notes: 1) I’m pretty sure their Grace shoe in Neptune is one of the most beautiful dance shoes ever made. I own a pair and I only wear them for singing because I would Gollum-style freak out if anything ever happened to them; 2) I’m having feelings about their The Whip oxford in Mulled Wine because I had a pair of Doc Martens in high school with a similar color gradient and broguing (a whole different level of nostalgia); and 3) it was nice to see their Grand Prix t-strap dance flat in person – loving all the variety in heel heights, thank you, more of this from dance shoe makers, please. 🙂
And that’s a wrap – I hope I haven’t missed anyone! I loved all the vendors, thank you again for your time and energies in attending Cal Bal and creating products with the swing dance community in mind.
The shoe blessings runneth over and, while this vintage reproduction shoe company doesn’t appear to be directly marketing to the swing dance community, all signs point to it being a default winner – Memery, a UK-based company, is making reproduction shoes from the 1920’s, 1940’s, and 1950’s with leather soles (but also a vegan option) and they are lovely, in some classic colors and some unexpected colors. While it appears that they are getting a start on their shoe lines, it looks like they are off to a strong start, particularly with their 1940’s pump, which comes in six scrumptious suede colors and two heel heights (3 cm/1.18 inches and 6.7 cm/2.6 inches). This is definitely a shoe company to watch!
This year was my first full Camp Hollywood experience, flying in before the event began and flying out after the event ended, and after I got my obligatory In-N-Out Burger fix, I headed to the vendor area to hover and watch the magic unfold in the vendor area. The vendor area was comprised of an entire ballroom, a large adjacent conference room, and a large Camp Hollywood merch table where you could purchase both camp swag and music from the bands and musicians performing over the course of the event. This is definitely the largest vendor area at any event I have attended – I marveled at it last year, but this year I understood. The traffic in Los Angeles is so bad that you almost don’t want to leave the hotel, or at least not to go somewhere outside of a 5 mile radius. I looked into some sightseeing on Friday – maybe a vintage car museum or a Frank Lloyd Wright house – but the 12-15 miles to get there would take over an hour at 10:30 a.m., which I was neither willing to spend the time nor the money to accomplish at that point, especially with evening band obligations. So, the shopping comes to you!
I did manage an excursion with fellow vintage enthusiast Brettie Page, who had a car at Camp Hollywood – through some careful planning on her part and a small window of time on Monday where the traffic would only take about a half-hour, we rushed over to Paper Moon Vintage. I don’t have a full report because, when one has the challenge of an hour in a vintage store, one must be focused, particularly when said vintage store has a great selection of swing era items. Brettie and I both left with garments – she an incredible 1940’s bathing suit in shimmering white with gold stars and me with a silk 1930’s garden party dress – which is just about all you can ask for in a successful run to a vintage shop. I also left with this swell Jo Stafford pin – like, how often do you come across 1940’s band merch? Like, never. The cherry on this sundae was that everything in the store was 15% off.
Back at the LAX Marriott on the first day of the event, I hovered near the ballrooms and enough friends were volunteering at the Re-mix Vintage Shoes booth that I got pulled in with some lovely chatting and managed to be their first purchase of the weekend. Some day I will visit the mothership, but it was still great to chat with owner Philip Heath about shoes, pick up the shoes I had reserved, and check out all the new gorgeous purple shoes and a selection of wedges (which he doesn’t usually bring to All Balboa Weekend, the only other dance event Re-mix attends as a vendor). I was pleasantly surprised to find that the Starlet shoe will actually fit my feet, even though I believe it’s on the same last as the Gabrielle, which my feet are entirely too fat to wear – another pair to go on the wishlist!
