In the search for reproduction menswear, one of the most commonly worn items, a dress shirt, is generally available – however, if you are a stickler for detail, you’ll notice that most modern men’s shirts lack that distinctive spearpoint collar prevalent in jazz age/swing era shirts. One could always spend the money for a custom shirt, but what if you just want something a little more vintage without spending an arm and a leg?
It has been suggested by some of my esteemed OcTieBer colleagues that Natty Shirts’ “Savvy Journalist” shirt is that shirt – not quite exactly a vintage spearpoint, but definitely closer than most modern options, and, at $29.99, it’s far from breaking the bank. You can even get it monogrammed for an additional $5.00.
It’s about time to start planning what to wear for New Year’s Eve (or, if you are me, you’ve been planning since you knew you were going to Lindy Focus months ago) for Lindy Focus, Snowball, or perhaps your local scene has a special event. This may be the trickiest night of the year to dress yourself because you want to look like you’re on a red carpet, but you also need to be able to move and sweat like you’re running a marathon.
I took one look at Nancy Mac‘s collection of dresses and immediately thought these would make great NYE dresses for swing dancers – luxe fabrics in movement-friendly cuts with vintage silhouettes. This U.K. based company (if anyone was in doubt, the UK is KILLING IT with the repro brands) was founded by two sisters, Hannah and Sarah McMahon, and their about page reads like music to my ears and my closet: “Designed to flatter, Nancy Mac dresses and stand-alone separates are cut with care from luxurious fabrics and unique prints. Every piece in the range is inspired by the belief that true style stands the test of time. We love making beautiful yet affordable clothes that you will want to wear and keep in your wardrobe forever.”
Did I mention that I have a velvet problem, in that I can’t resist it? Specifically vintage silk velvet? Because it feels like buttah on your body, inside and out, but then come the rips I seem to be forever repairing…with a newer garment (which I also own in silk velvet, because problems) fabric deterioration becomes less of an issue and I’m just over the moon about Nancy Mac’s velvet dresses because they look so wearable, on top of that silk velvet feeling. Other fabrics look almost as enticing, such as viscose crepe, silk viscose, and just plain silk. Do you feel fancy? Because I feel fancy talking about all these fancy fabrics.
Let’s not forget that it gets cold in the mountains of North Carolina and in Sweden in December – Nancy Mac also has gorgeous coordinating jackets, shrugs, and coats to go with their dresses. There’s also a collection called Mint Julep…it’s like they knew I was coming…
Here is what I am loving from the Nancy Mac website:
One of the classic swing dance looks is a “collegiate look,” a youth culture of the jazz age and swing era (and beyond, really), who had their own trends and fads, like any youth culture – one option to add to this look is a classic letter sweater. Last year All Balboa Weekend had a limited number of ABW patches made up, so of course I snagged one because I love the look, love the concept and I lettered in a couple of sports when I was in high school, so I’m partial to that nostalgia – I mean, of course I’ve lettered in Balboa by now, my 10th ABW, right?
But my ABW letter patch has been sitting on the dresser in my guest room since then, waiting for the perfect sweater. I had hoped to find a vintage one, but finding one in the right color and in my size proved to be a non-starter. I ran into New York dancer/instructor/performer Adrienne Weidert at Camp Hollywood in September sporting a Miss Camp Hollywood letter sweater and she (and several other former Miss Camp Hollywood title holders) had purchased theirs online. It makes sense, I had a letter jacket in high school, those classic items can still be purchased, why not sweaters?
A quick internet search directed me to Neff, a company still making classic letter jackets and letter sweaters, but the absolute best part is that these sweaters, made from acrylic, are customizable – 16 different colors to choose from, decide what you want each color to be for the body of the sweater, the neck/placket, the pocket trim, the buttons, and if you want stripes on either sleeve. I designed a sweater and submitted it for a quote, which came back at $94.95, which is cheaper than any vintage sweater I had found that would work. Then we had to get our roof fixed for the impending hurricane than never ended up coming, and the sweater quote email sat in my inbox, I’m sure you know how that goes, and I never got around to getting this…
Then, dancer/instructor/organizer Andy Nishida tagged me on Instagram for a kelly green 30’s/40’s wool letter sweater being sold by @mrartdeco, and I had to have it – exactly my size, my favorite color, maybe it would look good with the ABW letter, and if it didn’t I’d still have a ton of things to wear with it. It arrived and it is WARM and HEAVY – like I don’t know if I’d need a coat if I had it on, which I think was the point (that you’d want everyone to see your sweater and not cover it up with a coat). There’s no way I could dance in it, so I decided to look for something more…3 seasons than 1 season. But never fear, the green sweater will be out in its own glory, it really needs no embellishment and you will all see me coming a mile away.
