With the pandemic in full effect along with the accompanying isolation and cancellation of all activities, I was thinking of ways to use my time away from dancing and singing and stay connected. Thinking about how we are all essentially broadcasting communications via the Internet from our homes – our personal and intimate spaces – and how these are our reference and existence points for the time being, I thought about sharing more of my personal space with all of you. I am often asked by visitors to my home to see my closet, so it seemed that was the natural place to go for a first episode and for the title of this web series.
I have other ideas for episodes, but I want to see how this first episode is received, so we shall see. I am also open to suggestions for episode topics and garments/shoes you might like to discuss, feel free to post them in the video comments on YouTube.
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I attended my very first California Balboa Classic – aka Cal Bal – last month and I’d say I don’t know what took me so long, but I have another hobby that managed to conflict with this event year after year. I made the decision to choose Cal Bal this year and Cal Bal did such a great job welcoming me with open arms that I didn’t want to leave. It’s also the first event I’ve attended in several years that I was not hired as a musician, so there was ample time for dancing between DJ shifts, which I have sorely missed and desperately needed.
To set the vendor scene, you need to understand the layout of the hotel – this is a hotel event, but this is not your typical hotel. The Hyatt Regency Newport Beach is more of a complex, with lovely outdoor spaces connecting separate buildings, taking advantage of what are usually mild temperatures in southern California. The ballroom was a separate building within the hotel complex and to enter the ballroom, one had to walk down a little path and through a large covered-but-open-to-the-air space. It was a bit chilly at night, so the covered outdoor space had some temporary walls and heaters, as well as couches for sitting (basking) under said heaters, a snack station, a cash bar, and all the vendors for the event. Had the temps at night been a little warmer, the vendor location would have been truly ideal – during the day it was lovely.
Cal Bal had some great merch this year – you’ve already seen my post about the Kendra Dandy designed scarves and pocket squares, and there were also pins, bags, and tee shirt designs (one even featuring the Rendezvous Ballroom). I was elated to see a green tee shirt with musicians on it, so that came home with me! If you aren’t sure how to style your large Kendra Dandy Cal Bal scarf, Cleveland dancer and instructor Alexis Davila posted an awesome/adorable/creative video on Facebook of several different ways to wear it on your head – I believe you can still order one, it looks they are up on the Cal Bal web store.
At this point, I’m blessed that Re-mix Vintage Shoes owner Philip Heath knows me by sight and always gives me a little tidbit to keep me coming back for more. This year, the buzz was the production of a gold Opera model, which had previously been relegated to suede (which I don’t prefer to try to maintain) – since metallics are my go-to neutral, this was a delightful new development and I was excited that this particular model fit my particular feet, having never previously tried on any Opera model.
I didn’t notice the new addition to the men’s shoes (maybe a Fairway or a variation thereof? I’m not seeing it on the website) until Nicholas Centino posted the photo below of their gloriousness, but there’s a new two tone brown oxford with perforations that is so subtle and lovely. I’m also not seeing them on the Re-mix website, so pick up that phone…
Next stop in the circle of vendors was the new-to-me Swankys Vintage, who appeared to have mostly menswear and some women’s items, with a mix of Swankys reproductions and vintage clothing, with a very 1940’s/50’s California aesthetic in terms of styling and color palette. The reproductions were almost seamless with the vintage at first glance, the textures, fabrics, and colors were so spot on. Lots of clothing that evoked comfort, ease, and fun, as well as some really nice looking classics, like tweed trousers with a buckle back. It was so nice to see more of a focus on menswear, which tends to be minimal to non-existent in terms of vending at events.
I’ll also give an honorable mention to the gent who set up a mostly vintage men’s shop for Saturday night, who I asked for a business card and he said this was his last vending spot ever and that he was liquidating his collection and selling it to another vintage seller. It is hard work running these vendor spots/booths at events, carting around inventory, being present to run the shop, paying vendor fees and for hotel rooms, so my hat’s off to all the vendors – whether you’re still in the game or getting out, this is an important part of events and I’m appreciative of everyone who shows up.
I’m always excited to see Jenna Applegarth‘s Applejacks shoes at events, as I’ve probably learned more from her than anyone about the extensive and often frustrating process of designing, producing, and shipping dance shoes – I’m completely invested in this storyline and here for all subsequent chapters. Remember that this is a labor of love each time you buy a dance shoe made by swing dancers for swing dancers! I know several of us are eagerly anticipating the new models (I swear I saw green on Instagram), but the models out right now are particularly well-suited to Balboa. One of my friends noted that she didn’t necessarily know what she’d wear with the rose gold shoes, but that they felt so good on her feet that it didn’t matter. Good thing metallics are neutrals!
Next up in our tour of vendors was Swingbird Fashions, who I have previously blogged about in terms of an Etsy shop, but since that post this brand has expanded greatly and wonderfully. I am terribly sad that I was not able to meet the creator of these garments, Leea Kuronen from Denver, Colorado (it’s hard to be at your booth at every minute of the day, I completely understand) because I was smitten with everything – the colors, the fabric selection, and all the lovely details. There’s this one green dress with white soutache detail that is absolutely to-die-for – I saw both Teni Lopez-Cardenas and Heather Ballew had purchased one of these dresses and wore them in competitions that very weekend. It’s an I NEED TO WEAR THIS NOW kind of dress! Lovely trousers, skirts, blouses, and dresses all around – this corner of the room made me smile.
