This post was written by Lindy Shopper.
If you haven’t been to Dancestore.com in a while, you should spend a few minutes checking out their new selection of shoes. I knew Dancestore was working on a pair of mesh and leather Aris Allens, but I did not know they had other men’s styles and new women’s shoes up their sleeve, as well. They were kind enough to invite me to test out a few pairs and I’m happy to share my report with you about the women’s shoes (and direct your attention to some of the men’s shoes I think are worthy of a look-see).
The first pair I decided to try was their new saddle shoe. I personally think saddle shoes are adorable and if you showed up to a dance in a 40’s skirt, blouse, sweater vest, and saddle shoes, I’d think you were completely awesome. And adorable. Very collegiate, no? I think most people associate saddle shoes with the 1950’s and poufy skirts, but they date back to 1906 when Spalding introduced them for tennis and squash players and reached their height as a trend that spanned 20 or so years, from the 1930’s through the 1950’s.
I have been looking for a pair of saddle shoes for myself for some time, but have failed to find any with leather soles (like the pair from my childhood), only that spongy “crepe” sole which I find not as well-suited for dancing. Dancestore has introduced a great compromise – a saddle shoe with a hard rubber sole that has been sueded. I opted to try the brown tweed version of their saddle shoe, which has a soft tweedy fabric covering most of the shoe with brown faux leather covering the “saddle” part of the shoe. They came with two pairs of laces, a thicker set and a thin set. When I first tried on the shoe it felt a bit stiff, but after only a couple of dances, the stiffness wore off at the points where I needed movement. The shoe itself was very comfortable, the rubber sole flexible, and I didn’t worry about the shoes as I danced in them. I wore them with socks, which was a nice change for me, and they looked great with the collegiate outfit I described above. The only criticism I have, which is more of a personal preference item, was that the footbed was not super cushioned – this is not something that bothers me, but some people prefer a cushioned footbed. Given the shape of the shoe, it would be easy to add an insole or inserts for an easy fix. I normally wear a 7 in Aris Allens and needed a half size larger because I wanted to wear socks with them.
The second pair I tried is actually a style that has been out for a while, but since I don’t normally wear flats for dancing, I hadn’t had much incentive to try out the Aris Allen Athletic Mary Janes. I know there is a population of dancers out there who don’t wear heels who are looking for a Keds alternative, so I thought I’d try them out. The biggest pros for me with this shoe were the wide sole and the cushy insole. The shoes themselves felt of regular width, but the width of the sole seemed wider than the sueded Keds I owned, which in turn made my ankles less prone to roll and just gave me more overall security in feeling “grounded.” The insole on these shoes is cushy in all kinds of good ways – giving without being squishy; soft, yet resilient in its mesh design; arch support with good placement of said support. The strap was ample, so they remained on my feet, and the wingtip styling is adorable. I also had to go a half size up with this shoe for it to fit comfortably. I am hopeful that, like the white mesh oxfords, I’ll be able to shine these up with Windex when they get dirty.
The final pair I tried is definitely a new style for Aris Allen and was the one I was most excited about – the d’Orsay sandal. I have admired the Aris Allen d’Orsay satin t-strap since they launched a few years ago, but never bought a pair because the 3 inch heels were just too high for me for dancing. I hoped that they would create a similar pair with a lower heel and was elated to see the d’Orsay sandal with a 1 5/8 inch heel.
I selected a black satin pair to try out. Initially I got a size 7, but couldn’t fit my foot in the shoe, so I exchanged them for a 7.5. I got the 7.5 on my foot, but because I have a weird foot* the part of the shoe around where your foot enters the shoe near the ball of the foot was too tight. I enlisted the help of my friend Tiffany Linquist, another size 7 lady, to test the shoes for me, as her foot fit into them without the same problem. Another dancer, Heidi Reule, also tried out the fit of the shoe and did not have the same problem.
After about 5 dances, Tiffany came back over to me – the short end of the strap had broken on the d’Orsay sandal. We were pretty mortified, because we both have Aris Allen shoes that we love and know that they can make quality products. We brainstormed about the shoe and here’s what we came up with:
– The quality of the shoe appeared to be good – the materials used appeared to be quality, the overall aesthetic of the shoe was very good, the cutouts added to the comfort at the ball of the foot, and the insole was soft and comfortable.