I had a birthday coupon for J Crew and went to look at their cardigans – I don’t buy a lot of things from J Crew, but their Jackie cardigan is my go-to classic cardigan (good weight cotton, lovely finish, stays nice through washes, nice shape/length, etc.) so I went to check on any new colors they may have for the fall season. As I’m perusing the cardigan page, I notice the Harlow cardigan, which looks like a letter sweater in shape – merino wool, pockets on each side, trimmed in grosgrain ribbon, but it looks like a lighter weight wool. Of course ordering things online is tricky and I was fully prepared for this sweater to be a total failure of modern clothing, like most things from mall retailers are for me these days. It arrived today and it’s perfect – great weight for a little nip in the air, light enough to be a middle layer, I prefer natural fibers for breathability, and just enough space to sew my letter on. I can’t wait to wear it out and about!
Thus ends this letter sweater story – if you are on a search for your letter sweater, I hope some of this information will be helpful.
I will continue to sing Simon James Cathcart’s praises – his fall releases thus far consist of matching separates in salt and pepper or Dutch blue chambray, inspired by nineteen teens, 20’s, and 30’s workwear, and I think the concept of purchasing mixing and matching pieces you like is brilliant, not to mention all of these could be worn separately or together as a suit. And all the pieces are great – two jackets (belt back or Norfolk style), two styles of trousers with proper buttons at the fly and for braces (narrow or wide leg), a waistcoat in each color, and a dart cap in each color.
But what to wear with your new workwear? How about a work shirt in 4 different colors, two stripes and two solids? SJC gives you a great jumping off point for many different workwear inspired looks. Add some work boots or oxfords, add a tie to dress it up, add a henley to dress it down…
ALSO, there’s a 40% off sale on those magical chinos that everyone keeps looking for on my blog (high waist, wide leg, breatheable, danceable), as well as the summer weight flannel trousers (which I think would be more perfect for fall around these parts), the signature zig zag neckerchief, and the vintage style polos in bamboo fabric that every dancer needs as part of their wardrobe of comfort and style.
The shoe news just keeps coming, Re-mix Vintage Shoes has some new goodies for us – a limited edition teal/blue color combo in their popular Balboa style (but only 16 pairs total – don’t hesitate if you need these in your life) AND a brand new style called Starlet. I love love love the new Starlet shoe, anything with a wide low heel and cutouts is good in my book. It has the same heel as the Gabrielle shoe, I just hope it doesn’t share the same width issues for my fat feet…feel free to weigh in on fit/stretch in the comments after you’ve worn yours for a few months. 😉
I’m excited to bring you my first ever Lindy Shopper vendor report from my very first Camp Hollywood! I have been wanting to attend this event for years and life always found a way to keep me away from dancing in California. I was able to attend half of the event (Sunday and Monday), to sing with Michael Gamble and the Rhythm Serenaders, and even attending half of the weekend was awesome, but I’m afraid my vendor report has some holes because not all vendors are at their tables all the time and our schedules didn’t always coincide.
Camp Hollywood has the largest dedicated space for vendors of any event I have attended, it’s an entire hotel ballroom, plus a side room with a clothing vendor and hair salon pop-up. If the airline had lost my luggage, there were no worries about covering my needs for the weekend.
Let’s take the tour, shall we?
My first stop was Vintage Blue Moon, which arguably held the largest vendor space and was a treasure trove of both men’s and women’s vintage – the men’s section was at least as large, if not larger, than the women’s section. There was enough inventory that I felt transported, I’ve been in some brick and mortar shops with smaller inventory than what owners Robert and Kristi Alvarez brought to the LAX Marriott. The selection was carefully curated for its swing era audience, and even had a good selection of 1920’s clothing and accessories, which they brought this year after getting requests last year. I picked up a 1940’s suit for my day job that is reminiscent of something Tilda Swinton would have worn in her turn as gossip column twins in Hail, Caesar! and I couldn’t be more pleased.