Across the room Loco Lindo represented with their line of crepe printed dresses, blouses, skirts, pants, and, of utmost importance, their Venice Beach clip dress, recreated from the one worn by Genevieve Grazis in said clip, she of the many gored twirly skirt. It’s honestly super gratifying to see a whole line of them on a rack, knowing the history behind the dress and the process of getting this dress reproduced – get your twirl on and your shuffle on, let’s do this! On a related note, I’m sad I missed the crunchy sound of shuffling on sand the Monday of Cal Bal where everyone met on the beach near the site of the former Rendezvous Ballroom – living that beach clip dream…
Sharing the space with Loco Lindo was Jen Gomez of Bandini St., who typically also shares a space at Camp Hollywood. It’s a great idea, to share space, share labor, and have that symbiotic relationship of pairing dresses with hair accoutrements immediately. This is probably going to be super personal to my preferences, but I was particularly happy to see pairs of hair flowers that were an ideal size (Goldilocks here, not too big, not too small…), flat – but with enough texture to be interesting, and a color gradient so that it goes with various shades of whatever color it represents. VERY SPECIFIC. I need to go through my closet to see what I might need, as these are available on the Bandini St. Etsy shop in several colors.
Finally, we’ve reached the lovely Saint Savoy booth at Cal Bal, with a candy colored array of heels and flats. While their Riviera model remains the most popular and is available in a wide array of colors, I heard lots of talk about their oxfords for women being particularly comfortable. A few other notes: 1) I’m pretty sure their Grace shoe in Neptune is one of the most beautiful dance shoes ever made. I own a pair and I only wear them for singing because I would Gollum-style freak out if anything ever happened to them; 2) I’m having feelings about their The Whip oxford in Mulled Wine because I had a pair of Doc Martens in high school with a similar color gradient and broguing (a whole different level of nostalgia); and 3) it was nice to see their Grand Prix t-strap dance flat in person – loving all the variety in heel heights, thank you, more of this from dance shoe makers, please. 🙂
And that’s a wrap – I hope I haven’t missed anyone! I loved all the vendors, thank you again for your time and energies in attending Cal Bal and creating products with the swing dance community in mind.
This past weekend I experienced my first international gig performing with Michael Gamble and the Rhythm Serenaders at Jeju Swing Camp in South Korea. In spite of a typhoon imposing itself upon the event, the organizers and dancers persevered and an incredible time was had by all and the sun came out for the last day of the event so that we could have an epic beach party with four bands and dancing on the sand. Following the event, several of the musicians would spend part of a day in Seoul waiting for our flights to various locations – my number one request was that I be able to visit Chloe Hong’s shop, FROMChloeHong.
Over lunch with MG Chris Jung and Scully Heejin Kim, Scully made arrangements with Chloe for me to come by the shop. I found out later that Chloe’s shop is by appointment only and that I was able to get in, perhaps, even before people who live in Seoul could get an appointment! Scully is my new hero, clearly. ❤
I traveled with reed man Keenan McKenzie on all the legs of this journey and he joined me at Chloe’s shop, with a mission to obtain one of Chloe’s legendary trumpet skirts for his wife, swing DJ and dancer Allison Meeks. Scully arranged for a cab to take us to Chloe’s shop and we ended up walking into some sort of laundry facility by accident and probably amusing several Korean women with our confusion and language barrier. Around the corner and up a short flight of stairs we found the shop.
Upon Keenan’s recommendation, the soundtrack to my entrance into Chloe’s shop is Gene Wilder’s rendition of “Pure Imagination,” feel free to cue that up for the rest of this post. Keenan also snapped the photo of me going into the shop, a pleasant surprise!
I often muse about Chloe’s excellent taste – you only get a glimpse of it at the events in the US, with a sampling of the shoes, ready to wear women’s clothing, and custom menswear pieces. Stepping into her shop was personal, an affirmation of her love of vintage style and decor, quality garments and fabrics, personalized goods, and Lindy Hop. Ella Fitzgerald’s dulcet tones greeted me as I walked through the custom painted gold door. The shop was on the smaller side, yet spacious feeling, furnished with early to mid-20th century furniture, vintage haberdashery items, and artwork, including various vintage-inspired Lindy Hop event posters. The chevron stripe wood floor gleamed. A teddy bear sporting one of the reproduction Whitey’s Lindy Hoppers jackets sent me over the edge. Bolts of beautiful fabrics, racks of sample menswear garments with exquisite details, rows of sample shoes to try on, a rack of Chloe’s staple women’s items, and vintage and vintage-inspired accessories completed the offerings in Chloe’s shop. I would also characterize the space a hybrid shop and studio – there was a room to the side I could see through glass that was clearly a sewing workroom. Most of the space functions as a custom menswear studio, where one would come in to be fitted for garments, view and try on sample garments and fabrics, select various cuffs and collars on display that could also be tried on, and once an ensemble was completed or conceived, select carefully curated accessories – vintage ties, Trafalgar braces, vintage cufflinks, tie cips, tie bars, caps, etc. – to complete the look.