My second stop of the trip, in the brief window between sound check and downbeat, was to hit up the Vintage Blue Moon booth and I’m so glad I did! Apparently, the vintage expo at the Queen Mary didn’t happen this year and Vintage Blue Moon was having a magnificent sale on jewelry, both vintage and some excellent reproduction “Bakelite” jewelry. The first pass yielded a Bakelite scottie dog brooch, a 1930’s rhinestone ukulele brooch, and a matching repro necklace and earrings set in peppermint stripes. I returned later to go through the clothing and there were some truly special pieces – in particular a 1930’s black satin (that heavy/heavenly indestructible kind) jumpsuit with appliqués (dying/gasping), really excellent 1920’s dresses, 20’s/30’s lingerie, and an impressive wall of menswear.
As I’m running through the vendor area, I notice a dress – CAN IT BE – it’s the Beach Clip dress! As we’ve talked about on this blog, I knew the Beach Clip dress (originally owned and worn by Southern California dancer Genevieve Grazis) was being reproduced for sale by Loco Lindo and recently heard that it would be debuted at Camp Hollywood, but I almost couldn’t believe my eyes. Having examined it up close and inside out, I was so excited to finally see this project come to fruition and to see an entire rack of these dresses in wonderful prints on comfortable and washable rayon crepe. I made a beeline for the Loco Lindo booth after the main dance ended and was relieved to find several prints still available in my size, including a scottie dog print. (Fate? Fate.) Loco Lindo owner Linda Marrone and her crew did an incredible job with the design, translating a fairly complicated late 1930’s dress into the garment I ultimately purchased, which will be comfortable and movable for dancing, with the same amazing twirl from that gored skirt. You could also buy a Beach Clip skirt, and, of course, any of Linda’s other wonderful dresses, skirts, pants, and blouses in that wonderful crepe fabric. The “Venice Beach” skirt is already on the website and I hear the dress will be posted for sale in short order. Very special thanks to Jennifer Halsne, who essentially unearthed this dress, brought it to national attention, and then worked with Loco Lindo to make this reproduction happen! For more on the story of the Venice Beach/Beach Clip dress, visit Jennifer’s blog, Swing Sleuths.
Sharing the vendor area with Loco Linda was Bandini St., selling a variety of head bands, hair flowers, shoe bags, and ideally situated next to the door leading to the main ballroom across the hall. Let’s say you’ve already picked up a pair of Re-mix shoes, snagged a dress from either Loco Lindo or vintage dress, then you can put the finishing touches on your ensemble and/or buy a nice shoe bag to protect your new shoe investment. I had thoughts about WHAT IF THE AIRLINE LOSES MY LUGGAGE and then I realized that I’d be at Camp Hollywood where I could replace everything except my underwear.
All the Shiny Things! Occupied the center of the main vendor ballroom with an intense amount of jewelry for just about anyone or anything. I noted on the evening of the A Bug’s Life theme that it would be easy to stop by the ATST booth and instantly upgrade your outfit to tonight’s theme by purchasing one of many insect brooches or small pins to be worn on a dress or lapel or collar. I particularly loved the rainbow display of bangles – lucite, bakelite, other plastic, who knows? But if the color fits…
Need a hairstyle to get you through the weekend or maybe want to do something special for the Saturday night dance? The stylists from Hush Hush Bang Bang had you covered, offering an array of services from blowout to a full updo or glam waves.
A Walk Thru Time Vintage is the last stop in the main vendor area ballroom, offering a mix of swing era vintage, later vintage, and costume pieces. I particularly loved that they created a tiki/tropical vignette, as we were surrounded by palm trees poolside at the Marriott and it just seemed right that you might want to pick up something festive to wear by the pool or to the special poolside live music on Monday.
Across the hall in a conference room I found a Lip Sense booth, which was a collaboration among Iris Tarou (who was also vending at Lindy Focus this past year, Tawnie Gadd, and Lisa Cleveland. I am a big fan of budge-proof lip color for dance events for obvious reasons (short = face sometimes accidentally grazing lead’s shirt during Bal, also having to be dressed before dinner because of time constraints) and I am not above forgetting cosmetics! I also love the combined effort of these dancer/business women, which means the booth stays open more often for shoppers and they can alternate dance time!