– The heel height and width were ideal for Charleston, Balboa, and Lindy Hop.
– While the ball of the foot was very flexible, the arch was not – it was stiff and the shoe itself was very narrow at the arch. Tiffany’s feedback was that the shoe was very comfortable while she was dancing on her toes, but not while she was standing still. The arch, overall, felt and looked very narrow and, when she was wearing the shoes, she said it felt like her arches were dancing off a cliff (i.e. not secure).
– The arch support in the shoe felt like it was too far forward in the shoe.
– We were surprised that the strap broke (the small part with the buckle, not the long part with the holes for the buckle) until we noticed that there was no elastic on the strap. The absence of elastic, combined with the stiff arch appeared to put unnecessary strain on the strap, which likely caused the break. There is only so much thread can hold without some give to that tension.
That said, I hope that Dancestore does not give up on this style – I would still love to own a pair of shoes in this style and heel height – I hope that they take this feedback and make some improvements to this lovely shoe – a little elastic and some love in the arch would help what is, otherwise, a good shoe.
Styles I did not try, but that are also new include a cap toe sneaker – if you’ve been dancing in your Chucks and finding them lacking, maybe an investment in the Aris Allen Cap Toe as a viable alternative. Available in black, brown plaid, and black/white/blue plaid. They have also added a number of colors to their heeled oxford selection, including black/black & white houndstooth, black/blue brocade, black/red brocade, and fuschia velvet.
MEN! If you are still reading, you are dedicated – there are good things for you, including a much anticipated mesh wingtip in brown tones, a sweet white wingtip that looks like it may give Re-Mix’s version a run for its money (at half the price), and dance loafers in black, white, and a “Michael Jackson” edition in black with a special rubber insert in the heel that was specific to a pair of shoes worn by the King of Pop. I notice in the descriptions for the white wingtips and the loafers that they have taken feedback from dancers to heart and made these pairs with a thicker sole than the regular Aris Allen dance shoes – the result is something more like a quality pair of dress shoes and requires a bit of a break-in period. Not a bad thing if you are looking for a more quality pair of shoes. Men, I would take the time to read the descriptions of these shoes, as they have taken the time to describe their qualities in a fairly in-depth way to help you make a decision about what shoe would be right for you.
I’d be interested in hearing how the new Aris Allen shoes fare as compared to the shoes from December’s men’s footwear discussion…
I love where Dancestore is going with their men’s shoe line – I think the aesthetic is spot on and the focus on quality materials and listening to user feedback is a step in a great direction. I think there are some improvements that could be made with the women’s shoes – aside from the aforementioned satin sandal, I would also like to see more leather shoes in the women’s shoe line and would like to continue to be able to buy leather wedges, which are a staple of my dance shoe wardrobe. I see that my staple wedges are being phased out, which is a shame because there are no viable alternatives, in my experience, that have the same wonderful, flexible sole as my Aris Allens. I am on my second pair of tan Rugcutters (since purchasing my first pair circa 2003/4?), and would still be on my first pair if they hadn’t smelled so terrible after 5 or 6 years that I had to throw them out. I wore them to death, almost every night, until I could afford to expand my shoe wardrobe and buy more wedges. I love them, please don’t get rid of them! *grovels and clings to your leg*
I would like to thank Dancestore for involving me in a review of their products. I am a staunch supporter of their shoes because I believe that they are a great entry point for dancers to buy dance shoes at more affordable prices and are one of the few places offering viable social dance shoes in flats. I hope they continue to make shoes that I love and experiment with new styles and adjustments to make the shoes that they have even better for dancing.
– – – – – – – – – – – – – – – – – – – – – – – –
*I have weird feet, so not every shoe works. I am the genetic product of a father with narrow feet and mother with tiny feet, a high arch, and Haglund’s deformity – the result (in me) is a narrow heel, a disproportionately wide ball of the foot, and the Haglund’s knob on the back of my heels. I also have a Tailor’s bunion and have had two surgeries to repair a toe I mutilated in my youth by falling down the stairs, breaking my toe, and then stuffing the broken toe into toe shoes before it healed. Needless to say, I must have very comfortable footwear and my health insurance has labeled me as having a pre-existing condition.