All the Shiny Things occupied most of the vending space in the center of the ballroom and I’m afraid I didn’t get a chance to chat with the owner of this space, but the array of costume jewelry from so many decades past was vast and colorful – I get easily overwhelmed by jewelry counters and this was like the King Kong of jewelry selections. I loved all the colored bangles, if you were looking for a match, you’d probably find it here. Now looking at this photo and wishing I had more time to figure out what colors I need!
I was excited to see Loco Lindo again, who had come to All Balboa Weekend several years ago, and see what owner/designer Linda Marrone had been up to since then. I’ve been following her line of clothing on Facebook, but it’s always nice to see things and chat in person. Her washable and danceable crepe dresses (great for work, too!) were already selling well and she was out of several sizes in some prints, but I managed to snag a dress in my size in a tropical print that I’d seen on her website and liked from afar. Her corner of the ballroom was cheerful and bustling, a credit to Linda’s designs and her personality as she chatted with the dancer/shoppers. Like Trashy Diva, her prints come in limited runs, so don’t tarry when making your decisions about what to buy.
The ever-classy Chloe Hong occupied a good portion of the vendor ballroom, with the largest selection of items I’ve seen at an event to date. In addition to her custom tailoring and racks of samples, she carried two colors of the famous Whitey’s Lindy Hoppers logo tee, as well as a rainbow selection of her low-heeled t-strap shoes, which are fast becoming ubiquitous on dance floors all over the US (and I can say this, having seen them at dance events on the east coast and the west coast on the same weekend). Gracious and kind, it’s always a joy to see her at events and see the beautiful custom work she does for dancers.
Occupying an end cap of the All the Shiny Things center island in the vendor ballroom was Electro Flapper – Get Dolled and Dapper, featuring vintage hairstyles, brow shaping, and lashes by owner Brittany Leavitt. I didn’t get to spend time chatting with Brittany, but I do love seeing these services at dance events, whether its for a special updo or routine maintenance that you simply haven’t had time to get to until it’s right there in front of you at a dance weekend and you’ve got an hour of free time. Check out the amazing and perfect vintage ‘dos on her Facebook page and get inspired to make an appointment for CHXI.
Because there were so many vendors, two vendors had to set up in a conference room next door to the vendor ballroom. The first of these is Pepperpie Vintage, which had a mix of swing era goodies and clothing from more recent decades. Again, I just had enough time to run by and snap some photos, thankfully with the permission of owner Perrin Iacopino – but, alas, I couldn’t find a website or a Facebook page for this shop, so if anyone in the know can direct me I will be happy to link to where we can find Pepperpie Vintage information in the future.
Sharing the space with Pepperpie Vintage was a “Hair Bar” run by Kimmery Michelle Thompson of Shear Attitude Hair Salon, offering up-do’s, down-do’s, a mix of both, hair accessories, and color streaks. The Hair Bar looked so inviting, with a lighted sign, vintage pink bonnet dryer, and a glorious Art Deco vanity that just begs for finger waves to be done in view of its glorious circular mirror. I didn’t get to see Kimmery in action, but you can see her work on her lovely Instagram page, @_kimmerydoesmyhair. Two great hair stylists at this event!
We return to the vendor ballroom to visit Saint Savoy’s table – no one was at the table when I was in the ballroom, but it’s no secret that I love dancing in their shoes, having blogged about them several times before on this blog. Since I didn’t acquire any new and interesting tidbits, I’ll share all my previous Saint Savoy posts so you can see the love.