The front portion of the shop was dedicated to Chloe’s dance shoe line, both women’s and men’s shoes. The shoes samples could be purchased if the color and size you needed were in the sample stock, but otherwise the shoes were made to order. I purchased my first pair of Chloe’s dance shoes last year at ILHC and they have become my favorite dance shoe, so I made plans to purchase two more pairs in colors I wear most often for dancing. A few weeks ago I had come to the realization that my 1930’s gold shoes were more of a deeper, bolder gold than most modern gold shoes and, of course, Chloe had the perfect leather sample to make just such a shoe so I can now have a dedicated pair for dancing. Does one have a conversation about 1930’s gold leather characteristics with just anyone? My heart sings for Chloe…
Back to our mission, we located a trumpet skirt for Allison – I imagine Chloe’s skirts are in such demand, as there was a limited selection, so don’t feel slighted if you’ve tried to order online only to find out she is out of stock. Everyone wants this skirt! There will be more coming soon, I understand, as well as some lovely trousers that look like they will lay perfectly, move well, and be as durable as the trumpet skirts.
It must be impossible to go into Chloe’s shop and NOT order menswear, so Keenan decided it would be a good idea to order a couple of dress shirts and to get measured in case another purchase may be viable in the future. It was such fun picking out fabrics from the lovely samples, selecting collars, cuffs, embroidery, and details for the shirts. Chloe was a wonderful collaborator, discussing options, allowing for opinions, and making suggestions. The turnaround was predicted to be fast for custom garments, about 3 weeks for the shirts.
While Chloe was working with Keenan, I essentially floated around her shop, absorbing all of her good taste and beautiful things, giving me life and energy and joy. I spotted a cap hanging on the wall I had been seeking for years – black and white tweed with a rainbow fleck. Into the bag it went!
As I finish this post, I realize that Chloe has been on my radar since 2013 and I have known her since shortly after that, seeing her at least annually at dance events in the US. It was thrilling to be able to visit her on her home turf, to visit the bustling city of Seoul that she calls home, and to glimpse into her daily life at her shop/studio. If you find yourself in Seoul, I would highly recommend setting up an appointment and making your way to her shop – it felt like a home away from home.
Since their launch a few years ago, I’ve been a supporter of Royal Vintage Shoes, an offshoot of American Duchess, creating reproduction vintage shoes from the 1920’s, 30’s, and 40’s. My one complaint was that these wonderfully crafted shoes with leather uppers did not have leather soles – until now! For Spring 2019, Royal Vintage has made the transition to leather soles and I’m so excited about the offerings, all of which can be added to your dance shoe wardrobe. The new leather soled collection will be available for pre-order on their website starting on April 25, 2019. I particularly love the wedges, the heeled oxfords, and I’m delighted they are re-issuing their two tone Lillian Mary Janes (although I’ve already purchased the rubber soled version from a previous collection, womp womp). Enjoy their “Foxtrot Summer” collection, aptly named to now cut a rug!
The shoe blessings runneth over and, while this vintage reproduction shoe company doesn’t appear to be directly marketing to the swing dance community, all signs point to it being a default winner – Memery, a UK-based company, is making reproduction shoes from the 1920’s, 1940’s, and 1950’s with leather soles (but also a vegan option) and they are lovely, in some classic colors and some unexpected colors. While it appears that they are getting a start on their shoe lines, it looks like they are off to a strong start, particularly with their 1940’s pump, which comes in six scrumptious suede colors and two heel heights (3 cm/1.18 inches and 6.7 cm/2.6 inches). This is definitely a shoe company to watch!
This year was my first full Camp Hollywood experience, flying in before the event began and flying out after the event ended, and after I got my obligatory In-N-Out Burger fix, I headed to the vendor area to hover and watch the magic unfold in the vendor area. The vendor area was comprised of an entire ballroom, a large adjacent conference room, and a large Camp Hollywood merch table where you could purchase both camp swag and music from the bands and musicians performing over the course of the event. This is definitely the largest vendor area at any event I have attended – I marveled at it last year, but this year I understood. The traffic in Los Angeles is so bad that you almost don’t want to leave the hotel, or at least not to go somewhere outside of a 5 mile radius. I looked into some sightseeing on Friday – maybe a vintage car museum or a Frank Lloyd Wright house – but the 12-15 miles to get there would take over an hour at 10:30 a.m., which I was neither willing to spend the time nor the money to accomplish at that point, especially with evening band obligations. So, the shopping comes to you!
I did manage an excursion with fellow vintage enthusiast Brettie Page, who had a car at Camp Hollywood – through some careful planning on her part and a small window of time on Monday where the traffic would only take about a half-hour, we rushed over to Paper Moon Vintage. I don’t have a full report because, when one has the challenge of an hour in a vintage store, one must be focused, particularly when said vintage store has a great selection of swing era items. Brettie and I both left with garments – she an incredible 1940’s bathing suit in shimmering white with gold stars and me with a silk 1930’s garden party dress – which is just about all you can ask for in a successful run to a vintage shop. I also left with this swell Jo Stafford pin – like, how often do you come across 1940’s band merch? Like, never. The cherry on this sundae was that everything in the store was 15% off.
Back at the LAX Marriott on the first day of the event, I hovered near the ballrooms and enough friends were volunteering at the Re-mix Vintage Shoes booth that I got pulled in with some lovely chatting and managed to be their first purchase of the weekend. Some day I will visit the mothership, but it was still great to chat with owner Philip Heath about shoes, pick up the shoes I had reserved, and check out all the new gorgeous purple shoes and a selection of wedges (which he doesn’t usually bring to All Balboa Weekend, the only other dance event Re-mix attends as a vendor). I was pleasantly surprised to find that the Starlet shoe will actually fit my feet, even though I believe it’s on the same last as the Gabrielle, which my feet are entirely too fat to wear – another pair to go on the wishlist!