The remainder of the conference room was a bit less defined, so I apologize if I credit a garment to the wrong vendor. Both Pepperpie Vintage, who was at Camp Hollywood last year, and Rare Revival Vintage carried a mix of swing era vintage and dance/fab appropriate later vintage items, mostly women’s items. In the very back was a men’s corner by Purple Peacock Vintage, with some truly fabulous menswear pieces, like a 4 piece suit (extra pants, y’all), other swing era three piece suits, and the cutest light blue and white polka dot braces (that I really considered buying even though I don’t own any pants that could accommodate them).
If I’ve missed anyone, please give me a shout! There’s so much going on at Camp Hollywood and the vendor area is no exception – save your pennies to do some serious shopping at next year’s event!
I’m a few days late with this news, particularly if you are already on Re-mix Vintage Shoes‘ email list, but I’m very excited about the new Lectrice and curious about the response to the saddle oxfords. Lectrice is a no-brainer – built on the same last as the Anitas, which I already love, there is potential to love the Lectrice more because I don’t always feel stable dancing in my Anitas and I believe in the stability of oxfords. Combined with the comfort of the Anitas and this lovely looped stitching detail, I’m cheering for this shoe to be the awesome I want it to be.
The saddle oxfords I am excited about in a smaller, more hesitant way. There are not particularly good associations in the swing dance community at large for people who show up to dances wearing saddle shoes, and I wish that this could be different because saddle shoes are adorable and were popular decades before the 1950’s. In popular culture they are so much associated with the 1950’s, part of a caricature involving poodle skirts and pony tails. My hope is that people will be inspired by photographs of everyday people and dancers from the 1930’s and 40’s wearing saddle shoes and take their style cues from those outfits, or embrace 1950’s garb outside of the caricature. I am probably most interested in seeing if Re-mix decides makes other colors, I would DIE for a green and white pair!
There are a few people in the Lindy Hop community whose style I would describe as iconic and Anne Williams is one of them – I remember seeing her at dances when she was in college at William and Mary and even then she was that girl with the wonderful vintage dresses (I later learned that her history with vintage goes back even further into her youth), while everyone else was in tee shirts and jeans. I learned via Facebook (thanks Brandi Ferrebee!) that Anne had opened an Etsy shop called the Domesticated Pinup and was selling part of her collection, which made for an immediate click-through because Anne has such excellent taste, even her castoffs would be golden. And I was right, check out her shop full of golden goodies and I remain hopeful that she will continue to bless us with her good taste. Here are some of my favorites:
I’ve been on the hunt for elusive vintage and reproduction knitwear and came across Alixis Lupien on the Oooh La La! Vintage Swap and Sell Facebook group, as she was selling the most adorable sweater with parrots on it. At first glance it looked vintage, but then I looked again and she made it! People who knit clothing are magical unicorns in my book, it looks like so much could go wrong, but here was this darling multi-colored knit sweater that I could see instantly enhancing my summer wardrobe.
I followed her progress on Facebook to her Ains & Elke Style Haus Facebook page and then to her Etsy shop, where she posts her incredible novelty knit sweaters and an array of sewn clothing options that you can order custom to your fabric, color, measurement, etc. specifications.
A couple of weeks ago I had the wonderful opportunity to visit St. Louis, Missouri and perform at the Nevermore Jazz Ball with Michael Gamble and his Rhythm Serenaders. I was particularly eager to visit St. Louis because there are some very dear dance friends in my life who moved there after living with or near me in North Carolina and I heard there was amazing vintage clothing there – knowing that St. Louis had a lot of money/industry during my sought-after clothing periods and seeing the amazing wardrobe of Miss Jubilee in photographs online, I was beyond excited to take my first trip to this Midwest city.