Also no secret is my love for Re-mix Vintage Shoes and, while I didn’t get to visit the mothership, owner Philip Heath had an extensive selection of footwear, including wedges, which are not usually a part of his All Balboa Weekend display (which is the only other time I have seen Re-mix shoes en masse at an event). I got to chat with Philip for a bit about his recent travel to Italy to sell shoes at an event, his visit to the shoe factory that makes these glorious shoes in Spain, and about the construction of the reproduction 1940’s wedges. Did you know that not just the leather outside of the shoes is modeled after vintage shoes, but also the inside construction of the wedge sole? We talked about the flexibility and give of the leather for each style, particularly the two most popular styles, which right now are the pleated toe wedge and the Vogue wedge. Philip noted that even the finishing touches are the same on these shoes, with a stitched edge on the pleated toe and a ribbon edge on the Vogue, both of which affect the structure of the shoe, how it fits, and how the leather stretches (or in the case of the Vogue, how it doesn’t stretch as much because of the ribbon). This explains why my bunioned/bone spurred feet gravitated toward the pleated toe wedge as my favorite pair of Re-mixes for dancing! Close seconds in the most-popular-Re-mix-wedges-for-dancing category were the Picasso wedge, which I find has similar give to the the leather as the pleated toe, and the Greta wedge, which Philip noted that many people with difficult feet were surprised at how well this shoe worked for them and stretched with them. I had been having some anxiety about another dance shoe company discontinuing all of their wedges (maybe hanging on to them past their smell-by date) since I mostly wear wedges to my local weekly dances, but I feel so much better after this conversation with Philip about selecting Re-mix wedges that are going to be right for my foot for dancing.
Last, but certainly not least, instructor/dancer/visual artist Mickey Fortanasce has created a follow-up deck to his original Legends of Swing deck of playing cards (sold at Lindy Focus this past year), with the second edition featuring swing dance legends from the west coast, including Jean Veloz, Hal Takier, and Ray Hirsch. Two important things to note: 1) “ALL profits from the sale of these cards will be donated to worthy organizations The LA Burrito Project doing outreach feeding and donating supplies to the Los Angeles homeless, andBlack Lindy Hop Matters, an organization based in Baltimore, MD which works to build welcoming communities and advancement opportunities for black dancers and advocates for cultural integrity, recognition and respect for African American people and heritage” and 2) you can still purchase a deck from the Camp Hollywood website while supplies last!
I know I am missing at least one vendor, but I wasn’t in the ballroom when the vendor was there to get permission to take photos, so my apologies! (EDITED to add that Jen Gomez of Bandini St. came forward to note the missing vendors, one of which was her table of accessories and shoe bags that was a part of the Loco Lindo booth and I had taken a picture of her shoe bags and not realized it was a separate vendor. Check out her Etsy shop, full of lovely hair accessories. The other vendor I missed was A Walk Thru Time Vintage and Costume Annex, selling vintage clothing and costumes. Thanks, Jen!)
Much love to you, Camp Hollywood, for providing such ample space for vendors and for providing four days of shopping, social dancing, competitions, classes, and so much more. ❤
I apologize for the tardiness, but, as we all know, life happens outside of the Internet – always better late than never is the All Balboa Weekend vendor post, because ABW has, in my opinion, the best vendor aggregate year after year. This was my 10th ABW, if you can believe it, and the first one I couldn’t attend for the entire weekend, but I promise I crunched to maximize my time there and to give you this attempt at a comprehensive vendor post.
Before we get into the shopping, I have two things to note:
I was given the incredible opportunity to examine Genevieve Grazis’ performance clothing, including the famous Beach Clip dress, and was invited to talk about the dress’ construction and details in front of the entire event as part of Kate Hedin and Bobby White‘s presentation and demonstration of the dress. While everyone is gaga over the 11 godets that, combined with 1930’s satin, make this dress spin like a dream (and rightly so!), but my favorite part of this dress are the sleeves – a triple pleats, both front and back, along the arm hole seam with two piped seams straddling a panel in the middle of the sleeve. The result is a puffed sleeve created by divine architecture.
2. Coif magicians Destinee Cushing and Francine Amendola combined forces to form the Hepcat Salon, delivering incredible and pristine vintage hairstyles all weekend long. I know several people who will get their hair done and wear it for a couple of nights or most of the weekend so they don’t have to worry about doing it multiple nights and to keep it out of their faces, which I think is a great plan to maximize your ‘do and practical for a dance weekend with lots going on that you don’t want to miss.