My second stop of the trip, in the brief window between sound check and downbeat, was to hit up the Vintage Blue Moon booth and I’m so glad I did! Apparently, the vintage expo at the Queen Mary didn’t happen this year and Vintage Blue Moon was having a magnificent sale on jewelry, both vintage and some excellent reproduction “Bakelite” jewelry. The first pass yielded a Bakelite scottie dog brooch, a 1930’s rhinestone ukulele brooch, and a matching repro necklace and earrings set in peppermint stripes. I returned later to go through the clothing and there were some truly special pieces – in particular a 1930’s black satin (that heavy/heavenly indestructible kind) jumpsuit with appliqués (dying/gasping), really excellent 1920’s dresses, 20’s/30’s lingerie, and an impressive wall of menswear.
As I’m running through the vendor area, I notice a dress – CAN IT BE – it’s the Beach Clip dress! As we’ve talked about on this blog, I knew the Beach Clip dress (originally owned and worn by Southern California dancer Genevieve Grazis) was being reproduced for sale by Loco Lindo and recently heard that it would be debuted at Camp Hollywood, but I almost couldn’t believe my eyes. Having examined it up close and inside out, I was so excited to finally see this project come to fruition and to see an entire rack of these dresses in wonderful prints on comfortable and washable rayon crepe. I made a beeline for the Loco Lindo booth after the main dance ended and was relieved to find several prints still available in my size, including a scottie dog print. (Fate? Fate.) Loco Lindo owner Linda Marrone and her crew did an incredible job with the design, translating a fairly complicated late 1930’s dress into the garment I ultimately purchased, which will be comfortable and movable for dancing, with the same amazing twirl from that gored skirt. You could also buy a Beach Clip skirt, and, of course, any of Linda’s other wonderful dresses, skirts, pants, and blouses in that wonderful crepe fabric. The “Venice Beach” skirt is already on the website and I hear the dress will be posted for sale in short order. Very special thanks to Jennifer Halsne, who essentially unearthed this dress, brought it to national attention, and then worked with Loco Lindo to make this reproduction happen! For more on the story of the Venice Beach/Beach Clip dress, visit Jennifer’s blog, Swing Sleuths.
Sharing the vendor area with Loco Linda was Bandini St., selling a variety of head bands, hair flowers, shoe bags, and ideally situated next to the door leading to the main ballroom across the hall. Let’s say you’ve already picked up a pair of Re-mix shoes, snagged a dress from either Loco Lindo or vintage dress, then you can put the finishing touches on your ensemble and/or buy a nice shoe bag to protect your new shoe investment. I had thoughts about WHAT IF THE AIRLINE LOSES MY LUGGAGE and then I realized that I’d be at Camp Hollywood where I could replace everything except my underwear.
All the Shiny Things! Occupied the center of the main vendor ballroom with an intense amount of jewelry for just about anyone or anything. I noted on the evening of the A Bug’s Life theme that it would be easy to stop by the ATST booth and instantly upgrade your outfit to tonight’s theme by purchasing one of many insect brooches or small pins to be worn on a dress or lapel or collar. I particularly loved the rainbow display of bangles – lucite, bakelite, other plastic, who knows? But if the color fits…
Need a hairstyle to get you through the weekend or maybe want to do something special for the Saturday night dance? The stylists from Hush Hush Bang Bang had you covered, offering an array of services from blowout to a full updo or glam waves.
A Walk Thru Time Vintage is the last stop in the main vendor area ballroom, offering a mix of swing era vintage, later vintage, and costume pieces. I particularly loved that they created a tiki/tropical vignette, as we were surrounded by palm trees poolside at the Marriott and it just seemed right that you might want to pick up something festive to wear by the pool or to the special poolside live music on Monday.
Across the hall in a conference room I found a Lip Sense booth, which was a collaboration among Iris Tarou (who was also vending at Lindy Focus this past year, Tawnie Gadd, and Lisa Cleveland. I am a big fan of budge-proof lip color for dance events for obvious reasons (short = face sometimes accidentally grazing lead’s shirt during Bal, also having to be dressed before dinner because of time constraints) and I am not above forgetting cosmetics! I also love the combined effort of these dancer/business women, which means the booth stays open more often for shoppers and they can alternate dance time!
The remainder of the conference room was a bit less defined, so I apologize if I credit a garment to the wrong vendor. Both Pepperpie Vintage, who was at Camp Hollywood last year, and Rare Revival Vintage carried a mix of swing era vintage and dance/fab appropriate later vintage items, mostly women’s items. In the very back was a men’s corner by Purple Peacock Vintage, with some truly fabulous menswear pieces, like a 4 piece suit (extra pants, y’all), other swing era three piece suits, and the cutest light blue and white polka dot braces (that I really considered buying even though I don’t own any pants that could accommodate them).
If I’ve missed anyone, please give me a shout! There’s so much going on at Camp Hollywood and the vendor area is no exception – save your pennies to do some serious shopping at next year’s event!
I attended my 12th All Balboa Weekend this past weekend and, although I didn’t compete, DJ, run a fashion show, or run a band, I still managed to fill my weekend with so many good things and people even though I came there “just to sing.” Of course, no trip to Cleveland would be complete without a bit of vintage shopping, both on-site and in town. You can check out past blog posts for the scoop on Sweet Lorain and Chelsea’s Costumes, the former being my favorite vintage store of all time and the latter being a great place to score some inexpensive and awesome menswear.