I picked Saturday of Nevermore to embark on my shopping adventure, meeting up with Athena Moon and Lian Tarhay for a quick stop at The Vintage Haberdashery and then brunch at Rooster. The Vintage Haberdashery is part vintage store, part costume shop and had a small, but respectable selection of pre-WWII clothing and some great 1920’s reproduction beaded gowns glistening from the rafters. The store was well-organized with lots of quality items, and a particularly nice display of shoes and hats. I spotted a bunch of great 40’s day and cocktail dresses, some 1940’s oxfords, and a nice selection of menswear, both dress and sportswear items. Definitely worth a stop!
After brunch, we went to Cherokee Street to take in the Cherokee Street Jazz Crawl, which happened to include a vintage shop as a venue and be down the street from another vintage shop – bliss! Imagine shopping in a stacked vintage clothing store with a live hot jazz band playing just outside on the back patio, and you could take a break, dance, shop, dance, shop – that was my experience at Retro 101. Seriously, a luxury! Retro 101 had so many special pieces, I can’t even articulate everything, delicious sheer 1930’s dresses, beautiful rayon print 1940’s dresses, wonderful gowns, hats, gloves, leather, and a case of amazing bakelite! Feathers! Beading! I didn’t even get to the menswear, but I spotted some usual suspects with great garments and accessories in hand, so I know there was good stuff!
Finally, we visited Ruth’s Vintage Clothing, a little shop on the corner just a few blocks from Retro 101. Almost as soon as we stepped into the store, we heard the second line start up outside and ran back out to see the parade. At this point I’m thinking St. Louis and this event definitely have really unique offerings for the dance community – dancers joined in, people were drawn out of shops and restaurants to watch, adding to the magnetic and magical SOMETHING in the air that made this event distinctive, local, and inviting. We went back into Ruth’s, which had a few 1940’s dresses and some great accessories, including an Art Deco belt buckle and brooch set that combined distinctive rhinestone angled shapes with early plastic (bakelite or celluloid, not sure) flowers blooming from the stones – VERY tempting, can we create a dress or gown around this?
We followed the second line back down to Retro 101, took another gander (so much to take in!), then ended up at Melt for a cider and to hear Mike Faltesek and Chloe Feoranzo play their last set of the day. An all around very satisfying day of shopping in a wonderful city!
All Balboa Weekend celebrated its 15th Anniversary this year and I celebrated my 9th anniversary of attending ABW. This Balboa homecoming/family reunion is one that I look forward to every year for the friends, the amazing dancing, and the wonderful vintage shopping that is available in Cleveland. This year, my report will combine shopping inside and outside the hotel, since some brick and mortar stores set up booths at ABW and other remain in their brick edifices. All are worthy of mention and this year’s shops and vendors did not disappoint!
My partner in crime this year was Berkeley, California dancer Alisa Szatrowski – I’ll give an honorable mention to Jack Flaps, a wonderful brunchy place she discovered and where we fortified ourselves before a day of vintage shopping.
Our first stop is my always first stop, Sweet Lorain, and the owner Redwin Lewis welcomed us with open arms and escorted us back to the 30’s and 40’s area, where he showed us they had pulled additional racks of 30’s and 40’s clothing out just for ABW. *squee!* Soon, Alisa and I were lost in a jungle of clothing, amongst the close and very full racks, calling out to each other as if we were playing Marco Polo to try to find each other to show off choice garments. Sweet Lorain did not disappoint and Alisa and I soon had a dressing room full of things to try on, with another helpful employee pulling additional garments based on our selections. Seriously, an A+ for customer service. We both left with some wonderful pieces and warm fuzzy feelings about everything at Sweet Lorain.
Next stop was Chelsea’s Vintage Clothing and Costumes, which is an impressive warehouse full of clothing, and particularly has a large selection of menswear, which I wrote about more in-depth last year. We ran into dancer and DJ Bill Speidel and we did a quick run through the menswear, as I’m always shopping for certain dudes and the hubs. I left Chelsea’s empty-handed, but Alisa had great luck with late 30’s/early 40’s dresses in velvet and faille – dreamy!