The flagship booth at ABW is always Re-mix Vintage Shoes, who makes very rare appearances at any events outside of southern California. I know people wait until ABW to buy their first (or second, or 10th) pair of Re-mix shoes so they can try them on and see how the styles fit their feet. I can’t tell you how happy it makes me to see them all in a row.
Next in the lineup was Sweet Lorain, which is my favorite vintage shop in Cleveland. To call it a shop is really an understatement, it’s almost a warehouse, definitely a department store, and you can get lost in there for hours amongst the clothing, furniture, kitchen wares, records, Christmas decorations, and on. Of course, for ABW, they pull a selection of garments with dancers in mind from the 1930’s through the 1950’s so that you don’t have to do the digging, it’s already been dug out for you and is sitting in the hallway of the event. My story this year is that Andy Nishida and Rita Shiang (dancers and organizers of Richmond, VA’s Jammin on the James) had come to Cleveland a few weeks earlier for the World Congress on Art Deco and had scouted a 1920’s dress for me at Sweet Lorain. 1920’s dresses are hard for me because of my body type, so I was hesitant to phone in the purchase, even though Rita knows my size. I show up at ABW with this texted photograph of a dress and the owner, Redwin Lewis, knew the dress immediately, still had it, knew it would be perfect for me – and it was! Sometimes vintage shopping is easy and sometimes it takes a few steps to find a dress a home.
De Fils en Perles returned to ABW this year with even more intricate beadwork, much of it Art Deco-inspired. I was particularly smitten with the earrings this year, which were often made of an exquisite central bead with smaller embellishments and looked perfect for certain 1920’s and 1930’s ensembles. I am often overwhelmed by jewelry, so many beautiful small things at once, and I took some time to sit down and go through the earrings and really appreciate the detail that goes into each piece.
Retro Rosie made its ABW debut this year and before I even got to ABW, there was a buzz that a vendor was there selling Trashy Diva. I spoke with Miranda Scott, the owner, who runs this brick and mortar shop and an online shop, that most of her sales are online. I found this unsurprising, given the specialty nature of the garments (as much as I like to think we are the norm), and was glad she gave ABW a chance. She had several Trashy Diva dresses that are discontinued in most sizes, so secondary stockists are essential for the dress you may have missed (since they TD lines are selling out within days of launch, nowadays) and the chance to try things on in person. She also had a selection of Besame Cosmetics, another item that I can’t purchase locally to me, but that I see on the internet all the time on vintage blogs and it’s great to see the colors in person and be able to try them on, as well.
Jamie Sturdevant’s Chatterblossom booth is always a bright spot, with her cheery disposition, creative floral-inspired ensembles for each day, and a bevy of blooms for each possible scenario and outfit. Indecision abounds at this booth, as there are so many to choose from, so many outfits to match, so many beautiful pieces that you just want to come home with you. My favorite pieces this year are the giant lilies she acquired earlier in the year by chance, they are just so big and elegant, I want one in every color! Message her about matching one to your favorite ensemble, her Etsy listings are only the tip of the floral iceberg.
Finally, at the end of the hallway are the Flower Child ladies, who also do an amazing job of curating just the kinds of vintage goods dancers and swing era enthusiasts want, and also go back to their warehouse to look for items to fill specific requests. With new things brought back every day, it’s worth a gander multiple times during the event to keep up with what is in stock. My favorite item this year, brought to my attention by Jamie and ultimately purchased by Destinee, was a chartreuse 1930’s gown studded with rhinestones, featuring braided straps and a bias cut guaranteed to flatter the figure. Destinee wore it on Saturday night and, with her impeccable hair and makeup and a Chatterblossom bloom, looked like a legit silver screen movie star – or perhaps early technicolor, because no one should hide the color of this gown!
If I seem like a broken record, I promise it’s not the record, because the tune keeps changing. One of the benefits of doing limited runs and placing orders in advance for goods is that you are only ordering based on the demand and you can easily switch your attentions to the next development. I really like Simon James Cathcart’s business model because he is constantly bringing new items to the market, hence the repeated posts. The downside is that you don’t get a year to mull over whether or not you need something in your life, but maybe that’s best – if it’s not hitting us in the gut or on our mind consistently for a matter of days, do we really need it? You might if you decide you might have regrets later. I’ve learned to trust my gut.