At the Holiday Inn, the vendors did not disappoint this year. There are always a few new items of ABW merchandise each year, including baseball tees with the phrase “I’d rather be doing Bal” and a cute silhouette of Bal dancers on a solid tee and a striped tee. If you’ve looked at the ABW baby tees and thought you didn’t have a use for such things, have you considered that your dog may look adorable in just such a tee? A sweet pup named Luna came to hang out at the event (who may be the most calm and tolerant dog I’ve ever seen) and did a little photo shoot for us and everyone’s heart melted just a little bit.
Re-mix Vintage Shoes was out in full force with an array of Bal-friendly footwear in colors to suit just about any outfit. I didn’t see any new models, but that doesn’t particularly matter when you are dealing in the classics and when you want to replace that pair of gold Balboas that you’ve worn out that not even a gold Sharpie can salvage at this point to make them look like you didn’t put them through a meat grinder…it always makes me happy to walk by this table and see people excited about buying a pair of Re-mix shoes.
De Fils en Perles returned with even more gorgeous beadwork and whimsy. Classic Art Deco-inspired cuffs abound, a new series of rings were added, along with a number of butterfly designs (which were super popular and sold out last year), and (for funsies) some 8-bit characters from Super Mario Bros. and some Minions. The detail here is scrumptious, with no two pieces alike.
Dancestore made an appearance, although I should really call it the Laurie Gilkenson (aka Nina’s mom) booth because it’s more than just Dancestore shoes, it’s also a collection of vintage and vintage-inspired items (such as castoffs from Nina’s incredible shoe collection), as well as hand-crafted items made by Laurie, such as knitted caps for newborns.
Victor Celania set up a booth for his successful custom menswear business, Established Sartorial – based in Austin, Texas, victor has clients both within and outside of the swing dance community and decided to try a vendor booth at ABW. Victor is also the bandleader of the Waller Creek Vipers, whose debut album Bespoke Bounce is hot off the presses and you could pick up a copy at his booth while you drool over all the lovely menswear fabrics.
Jamie Sturdevant of ChatterBlossom was busy every time I rolled by her booth and I think people are finally in the same place I have been for a while, bringing Jamie garments and getting her expert opinion on just the right color, texture, and scale to complete your look. I say complete because I never quite feel right with just my plain hair at a dance event anymore, a flower just elevates an already special night of music and dancing. I also spotted a number of men picking up her boutonnieres, which delights me to no end.
Holding it down at the end of the hallway were the ladies of Flower Child, who informed me that this is their favorite event to collect things for throughout the year, and you can tell that they know their audience well. I find myself revisiting this area multiple times throughout the event, to look for myself and to marvel at how well-curated it is, to the point that I picked out a couple of things with specific people in mind and those people ended up buying those garments. They get us. I saw that they had more separates this year for women, gorgeous blouses, and my favorite piece of clothing was a light turquoise gabardine jacket that Victor picked up for himself.
That’s all for now – save your pennies for next year and join us at All Balboa Weekend for excellent dancing, music, and shopping!
5-year-old Lindy Shopper is squeeing right now, because Re-mix Vintage shoes has added a number of purple shoes to its lineup – my favorite color as a child, second favorite to green now. I remember looking for purple shoes to wear with vintage for a long time and I did manage to pick up a couple of pairs, but nothing I could wear dancing, and Re-mix always had a couple of pairs (mostly multi-tone or eggplant), but nothing that really spoke to me until now, particularly seeing them all in a row. Let us take a moment and bask in the purple options in various heel heights and styles…
He may not know it outright, but Simon James Cathcart is here to serve swing dancers – that is, serve up classic, rare, and sought-after reproduction menswear pieces in great fabrics. His latest offerings are all cotton, which means it’s all breathable and washable for us sweaty dancer types.
The workwear cotton stripe is being offered in four pieces, a belt back jacket, a waistcoat, a pair of trousers, and a cap, all inspired by 1920’s workwear. From the website:
“SJC has woven this exclusive cloth, which recreates the striped pattern from a pair of genuine 1920’s work-wear trousers in the company’s collection of vintage clothing. The cloth has been brushed on the inside for warmth…”
The details on these pieces are wonderful, as per usual – notice all the careful seams and generous use of pockets. Of interest to dancers would be the note about ample room in the thigh of the trousers, which translates to more room for your legs to move about unrestricted.
Finally, you just need some basics and SJC is, again, delivering the goods – what’s more basic than a pair of chinos or a pair of jeans? The workhouse chinos come with all the casual air of a weeknight DJ’ed dance, but have all the details you expect from period trousers, such as buttons for braces, a cinched back, and a nice V at the back of the waistband.
Cotton = breathable = sweat and dance to your heart’s content! Keep it comin’, Simon!
In the search for reproduction menswear, one of the most commonly worn items, a dress shirt, is generally available – however, if you are a stickler for detail, you’ll notice that most modern men’s shirts lack that distinctive spearpoint collar prevalent in jazz age/swing era shirts. One could always spend the money for a custom shirt, but what if you just want something a little more vintage without spending an arm and a leg?