The vendor market at ABW opens at 5:00 p.m. on Thursday and we were there even a little before that, with anxious vintage lovers already hovering over the booths.
The first booth you come to is Re-Mix Vintage Shoes and this booth was abuzz all weekend, with ladies buying shoes, trying on many more, and ogling the beautiful wares. The big hit this year was a new style, Gabriele, which is a low heeled 1930’s shoe with a t-strap, an alternative to the Balboa Style, with a slightly different shape and different colors. I would love to hear some reviews from the ladies who bought them and wore them this weekend – I did see Valerie Salstrom try them on the first day and then didn’t take them off as she continued to set up for the event!
Next in the line of vendors was Flower Child, which is comprised of several individual vendors that make up part of the brick and mortar store, and which takes up most of the hallway. They are always good about bringing in new inventory every day, taking requests, and having a nice selection of clothing, accessories, and some novelty items and knickknacks from the swing era. My favorite ABW find for this year came from Flower Child’s booth, a fully functional scales brooch, perfect for me as both a Libra and a lawyer – for serious, the scales have tiny chains and you could actually put things in the bowls and the scales would tip, SO COOL.
New to the vendor list this year was Sugar Shakers, the handiwork of Joanna Kassoulides Thibault, who got her start stitching chorus girl costumes for a troupe of the same name in Toronto and decided, after accumulating a wardrobe of costumes, that she would sell some of these versatile pieces. I love a good trumpet skirt and Joanna had a nice sampler of trumpet skirts, polka dot wrap blouses, bakelite-inspired earrings, as well as sharing a table with her husband Mike Thibault‘s handmade earrings and Vintage Jazz Art prints.
Next in the vendor lineup is ChatterBlossom, aka Jamie Sturdevant, who is local to me, but for ABW everyone can see her amazing handiwork up close, with flowers and headpieces made from vintage millinery flowers and jewelry made from vintage buttons. Seeing in person is even better, as I noted people running to their rooms for garments, trying to match a bloom to a dress, and (I know I’m a broken record on this, but) the colors in the vintage flowers are just so right for vintage clothing, for obvious reasons, and they are so much more exquisitely detailed than most modern artificial flowers I have seen. Jamie does custom pieces, too, so you can find the perfect bloom for that one of a kind vintage dress.
Holding down the end of the hallway was The Cleveland Shop, which had a nice selection of men’s and women’s clothing, accessories, and jewelry. The owner would also bring in new items daily, and even brought in some divine tropical rayon fabric one day, that was gone before it could hit the market (I can’t wait to see that blouse, Jamie!). Oh, to have a warehouse full of endless vintage things to sell!
Each year the vendors at ABW are one of the things I look forward to most about the event and I truly appreciate the effort the vendors put into setting up, displaying, being there to sell, breaking it all down, and sometimes traveling great distances – I think Philip Heath, the owner of Re-mix Vintage Shoes, wins this year by flying in and shipping shoes from California, though past ABWs venders have flown in from as far away as the UK and Australia. We love that you do it and we’ll keep buying all the beautiful things. 🙂
Here are some more photos of all the lovely things:
I don’t know why it took me so long to write about 20th Century Foxy, because I’ve been eyeballing things on their website for over a year and I’m firmly convinced that I just need to buy a plane ticket and go shopping in the UK with all the great vintage repro I’m seeing. With a pun-tastic name, this line of womenswear takes its inspiration from the early to mid-20th century, citing the years 1925 through 1964 as inspiration. With an obvious passion for vintage style, 20th Century Foxy also has the goal of selling “top quality clothing produced locally and in ethical circumstances and using local or regional businesses where possible.” Further, they also want to appeal to a wide range of shapes and sizes – “there is the perfect outfit for every woman of every shape and that it will make her feel like a goddess.” YES THERE IS.