Another thought before I get to the substance of this post – the most searched for item on Lindy Shopper is men’s high waisted trousers, presumably in light-weight, breathable fabrics for dancing.
So what I am telling you is that this item, which is the most sought-after item on this blog, is available to you now on Simon James Cathcart’s website, but not for long! This limited run of 1930’s chinos, available in khaki, navy, and chocolate brown, are what you have been looking for – something off the rack that you can throw on your body with a shirt of just about any ilk, and go out dancing. Washable. Breathable. Movable. Unisex. That’s right, ladies, these trousers are for us, too – though a man’s pattern, given that these sit at the natural waist and have a wide leg, wide enough to accommodate a larger hip/waist ratio, this could work for you, too. SJC’s advertising includes both a male and a female model to show you just how this will work, which caught my eye and took out the guesswork.
I basically love everything about these reproduction 1930’s shorts from House of Foxy – I particularly love when shorts look like a skirt because I like the aesthetic of a skirt, the functionality of the shorts, and all the extra room those fabric panels give my bum and thighs to move around. I bet they even give a little flare when you twirl…tennis or swingouts, anyone?
How often do you find a vintage piece of clothing and wished you knew more about the story of the person who wore it? Sometimes vintage clothing will come with a tidbit of history, passed on from the family to the vintage clothing vendor, and in those wonderful rare moments you might see a photo of the original owner in the garment.
Then there are the garments that are a part of our history as swing dancers – even more rare, like the Whitey’s Lindy Hoppers jackets (lovingly reproduced by Chloe Hong) or the costumes worn on the silver screen by our Lindy Hop luminaries of the 30’s and 40’s. Maybe some people know where some of these items are, but others are lost to time.
I remember reading Bobby White’s Swungover posts on Genevieve Grazis, one of the followers in the famous “Beach Clip” that many a Balboa dancer has studied in painstaking detail, and following his adventures in historic sleuthing about who she was and her life outside of this snippet of time we know as the Beach Clip. After reading about the lives of the original swing dancers and watching them in videos, I can’t help but think, “Where are the clothes they wore, where are they NOW?” Maybe that’s just my inclination. Genevieve’s dress in the Beach Clip is distinct, both in its attention-grabbing “color” and texture, as well as the impeccable twirl of the gored skirt.
So I’m scrolling through Facebook today and at the top of my feed is the resplendent Kate Hedin in a glorious white satin dress – THE satin dress worn by Genevieve Grazis in the Beach Clip! How does this happen? Bobby, Kate, and the finder of this dress, Swing Sleuths Jennifer Halsne, explain the wonderful story in the video below, including a demonstration! I got tingles listening to it – I love the hunt and I love the history!
It’s a banner week – a new Trashy Diva print is coming out tomorrow and today I open up my Facebook feed to find that Simon James Cathcart has not only restocked his amazing vintage style bamboo fabric polos, there are even more colors (!!!) and he’s added these fantastic 1930’s trousers to the website!
Men and dapper ladies, let’s talk about these trousers – from the website: ”
SJC has just woven 50mts of 16oz Cream English 100% wool flannel, so do not hang about here. This fluffy ecru coloured cloth is thick but soft and billows like the sails of a yacht in the breeze when one moves.
Crafted into a 1930’s loose cut trouser that features deep pleats, a wide leg and a high rise fit. The pants feature a button down coin pocket flap, side adjustors, sturdy pocket bags, sunburst corozo buttons, suspender buttons, deep fly front and belt loops.
They come in a long untailored length so you can add your own 2″ cuffs on them to suit.
Judging by the outstanding quality of the cloth, the high desirability of the cut, the incredible price these pants will go fast.”
Have you had dreams of Fred Astaire’s wardrobe? This looks like a good step toward his day-wear. Pick from cream or gray fabric, then add striped socks and your desired footwear…
We should just start giving all our clothing money to the UK because I’m convinced this is where the giant hub of vintage reproduction clothing is located. Thanks to a Reddit thread about trying to find suits for swing dancing, I’m now hip to Chester Cordite, which offers “a modern take on classic styles from the golden age of 1930s and 1940s, producing limited edition suits and shirts with period influenced fabrics at splendidly affordable prices and all suits made in England.” Chester Cordite got its start with that same frustration of not being able to find the right suits in good condition, and since necessity is the mother of invention, we have this company producing wonderful suits and shirts.