It has been suggested by some of my esteemed OcTieBer colleagues that Natty Shirts’ “Savvy Journalist” shirt is that shirt – not quite exactly a vintage spearpoint, but definitely closer than most modern options, and, at $29.99, it’s far from breaking the bank. You can even get it monogrammed for an additional $5.00.
I will continue to sing Simon James Cathcart’s praises – his fall releases thus far consist of matching separates in salt and pepper or Dutch blue chambray, inspired by nineteen teens, 20’s, and 30’s workwear, and I think the concept of purchasing mixing and matching pieces you like is brilliant, not to mention all of these could be worn separately or together as a suit. And all the pieces are great – two jackets (belt back or Norfolk style), two styles of trousers with proper buttons at the fly and for braces (narrow or wide leg), a waistcoat in each color, and a dart cap in each color.
But what to wear with your new workwear? How about a work shirt in 4 different colors, two stripes and two solids? SJC gives you a great jumping off point for many different workwear inspired looks. Add some work boots or oxfords, add a tie to dress it up, add a henley to dress it down…
ALSO, there’s a 40% off sale on those magical chinos that everyone keeps looking for on my blog (high waist, wide leg, breatheable, danceable), as well as the summer weight flannel trousers (which I think would be more perfect for fall around these parts), the signature zig zag neckerchief, and the vintage style polos in bamboo fabric that every dancer needs as part of their wardrobe of comfort and style.
The shoe news just keeps coming, Re-mix Vintage Shoes has some new goodies for us – a limited edition teal/blue color combo in their popular Balboa style (but only 16 pairs total – don’t hesitate if you need these in your life) AND a brand new style called Starlet. I love love love the new Starlet shoe, anything with a wide low heel and cutouts is good in my book. It has the same heel as the Gabrielle shoe, I just hope it doesn’t share the same width issues for my fat feet…feel free to weigh in on fit/stretch in the comments after you’ve worn yours for a few months. 😉
I’m excited to bring you my first ever Lindy Shopper vendor report from my very first Camp Hollywood! I have been wanting to attend this event for years and life always found a way to keep me away from dancing in California. I was able to attend half of the event (Sunday and Monday), to sing with Michael Gamble and the Rhythm Serenaders, and even attending half of the weekend was awesome, but I’m afraid my vendor report has some holes because not all vendors are at their tables all the time and our schedules didn’t always coincide.
Camp Hollywood has the largest dedicated space for vendors of any event I have attended, it’s an entire hotel ballroom, plus a side room with a clothing vendor and hair salon pop-up. If the airline had lost my luggage, there were no worries about covering my needs for the weekend.
Let’s take the tour, shall we?
My first stop was Vintage Blue Moon, which arguably held the largest vendor space and was a treasure trove of both men’s and women’s vintage – the men’s section was at least as large, if not larger, than the women’s section. There was enough inventory that I felt transported, I’ve been in some brick and mortar shops with smaller inventory than what owners Robert and Kristi Alvarez brought to the LAX Marriott. The selection was carefully curated for its swing era audience, and even had a good selection of 1920’s clothing and accessories, which they brought this year after getting requests last year. I picked up a 1940’s suit for my day job that is reminiscent of something Tilda Swinton would have worn in her turn as gossip column twins in Hail, Caesar! and I couldn’t be more pleased.
All the Shiny Things occupied most of the vending space in the center of the ballroom and I’m afraid I didn’t get a chance to chat with the owner of this space, but the array of costume jewelry from so many decades past was vast and colorful – I get easily overwhelmed by jewelry counters and this was like the King Kong of jewelry selections. I loved all the colored bangles, if you were looking for a match, you’d probably find it here. Now looking at this photo and wishing I had more time to figure out what colors I need!
I was excited to see Loco Lindo again, who had come to All Balboa Weekend several years ago, and see what owner/designer Linda Marrone had been up to since then. I’ve been following her line of clothing on Facebook, but it’s always nice to see things and chat in person. Her washable and danceable crepe dresses (great for work, too!) were already selling well and she was out of several sizes in some prints, but I managed to snag a dress in my size in a tropical print that I’d seen on her website and liked from afar. Her corner of the ballroom was cheerful and bustling, a credit to Linda’s designs and her personality as she chatted with the dancer/shoppers. Like Trashy Diva, her prints come in limited runs, so don’t tarry when making your decisions about what to buy.
The ever-classy Chloe Hong occupied a good portion of the vendor ballroom, with the largest selection of items I’ve seen at an event to date. In addition to her custom tailoring and racks of samples, she carried two colors of the famous Whitey’s Lindy Hoppers logo tee, as well as a rainbow selection of her low-heeled t-strap shoes, which are fast becoming ubiquitous on dance floors all over the US (and I can say this, having seen them at dance events on the east coast and the west coast on the same weekend). Gracious and kind, it’s always a joy to see her at events and see the beautiful custom work she does for dancers.
Occupying an end cap of the All the Shiny Things center island in the vendor ballroom was Electro Flapper – Get Dolled and Dapper, featuring vintage hairstyles, brow shaping, and lashes by owner Brittany Leavitt. I didn’t get to spend time chatting with Brittany, but I do love seeing these services at dance events, whether its for a special updo or routine maintenance that you simply haven’t had time to get to until it’s right there in front of you at a dance weekend and you’ve got an hour of free time. Check out the amazing and perfect vintage ‘dos on her Facebook page and get inspired to make an appointment for CHXI.