In addition to solid reproduction and vintage-inspired garments, they offer style guides for the 1930’s, 40’s, and 50’s, with a bit of history, etiquette, key looks (with photos from the past paired with looks from the website), and a shopping list.
Here’s what I’d love to add to my closet from 20th Century Foxy:
I have been on the hunt for knitwear to pair with my Chloe Hong trumpet skirts to transition them into winter and fall. My conclusion is that most of the great knitwear I am finding is coming from the UK, so let’s start with one of my new favorite knitwear sources, Collectif Clothing. What’s this all about? From the website: “Established in the year 2000, Collectif is an independent 1940s and 1950s inspired vintage reproduction brand based in London. We create garments and accessories that are inspired by genuine vintage patterns, knitting patterns, and fabrics from our extensive archive.”
Of course there’s much more than knitwear here, and I’ve seen a few pieces pop up on other vintage/retro retail websites, like ModCloth and Miss L Fire (US shipping!). From blouses to knitwear to gowns to overalls, I love the variety available here – there’s lots of really good everyday basics to work into your wardrobe, casual or dressy, and you could put together an entire ensemble here or just pick up a few special pieces. Also, plaid…keep it coming, I can never get enough!
My eBay searches this week have been filled with good things and most of the items I have clicked on turn out to be really good reproductions from eBay seller portlandcostumes, who simply states the following: “Liquidating costume stock. I started in Ancient Greece and have finally worked my way up to the 20th century.” Some of these great dresses have zero bids and are starting the bidding at $20! Some have never been worn! I can’t even post all the awesomeness because I’d be posting everything, go (quickly!) check out this seller’s store:
I’ve been hearing a lot about Freddie’s of Pinewood lately, usually coming up in conversations about vintage or reproduction jeans. This UK-based company has taken a practical approach to dressing vintage, providing reproduction clothing you’d mostly wear just out and about, rather than getting gussied up – lots of great separates, shirts, jackets, and denim. While I generally dislike denim, I understand that most of you live in jeans – perhaps Freddie’s could be a gateway to a more vintage, casual look? There are a lot of versatile pieces on this site, to either dress up or dress down (or both), so take a gander!
Not all artificial flowers are created equal. Even more stunning than modern artificial blooms are those of yesteryear, reserved for hats and millinery, created with such detail and hues that can only come from the past or be made by hand. Jamie Sturdevant, the mastermind behind the Etsy shop Chatterblossom, has acquired stacks of boxes full of vintage millinery flowers and is using them to create floral clusters, headpieces, and fascinators for her shop. The results are stunning and perfect for pairing with your vintage dresses – like vintage fabric cut into a new dress, these unworn, unused flowers are just like getting a brand new hairpiece from the past. Even better, Jamie does custom work and can work with you to create a custom piece to go with one of your vintage ensembles. Here are some glorious pieces from her shop:
I ran across Kim Stewart’s Etsy shop, Nudeedudee, a few years ago when she was doing custom reproduction garments – at the time, she was one of the very few people with any 1930’s listings. I decided not to blog about her shop at the time because I try to keep the things I post on this blog under $200, but upon revisiting her blog I see that she is doing ready to wear in limited runs at great prices for reproduction garments made and sourced from materials in the USA.
You should definitely give her shop a once-over, then a twice-over – I feel transported looking at all her wonderful tropical prints in the middle of NC’s Polar Vortex/Snowmageddon/Hoth shutdown. I can pretend I’m in sunny California, shopping for vintage reproductions made from deadstock fabric…from the comfort of my laptop.
According to the shop description, the ready to wear is only temporary, as Kim needs “to switch gears to ready to wear in order to care for this little darling baby.” Get to shopping the goods while they last! Ethical bonus: “I donate a portion of the proceeds from this shop to humanitarian and environmental issues.”