The suits are definitely custom, in gorgeous fabrics, perfect vintage-inspired cuts, and are fairly reasonably priced for custom work. On an even more accessible level are their spearpoint collar shirts, which will give you an immediate vintage look (compare to modern shirt collars) for only 60 pounds (roughly $75 as of the date of this post), about what you would spend for a shirt at a nice menswear store in the U.S. The shirts also come in an array of solid colors and stripes, which I love for dancers because most menswear-wearing dancers I know don’t commit to a jacket the whole night and it’s nice to have something classic other than a white dress shirt to complete your look. All of the suits and shirts are paired with vintage ties in photographs on the website to give you an idea of how your vintage look will work.
This will be a very brief post, but I felt it warranted a full-fledged Lindy Shopper post because I know it will make some people very happy – Re-mix Vintage Shoes is now offering U.S. women’s size 5 in the following styles: Anita, Balboa, Charleston, Emily and Emily 2.0! These are all popular styles for swing dancing, which I’m sure is more than a happy coincidence. 🙂
As most ladies know and Tim Gunn has spoken out about, the clothing options for women over a certain size range are particularly limited, even though they make up hundreds of thousands of shoppers in the US and beyond and spend significant sums on clothing for themselves. Compound limited selection with a preference for vintage styles and your options are even more limited.
I’ve had my eye on New Vintage Lady’s Etsy site for some time and I did a post on her in 2011, but I’m excited to see that she keeps showing up on my radar and continues to expand her line of vintage patterns, offering fantastic designs that are all the things we love about jazz age and swing era clothing, with all the wonderful details that make them great (and she has a great eye! I love her selections, artwork, and fabric choices). This latest endeavor is via Kickstarter, in an effort to expand her size range to cover bust sizes from 40 inches to 52 inches, as well as improving her existing patterns in terms of graphics and descriptions. Offering a range of sizes is a lot of work – often, you only find one vintage pattern of a certain dress and it comes in the size you found, not a range, and it’s not simply a matter of adding inches around to increase the size, of course it’s MUCH MORE COMPLICATED THAN THAT, in that way that all of our bodies are a complicated mix of measurements.
The obvious rewards here are reaping the benefit of the new patterns once the Kickstarter is funded, but if you don’t sew there is an AMAZING reward – the New Vintage Lady will make you a dress, one of HER garments from the Kickstarter! What could be more amazing and more personal and more lovely than that? (I see she also does men’s trousers *ahem* maybe…if you ask nicely?) If you’ve ever wanted a reproduction dress to your specifications with your fabric choices and you haven’t done this for yourself, this is a great opportunity to help not only yourself, but others of a certain size range to gain access to these wonderful patterns.
There’s so much to love, go check out her line and video and consider backing this project!
I’m a few days late with this news, particularly if you are already on Re-mix Vintage Shoes‘ email list, but I’m very excited about the new Lectrice and curious about the response to the saddle oxfords. Lectrice is a no-brainer – built on the same last as the Anitas, which I already love, there is potential to love the Lectrice more because I don’t always feel stable dancing in my Anitas and I believe in the stability of oxfords. Combined with the comfort of the Anitas and this lovely looped stitching detail, I’m cheering for this shoe to be the awesome I want it to be.
The saddle oxfords I am excited about in a smaller, more hesitant way. There are not particularly good associations in the swing dance community at large for people who show up to dances wearing saddle shoes, and I wish that this could be different because saddle shoes are adorable and were popular decades before the 1950’s. In popular culture they are so much associated with the 1950’s, part of a caricature involving poodle skirts and pony tails. My hope is that people will be inspired by photographs of everyday people and dancers from the 1930’s and 40’s wearing saddle shoes and take their style cues from those outfits, or embrace 1950’s garb outside of the caricature. I am probably most interested in seeing if Re-mix decides makes other colors, I would DIE for a green and white pair!