Because there were so many vendors, two vendors had to set up in a conference room next door to the vendor ballroom. The first of these is Pepperpie Vintage, which had a mix of swing era goodies and clothing from more recent decades. Again, I just had enough time to run by and snap some photos, thankfully with the permission of owner Perrin Iacopino – but, alas, I couldn’t find a website or a Facebook page for this shop, so if anyone in the know can direct me I will be happy to link to where we can find Pepperpie Vintage information in the future.
Sharing the space with Pepperpie Vintage was a “Hair Bar” run by Kimmery Michelle Thompson of Shear Attitude Hair Salon, offering up-do’s, down-do’s, a mix of both, hair accessories, and color streaks. The Hair Bar looked so inviting, with a lighted sign, vintage pink bonnet dryer, and a glorious Art Deco vanity that just begs for finger waves to be done in view of its glorious circular mirror. I didn’t get to see Kimmery in action, but you can see her work on her lovely Instagram page, @_kimmerydoesmyhair. Two great hair stylists at this event!
We return to the vendor ballroom to visit Saint Savoy’s table – no one was at the table when I was in the ballroom, but it’s no secret that I love dancing in their shoes, having blogged about them several times before on this blog. Since I didn’t acquire any new and interesting tidbits, I’ll share all my previous Saint Savoy posts so you can see the love.
Also no secret is my love for Re-mix Vintage Shoes and, while I didn’t get to visit the mothership, owner Philip Heath had an extensive selection of footwear, including wedges, which are not usually a part of his All Balboa Weekend display (which is the only other time I have seen Re-mix shoes en masse at an event). I got to chat with Philip for a bit about his recent travel to Italy to sell shoes at an event, his visit to the shoe factory that makes these glorious shoes in Spain, and about the construction of the reproduction 1940’s wedges. Did you know that not just the leather outside of the shoes is modeled after vintage shoes, but also the inside construction of the wedge sole? We talked about the flexibility and give of the leather for each style, particularly the two most popular styles, which right now are the pleated toe wedge and the Vogue wedge. Philip noted that even the finishing touches are the same on these shoes, with a stitched edge on the pleated toe and a ribbon edge on the Vogue, both of which affect the structure of the shoe, how it fits, and how the leather stretches (or in the case of the Vogue, how it doesn’t stretch as much because of the ribbon). This explains why my bunioned/bone spurred feet gravitated toward the pleated toe wedge as my favorite pair of Re-mixes for dancing! Close seconds in the most-popular-Re-mix-wedges-for-dancing category were the Picasso wedge, which I find has similar give to the the leather as the pleated toe, and the Greta wedge, which Philip noted that many people with difficult feet were surprised at how well this shoe worked for them and stretched with them. I had been having some anxiety about another dance shoe company discontinuing all of their wedges (maybe hanging on to them past their smell-by date) since I mostly wear wedges to my local weekly dances, but I feel so much better after this conversation with Philip about selecting Re-mix wedges that are going to be right for my foot for dancing.
Last, but certainly not least, instructor/dancer/visual artist Mickey Fortanasce has created a follow-up deck to his original Legends of Swing deck of playing cards (sold at Lindy Focus this past year), with the second edition featuring swing dance legends from the west coast, including Jean Veloz, Hal Takier, and Ray Hirsch. Two important things to note: 1) “ALL profits from the sale of these cards will be donated to worthy organizations The LA Burrito Project doing outreach feeding and donating supplies to the Los Angeles homeless, andBlack Lindy Hop Matters, an organization based in Baltimore, MD which works to build welcoming communities and advancement opportunities for black dancers and advocates for cultural integrity, recognition and respect for African American people and heritage” and 2) you can still purchase a deck from the Camp Hollywood website while supplies last!
I know I am missing at least one vendor, but I wasn’t in the ballroom when the vendor was there to get permission to take photos, so my apologies! (EDITED to add that Jen Gomez of Bandini St. came forward to note the missing vendors, one of which was her table of accessories and shoe bags that was a part of the Loco Lindo booth and I had taken a picture of her shoe bags and not realized it was a separate vendor. Check out her Etsy shop, full of lovely hair accessories. The other vendor I missed was A Walk Thru Time Vintage and Costume Annex, selling vintage clothing and costumes. Thanks, Jen!)
Much love to you, Camp Hollywood, for providing such ample space for vendors and for providing four days of shopping, social dancing, competitions, classes, and so much more. ❤
I apologize for the tardiness, but, as we all know, life happens outside of the Internet – always better late than never is the All Balboa Weekend vendor post, because ABW has, in my opinion, the best vendor aggregate year after year. This was my 10th ABW, if you can believe it, and the first one I couldn’t attend for the entire weekend, but I promise I crunched to maximize my time there and to give you this attempt at a comprehensive vendor post.
Before we get into the shopping, I have two things to note:
I was given the incredible opportunity to examine Genevieve Grazis’ performance clothing, including the famous Beach Clip dress, and was invited to talk about the dress’ construction and details in front of the entire event as part of Kate Hedin and Bobby White‘s presentation and demonstration of the dress. While everyone is gaga over the 11 godets that, combined with 1930’s satin, make this dress spin like a dream (and rightly so!), but my favorite part of this dress are the sleeves – a triple pleats, both front and back, along the arm hole seam with two piped seams straddling a panel in the middle of the sleeve. The result is a puffed sleeve created by divine architecture.
2. Coif magicians Destinee Cushing and Francine Amendola combined forces to form the Hepcat Salon, delivering incredible and pristine vintage hairstyles all weekend long. I know several people who will get their hair done and wear it for a couple of nights or most of the weekend so they don’t have to worry about doing it multiple nights and to keep it out of their faces, which I think is a great plan to maximize your ‘do and practical for a dance weekend with lots going on that you don’t want to miss.
The flagship booth at ABW is always Re-mix Vintage Shoes, who makes very rare appearances at any events outside of southern California. I know people wait until ABW to buy their first (or second, or 10th) pair of Re-mix shoes so they can try them on and see how the styles fit their feet. I can’t tell you how happy it makes me to see them all in a row.
Next in the lineup was Sweet Lorain, which is my favorite vintage shop in Cleveland. To call it a shop is really an understatement, it’s almost a warehouse, definitely a department store, and you can get lost in there for hours amongst the clothing, furniture, kitchen wares, records, Christmas decorations, and on. Of course, for ABW, they pull a selection of garments with dancers in mind from the 1930’s through the 1950’s so that you don’t have to do the digging, it’s already been dug out for you and is sitting in the hallway of the event. My story this year is that Andy Nishida and Rita Shiang (dancers and organizers of Richmond, VA’s Jammin on the James) had come to Cleveland a few weeks earlier for the World Congress on Art Deco and had scouted a 1920’s dress for me at Sweet Lorain. 1920’s dresses are hard for me because of my body type, so I was hesitant to phone in the purchase, even though Rita knows my size. I show up at ABW with this texted photograph of a dress and the owner, Redwin Lewis, knew the dress immediately, still had it, knew it would be perfect for me – and it was! Sometimes vintage shopping is easy and sometimes it takes a few steps to find a dress a home.
De Fils en Perles returned to ABW this year with even more intricate beadwork, much of it Art Deco-inspired. I was particularly smitten with the earrings this year, which were often made of an exquisite central bead with smaller embellishments and looked perfect for certain 1920’s and 1930’s ensembles. I am often overwhelmed by jewelry, so many beautiful small things at once, and I took some time to sit down and go through the earrings and really appreciate the detail that goes into each piece.
Retro Rosie made its ABW debut this year and before I even got to ABW, there was a buzz that a vendor was there selling Trashy Diva. I spoke with Miranda Scott, the owner, who runs this brick and mortar shop and an online shop, that most of her sales are online. I found this unsurprising, given the specialty nature of the garments (as much as I like to think we are the norm), and was glad she gave ABW a chance. She had several Trashy Diva dresses that are discontinued in most sizes, so secondary stockists are essential for the dress you may have missed (since they TD lines are selling out within days of launch, nowadays) and the chance to try things on in person. She also had a selection of Besame Cosmetics, another item that I can’t purchase locally to me, but that I see on the internet all the time on vintage blogs and it’s great to see the colors in person and be able to try them on, as well.
Jamie Sturdevant’s Chatterblossom booth is always a bright spot, with her cheery disposition, creative floral-inspired ensembles for each day, and a bevy of blooms for each possible scenario and outfit. Indecision abounds at this booth, as there are so many to choose from, so many outfits to match, so many beautiful pieces that you just want to come home with you. My favorite pieces this year are the giant lilies she acquired earlier in the year by chance, they are just so big and elegant, I want one in every color! Message her about matching one to your favorite ensemble, her Etsy listings are only the tip of the floral iceberg.
Finally, at the end of the hallway are the Flower Child ladies, who also do an amazing job of curating just the kinds of vintage goods dancers and swing era enthusiasts want, and also go back to their warehouse to look for items to fill specific requests. With new things brought back every day, it’s worth a gander multiple times during the event to keep up with what is in stock. My favorite item this year, brought to my attention by Jamie and ultimately purchased by Destinee, was a chartreuse 1930’s gown studded with rhinestones, featuring braided straps and a bias cut guaranteed to flatter the figure. Destinee wore it on Saturday night and, with her impeccable hair and makeup and a Chatterblossom bloom, looked like a legit silver screen movie star – or perhaps early technicolor, because no one should hide the color of this gown!
If I seem like a broken record, I promise it’s not the record, because the tune keeps changing. One of the benefits of doing limited runs and placing orders in advance for goods is that you are only ordering based on the demand and you can easily switch your attentions to the next development. I really like Simon James Cathcart’s business model because he is constantly bringing new items to the market, hence the repeated posts. The downside is that you don’t get a year to mull over whether or not you need something in your life, but maybe that’s best – if it’s not hitting us in the gut or on our mind consistently for a matter of days, do we really need it? You might if you decide you might have regrets later. I’ve learned to trust my gut.
Another thought before I get to the substance of this post – the most searched for item on Lindy Shopper is men’s high waisted trousers, presumably in light-weight, breathable fabrics for dancing.
So what I am telling you is that this item, which is the most sought-after item on this blog, is available to you now on Simon James Cathcart’s website, but not for long! This limited run of 1930’s chinos, available in khaki, navy, and chocolate brown, are what you have been looking for – something off the rack that you can throw on your body with a shirt of just about any ilk, and go out dancing. Washable. Breathable. Movable. Unisex. That’s right, ladies, these trousers are for us, too – though a man’s pattern, given that these sit at the natural waist and have a wide leg, wide enough to accommodate a larger hip/waist ratio, this could work for you, too. SJC’s advertising includes both a male and a female model to show you just how this will work, which caught my eye and took out the guesswork.